I'm still wondering if it had more dialogue
than Space Odyssey..
Not exact matches
The movie more resembles Stanley Kubrick's 2001: A
Space Odyssey in terms of theme
than it does the original Alien.
A voice - operated computer assistant is set to be used in
space for the first time on Monday — its operators hope it proves more reliable than «HAL», the treacherous speaking computer in the movie 2001: A Space Ody
space for the first time on Monday — its operators hope it proves more reliable
than «HAL», the treacherous speaking computer in the movie 2001: A
Space Ody
Space Odyssey.
It could allow us to program computers with human capabilities, helping them become more clever
than HAL in 2001: A
Space Odyssey and C - 3PO in Star Wars.
Ideas abounded: using ion engines to ferry up the components of a moon base; beaming power to robotic rovers on the Martian moon Phobos; attaching high - power Hall effect thrusters to the International
Space Station (ISS) and putting it on a Mars cycler orbit; preplacing chemical rocket boosters along an interplanetary trajectory in advance so astronauts could pick them up along the way; using exploration pods like those in 2001: A Space Odyssey rather than space suits; instead of sending astronauts to an asteroid, bringing a (very small) asteroid to astronauts at the space sta
Space Station (ISS) and putting it on a Mars cycler orbit; preplacing chemical rocket boosters along an interplanetary trajectory in advance so astronauts could pick them up along the way; using exploration pods like those in 2001: A
Space Odyssey rather than space suits; instead of sending astronauts to an asteroid, bringing a (very small) asteroid to astronauts at the space sta
Space Odyssey rather
than space suits; instead of sending astronauts to an asteroid, bringing a (very small) asteroid to astronauts at the space sta
space suits; instead of sending astronauts to an asteroid, bringing a (very small) asteroid to astronauts at the
space sta
space station.
Director Stanley Kubrick, working from a script cowritten with Arthur C. Clarke, has infused 2001: A
Space Odyssey with a continuously striking visual sensibility that remains a highlight from start to finish, as the filmmaker suffuses the proceedings with one absolutely astonishing set - piece after another - with, for example, Dave's gravity - defying jog within the spacecraft's interior nothing less
than jaw - dropping in its impact.
He's more interested in action
than Kubrick (2001: A
Space Odyssey, A Clockwork Orange) was, yet more interested in ideas
than Cameron (The Terminator, Avatar).
«Kong: Skull Island» clocks in at 115 minutes, a rarity in an era in which filmmakers seem to think longer is always better (the upcoming «The Fate of the Furious,» aka «Fast and Furious 8,» runs a whopping two hours and 40 minutes, which is longer
than «2001: A
Space Odyssey,» and that was a movie about the evolution of mankind from apes to space travel
Space Odyssey,» and that was a movie about the evolution of mankind from apes to
space travel
space travelers).
When it's all said and done, this really is nothing more
than a rehash of what we've seen repeated countless times since Ridley Scott's epic classic Alien, with just enough broad strokes of Stanley Kubrick's twisted masterpiece 2001: A
Space Odyssey to let you know the filmmakers have done their homework.
With every van now offering so much interior
space, a competitive comparison makes less sense
than in smaller vehicles, but the total legroom of the Sienna is about 10 inches less
than the Honda
Odyssey.
Arthur C. Clarke wrote 2001: A
Space Odyssey there, too, training his telescope not into space but at the apartment windows opposite... From writers such as Mark Twain, Tennessee Williams and Eugene O'Neill, through the hippies and on to the nihilist punks of the 1970s and beyond, «the Chelsea» has more than lived up to its understated description of itself as a «rest stop for rare individuals&ra
Space Odyssey there, too, training his telescope not into
space but at the apartment windows opposite... From writers such as Mark Twain, Tennessee Williams and Eugene O'Neill, through the hippies and on to the nihilist punks of the 1970s and beyond, «the Chelsea» has more than lived up to its understated description of itself as a «rest stop for rare individuals&ra
space but at the apartment windows opposite... From writers such as Mark Twain, Tennessee Williams and Eugene O'Neill, through the hippies and on to the nihilist punks of the 1970s and beyond, «the Chelsea» has more
than lived up to its understated description of itself as a «rest stop for rare individuals».
Boss after boss, I felt more like the spaceman traveling at light speed at the end of 2001: A
Space Odyssey than a player in his own living room.
Fears about artificial intelligence are far older
than the technology itself: this year marks the bicentenary of the publication of Mary Shelley's Frankenstein and 50 years since the computer in 2001 A
Space Odyssey intoned «I am afraid I can't do that, Dave.»