Sentences with phrase «textures and colors engage»

It's various textures and colors engage and stimulate.

Its various textures and colors engage and stimulate.

Not exact matches

Baby gyms often feature a variety of textures, sounds, and colors in order to stimulate babies» senses while engaging with the gym.

When baby is teething, or just needs to be entertained, Bright Starts baby rattles and teethers are great to have at hand with vibrant colors, textures and fun sounds to engage baby.

These sensory materials such as water colors, pencils, scissors, and crayons engage toddlers in activities that develop their ability to distinguish one color from another, and identify textures.

The lilting language, soothing colors and finely textured artwork engage young readers in a fox's wonder as snow covers the ground, softening the world around him.

The textures, colors, sounds, tastes and scents of artistry are what engage people.

His work actively engages the viewer in an ongoing search for resolution as one attempts to reconcile the ongoing tension present among all aspects of his compositions: the colors, the ambiguous roles of the mallets, the concave / convex push and pull of the space; he very purposefully uses texture to give materiality to a surface, thereby adding more layers to the mystery, not illuminating it.

Las Vegas Weekly, The Barrick's «Plural» Teams Local and International Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash Art, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustration

While the 70's Narrative works engage senses beyond sight through evocative language and color photographs, the wall pieces from the 1980s are immersive, incorporating elements of texture, sound, and monumental scale.

Our senses are engaged through color, light, music, and special effects like 3D, as well as textures and surfaces that we can touch, walk on, or move through, enabling us to step inside the projected image and become part of it.

When exhibited, the works are always nailed directly onto the wall, along their top edges; while stored or traveling, the un-stretched canvases are folded into precise sections, creating geometrical creases that evolve over time, enriching the overall composition as the texture of canvas engages with color and line.

As a general guideline, pieces should engage the space itself, should incorporate ideas of material / form / space / color / texture, and genuinely inspire delight or reflection.

In each painting the palette is restrained to a handful of colors, while the mark making engages texture, gesture, mass, and scale.

Known for his range of complex and engaging abstract styles, Demarchelier merges formalistic opposites of color and shape or texture and form to evoke the perceptual field.

Tim Portlock and Shuli Sadé have created digital and mixed media works that transform the visible through technology; the painters Michael Bartmann and Bruce Garrity have used color and form to create vibrant and engaging images; the photographer Ken Hohing is revisiting a photographic project from the 1980s documenting Camden to highlight how differently we see photography and its objects; and the designer and photographer Eric Porter inventoried striking visual images that the textures and colors of the city of Camden offer the attentive viewer.