Peopled by flapper - era
caricatures partaking in white - collar social orgies fuelled by selfish hedonism, Luhrmann's interpretation of Fitzgerald's oft -
debated novel emerges as grotesque melodrama that plays more like a Mexican telenovela
than a respectful reinterpretation of 1920's New York high society.
Far from giving a voice to sceptics» arguments, then, these shows offered only a
caricature of their personalities: to set them up as fools, rather
than engage them in
debate, to make statements about «denial» in general.