Sentences with phrase «textured works through»

Percy creates textured works through layers of paint that build on the canvas.

A Reception will be held on February 8 from 1 to 4 p.m. Percy creates textured works through layers of paint that build on the canvas.

Not exact matches

Have not been a stickler on this and it's still awesome every time), pull it out and run it through the blender for 30 seconds or so to break up ice crystals and work it toward that lovely sorbet texture.

The sweet - saltiness of the ice cream works so well with those roasted, rich, cacao chunks striated through the whorls of ice cream, and the texture is gorgeous.

Throughout the years, the Nagles worked to improve the quality of halibut through the monitoring of bleeding and icing procedures, resulting in superior meat textures and a longer shelf life.

There is a texture progression baby and toddlers work through that begins liquids > smooth puree (stage 1) > lumpy puree (stage 2, applesauce, yogurt, etc.) > mushy (hot cereals, mashed potatoes, etc.) > melt able crunchy (Ritz crackers, short bread cookies, many boxed cereals) > soft (fruits, cooked veggies) > firm (meats, apples, etc) > crunchy (foods that «snap» uncooked carrots, celery, etc.) > mixed textures (spaghetti, stews, creamed corn, lasagna, etc).

What I discovered then and have seen proven time and again through the years with my own six very different children as well as with the families I've worked with is that, given the freedom to choose, children will generally experiment with more textures and tastes than if they are forced to eat their parents» choice of food for them.

Whilst the combination is super simple, I really liked them all thrown together, the knit and leather combo worked perfectly and there's nothing like a bit of pony hair & patent leather to through a few more textures into the mix!

The easiest way to work texture to your look is through a tweed item, whether it's a jacket, a top, or a tweed pencil skirt.

It's undoubtedly Gordon Green's darkest since «Snow Angels,» but successful for that: as Oli put it in Venice: «It's not exactly doing anything new, but it's a muscular and textured piece of work that shifts assuredly through tones and genre.»

Beautifully mastered on DVD and Blu - ray, which preserve the intricate textures and vivid, defining colors of the film, with commentary by filmmaker Guillermo Del Toro (whose pride in his work shows through), the featurettes «Beware of Crimson Peak» (a seven - minute guided tour through the manor) and «The Light and Dark of Crimson Peak» (about the set designs and color schemes), and five deleted scenes.

It's not exactly doing anything new, but it's a muscular and textured piece of work that shifts assuredly through tones and genre, features a rich and rewarding performance from Cage, and another excellent turn from his young co-star Tye Sheridan («The Tree Of Life,» «Mud»).

Visually, the details of the textures, character models and lighting have been improved across the board, and even though it's still not a particularly good looking game, the excellent animation work for the powerful weapon / class skills as well as the various imposing monsters shines through.

From 2002 through 2005 He worked again as a texture artist at Ion Storm on Deus Ex: Invisible War and Thief: Deadly Shadows.

From 1998 through 2000 he worked at Digital Anvil on Freelancer and the unreleased Loose Cannon doing environmental and architectural texturing.

Texture quality, view distance, and all the usual suspects are improved, and working with Techland we've further bolstered the game's graphical fidelity through the addition of NVIDIA HBAO + Ambient Occlusion, NVIDIA Depth of Field, and NVIDIA PCSS technology.

Her intricate works contain rich textures and reveal extraordinary manifestations of colour and formations... Each visceral sculpture is created through various repetitive and labor - intensive techniques, like teasing, twisting, dyeing, and sewing, applied to natural materials such as cheesecloth, burlap, and paper, which only serve to further accentuate these natural elements.»

In looking at Piffaretti's work, our eyes move through his compositions, matching color and shape, line and texture in a dynamic, yet strangely looping fashion that wraps back upon itself.

His treatment of iconography and appropriation of objects, symbols and words makes the familiar unfamiliar, achieving this through the distinctive, complex textures of his works.

Every single one has extraordinary color: the variety and brightness each piece carries, detail: the amount of work that is put into every aspect of each painting that make it look so realistic and abstract, lighting: the bright light shining throughout each image giving each piece an intriguing positive / enthusiastic energy, shading: the detailed shadings on each face giving them that 3 - dimensional look, definition: the quality of the defined lines that are portrayed through every painting (piece) and every small detail in the painting (like the faces and body parts) line: the complex and balanced lining that is seen in both, the abstract and realistic images in these works, texture: somewhat giving off an appealing texture to the works by the dimensions, as if you can reach out and grab the images, dimension: the realistic look that each women has (3 - dimensional), spacing: the space is used wisely in each work, very nicely spread out adding to its originality, touch: the clear and powerful finishing touch that every piece has, and the most visible that is seen in every piece here, is simply life.

While the works might seem haphazard at first glance, Denise's use of color, texture, and spatial relationships between objects are carefully decided through a process which is playful yet restrained.

Through his play with surface texture, forms and color, Mizù has adopted the representational system of maritime flags and created an abstract body of work that is both visually and mentally stimulating.

His work depicts light and color through a variety of modes, be it free - floating forms, squiggles, and diamonds against textured backgrounds, or geometric and biomorphic shapes.

