For other artists, the works are representative, but lesser - known: the figures in Pistoletto's mirrors are fibreglass and bronze sculptures, rather than painted onto the surface; Boetti's maps are serigraphed rather than embroidered; Castellani's
textured white surface is paper rather than canvas.
Not exact matches
I find that
textured wooden or off
white surfaces photograph the best and then
white or cream bowls for food.
Like patterned wrapping paper covering a plain
white box, a
texture map is a flat image applied to a 3D model, thereby adding detail, color and
surface texture.
This fine, powdery dirt is well - suited for a variety of skin improvements including reduction of dryness and flakiness, excess
surface oil and also improves skin's clarity,
texture and elasticity with Rhassoul and
White Kaolin Clays.
-- and then, through the magic of science, it's turned into this
white, malleable strip with pinkish - red grainy
texture - y stuff applied to the
surface.
Crafted in a taupe color, it also contains black and
white fibers which together create a beautiful
textured surface with tiny loops and curls.
This handmade vessel sink features a soft,
texture - like
white sand color and boasts a smooth matte
white surface.
I'm not sure what crossover Bob was sitting in, but the Highlander hybrid that I drove over the long Thanksgiving weekend had a dash
surface made from some plastic composite that was
textured to feel exactly like a chalkboard (you could even leave
white streaks in it with your fingernails).
Unlike the Sprint Galaxy Tab, which has an all -
white back, and the Verzion Galaxy Tab, which has a
textured black
surface, the T - Mobile Galaxy Tab has a specked - black back, which is not quite as attractive as the Verizon version.
You can look for a long time at the
surface of some of the oils made around 1960 and still make new discoveries: a shift in colour and
texture at the right - hand edge of a work; a tiny, at times invisible, splash of bright green, pink, or turquoise; or a sharp
white rectangle at the very bottom, half obscured by thicker ice - cream folds of paint.
His technique involves a unique marriage of silkscreen and flocking, resulting in a rich, black and velvety
surface texture to contrast with pure
white acrylic support panels - lending a dense and blurred quality to her outline.
Ultimately, the power of the
White Paintings lies in the shifts in attention they require from the viewer, asking us to slow down, watch closely over time, and inspect their mute painted
surfaces for subtle shifts in color, light, and
texture.
Adding and obscuring in rotation, she builds a
surface of thickly
textured impasto from alternating layers of black and
white, creating a body of work that engages both with the figurative tradition of Pop illustration and the action and materiality of Abstract Expressionist gesture.
In the first work here — «Untitled # 17» from 1958 — the
textured white oil paint recalls abstract Guston, while a faint line of blue fissuring down the
surface is reminiscent of Clyfford Still's craggy abstractions.
This installation view of the Larry Gagosian Gallery exhibition Rauschenberg: The
White and Black Paintings 1949 — 1952 (April 18 — May 31, 1986) shows the range of scales and
surface textures that Rauschenberg explored in his Black paintings.
A child - like puppy - face motif also summons a primitive female form, and a
white wall emerges as a
textured surface only when the light renders shadows upon it — Black is interested in the alteration of the viewer's orientation and relationship to his works over time.
At Victoria Miro in 2012, the artists showed The Named Series, which consisted of actual wall
surfaces carefully removed by a restorer from the interior of some of the world's most renowned museums, and then reapplied to canvas as monochromes with various
textures and colour tones of
white.
Blunk used black and
white acrylic paint to emphasize the chainsaw -
textured surfaces of his scrap wood panels.
Sometimes compared to Richard Diebenkorn and Philip Guston, Peters populates his canvases with muted and saturated color blocks, geometric or architectonic forms, and
white or black lines, creating
textured and sensuous
surfaces.
A thick
white oil ground - probably of household paint - was brushed on to the smooth face of the hardboard to give a hard,
textured surface.
This is especially clear in a new series of burnished graphite works in which tiny
white spots resulting from air bubbles in the gesso result in overall patterns.Not only the spots but also their distribution and the
texture they give to the
surface are the beyond the artist's control.
Untreated, the heavy
white paper stock retains an impression of each pen stroke, resulting in a chiseled, dappled
surface texture.
«Cast from discarded clothing that Bourgeois has variously stretched, sewn, draped and piled into abstract, organic forms, the bronzes are then painted
white to give a ghostly aura to the
textured surfaces.»
The heavy
white paper stock retains an impression of each pen stroke, resulting in an incised, dappled
surface texture.
This densely packed work has a bright rhombus at its core, an intense accretion of thick
white, silver and grey impasto that builds out from the
surface in piled paint mixed with beach sand, taking
texture to the point of sculpture.
In this manner, the thick
texture of the small volumes of
white paint or silicone, instead of being spread over the
surface, framework of the tradition, condense themselves in colonies of nodules or in volumetric entanglements, like objects.
The
textures and
surfaces of the materials seem like abstract conglomerations of flesh and blood, only enhanced by the
white cube space of the Lisson Gallery, London.
In Shaved Ice (2010), a
white painted
surface gives way to the bubbly
texture of Gorilla Glue, weighted down by dozens of copper - plated steel bits that make the
surface appear even more constrained, referencing Piero Manzoni.
The recently launched Star Wars edition also had a
textured back mimicking the
surface of an island in the latest Star Wars movie, but it was not quite as rough as the original sandstone finish and also was
white in color.
It's also available in blue version and matte
white, with a comfy
textured surface.
When the curved walls of the antechamber slide open, visitors enter a black - and -
white effects gallery where direct ambient and grazing light is demonstrated on eight different
textured and smooth vertical
surfaces.
The use of a single - accent material in natural walnut brings a softer
texture to the room and plays off well against the crisp
white tile and marble and quartz
surfaces used throughout the space.
The soft fuzzy
texture and dusty
white green
surface is just gorgeous and adds so much
texture.
The Reclaimé laminate collection's
White Wash Oak mirrors the
surface and
texture of genuine hardwood floors.
From the recycled ceramic tile backsplash, to the durable stainless steel appliances, to the gray - washed hardwood floors, and the clean
white cabinets, each
surface contributes a unique
texture to the overall scheme.