The Newport Street exhibition is the first major show since Hoyland's death in 2011 and will reaffirm his status as an important and innovative force within international abstraction, providing new insights into the way in which his work evolved from the huge colour - stained canvases of the 1960s, through the textured surfaces of the 1970s to the more spatially complex paintings of the early 1980s.

In highly inventive works of 1980 — 81, she explored texture and composition through the rendering of clothing applied to dislocated forms.

In her current work, Mari» is experimenting with different methods of applying acrylic paint through the use of unconventional objects, mediums, and textures.

About the Artist Zhu Jingyi (China, b. 1975) reimagines classic shanshui landscapes in a three - dimensional format through the application of resin onto canvas and wire to create textured structures that enliven otherwise flat, ink painted works.

While the 70's Narrative works engage senses beyond sight through evocative language and color photographs, the wall pieces from the 1980s are immersive, incorporating elements of texture, sound, and monumental scale.

While her visual sensibility recalls the work of the American artists Romare Bearden, Richard Yarde, and Mickalene Thomas, whose two - dimensional works are heavily textured through their use of color and pattern, Akunyili Crosby casts off in a singular direction, fusing African, European, and American influences and creative traditions while pondering the personal effects of living in an increasingly global, hybridized society.

Her texture - rich works exude a sparkly energy, referencing fashion and advertising images through photo transfer alongside graphite, ink, acrylic, and colored pencil.

«Cain's abstract work, titled Mountain Song, features a variety of perspectives created through her unconventional use of canvases layered with patterns, textures, and color.

Reframing floor as painting, this work connects Crowner's work to its environment through a shared language of abstract pattern and texture.

The paintings are oil on aluminum and scratched, infusing texture and mystery to the work through the interplay of grooves, color and sometimes its removal.

Her work ranges from expressionistic realism through to the purely abstract, using strong surface pattern and texture to capture her environment.

Marshall's layered, heavily textured works consist of painterly abstract expression and controlled mark making, etching and relief, whilst embarking on an amazing journey of self discovery through his unique processes of painting.

In Collective Conversation, four works spanning 50 years explore architecture, geometry, solid form, and fleeting gesture, such as Dan Flavin's work composed almost entirely of light; Keith Sonnier's juxtaposition of solid shapes and fragile neon; Dorothea Rockburne's wall installation combining folded canvas and drawing; and Mel Kendrick's experimentation with structure and texture through the medium of pulp paper.

Working with either the human body or underwater creatures the feel and texture of each piece is brought out through oils and other mediums.

The glass works in the gallery show the infinite number of colours, forms and textures these pieces of art can take — and objects range from practical bowls and vases through to ornamental objects and large abstract sculptures.

Following a discussion of her work, Young will lead a workshop exploring textures through the art of frottage.

Created by spraying paint onto canvas through carefully positioned swathes of gauze, this select series of works develops the innovative technique deployed in Stingel's silver paintings of the early 1990s, and distinguishes itself through striking color, richly variegated tactile texture and intricately detailed surface pattern.

In a series of works started in 2012 Thomas Ruff essentially takes an idea that was first introduced my artists like Man Ray, Laszlo Moholy - Nagy who simply placed objects of various shapes, textures and opacities onto photographic paper and captured their physical qualities through the optical traces they left on the light sensitive surface of the paper.

Though Brazilian artist Tonico Lemos Auad (b. 1968), Romanian artist Geta Brătescu (b. 1926) and American artists Lucas Sheila Hicks (b. 1934) and Lucas Samaras (b. 1936) use different methods in creating their work, they are united in their attention to texture and process through the manipulation of fibre and thread.

The juxtaposition of organic texture and jarring abstraction have become a trademark of Alsoudani's work, a means through which the artist dissects the trauma and carnage of violence.

The physical and metaphysical potential of such textures is explored further in installations of Caivano's work where touch, tone, pace and pitch are made resonant through juxtaposition and space is orchestrated as much through pauses as paintings.

Working in mixed media, fiber, and ceramics (respectively) their work comes together across mediums through shared textures, colors, and forms that often arise from experimentation and are inspired by the world around them.

Hense continues to push abstract work in new directions focusing on his mark as an artist and building new textures through that process.

Through the lens of Holmes» extensive experiential research into somatics, dance, theater, and poetics, visitors will be guided through an experience that enhances the «unexpected encounters with the textures and forms of the living universe» in Rist'Through the lens of Holmes» extensive experiential research into somatics, dance, theater, and poetics, visitors will be guided through an experience that enhances the «unexpected encounters with the textures and forms of the living universe» in Rist'through an experience that enhances the «unexpected encounters with the textures and forms of the living universe» in Rist's work.

As the artist explains in his statement, some of the works have been rendered as 3D images, adding an element of the absurd where deep textures on the surface of another planet become visible through cheap 3D glasses.

The surface textures of the work convey the jagged rock face of the Palisades, and the sculpture itself appears to cut through the gallery floor.

Button creates work that addresses the disjunction of real time and memory that happens through image - making by layering materials, embedding textures and scratching away surfaces.