Sentences with phrase «than a painter who»

Like Vincent Desiderio, Sharon Sprung or Eric Fischl, his ambition leaves him more vulnerable to missteps than a painter who works in a safe environment.

Not exact matches

«My husband and I probably spend more than the average person on groceries, as we both love to cook... perhaps $ 168 per week,» says Delorys Welch - Tyson, a U.S. writer and painter who has lived in Nice full - time since 1998.

Interestingly, after years of obscurity, Rembrandt's greatness was «discovered» not by the church but by painters and critics who loved him more for his art than for the faith his art portrayed.

When fed brain scans produced by students looking at fresh paintings by the same artists, the program correctly identified the painter better than chance alone: it was correct 83 per cent of the time among the six students who were art majors and 62 per cent of the time among the others (NeuroReport, DOI: 10.1097 / WNR.0 b013e3283331322).

Painters who definitely did make use of φ include the 20th - century artists Louis - Paul - Henri Sérusier, Juan Gris, Gino Severini, and Salvador Dalí; but all four seem to have been experimenting with φ for its own sake rather than for some intrinsic aesthetic reason.

Participants who wore a white coat that they believed belonged to a doctor performed better on an attention test than participants who believed the coat belonged to a painter and participants who simply saw — rather than wore — a white coat while completing the test.

Dr. James Painter of Eastern Illinois University, found that people who consume in - shell pistachios consume 41 percent fewer calories than those who consume them without shells.

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Synopsis: This is the true story of Frida Kahlo (Salma Hayek) and her husband Diego Rivera (Alfred Molina), the larger - than - life painters who became the most... [MORE]

Satirical comedy starring Iwan Rheon and Rupert Grint that reimagines the megalomaniac dictator as an 18 - year - old oddball who dreams of nothing other than becoming a famous painter.

Synopsis: This is the true story of Frida Kahlo (Salma Hayek) and her husband Diego Rivera (Alfred Molina), the larger - than - life painters who became the most acclaimed artists in Mexican history, and whose tempestuous love affair, landmark journeys to America, and outrageous personalities made them legendary.

And it's hard to imagine a more hospitable moment than right now for a commercially viable movie based on the life of Lili Elbe, a Danish painter in the 1920s who — with the help of a supportive wife (played by Ex Machina and Man From U.N.C.L.E. newcomer Alicia Vikander)-- became the first person in history to undergo a male - to - female sex - change operation.

Mr. Turner Mike Leigh's biopic about the English landscape painter J.M.W. Turner further proves why critics love the director — at least for Edelstein, who writes: «The artist biopic is the most laughably overexplanatory of subgenres, but Leigh would rather glide over details than be caught spoon - feeding.

Language: English Genre: Romance / Musical MPAA rating: PG Director: Vincente Minnelli Actors: Gene Kelly, Oscar Levant, Leslie Caron Plot: An unsuccessful American painter in Paris finds a companion in someone who loves his work as much as he does... does she love more than just that?

Authors, actors, painters, sculptors, photographers, and musicians have captured and celebrated their majesty for more than a century; George Catlin, Ansel Adams, and Rudyard Kipling are among the earliest artists who promoted the preservation and protection of these unique American landscapes.

The feminist's first reaction is to swallow the bait, hook, line and sinker, and to attempt to answer the question as it is put: i.e., to dig up examples of worthy or insufficiently appreciated women artists throughout history; to rehabilitate rather modest, if interesting and productive careers; to «re-discover» forgotten flower - painters or David - followers and make out a case for them; to demonstrate that Berthe Morisot was really less dependent on Manet than one had been led to think — in other words, to engage in the normal activity of the specialist scholar who makes a case for the importance of his very own neglected or minor master.

After all, there are few areas that are really «denied» to men, if the level of operations demanded be transcendent, responsible or rewarding enough: men who have a need for «feminine» involvement with babies or children gain status as pediatricians or child psychologists, with a nurse (female) to do the more routine work; those who feel the urge for kitchen creativity may gain fame as master chefs; and, of course, men who yearn to fulfill themselves through what are often termed «feminine» artistic interests can find themselves as painters or sculptors, rather than as volunteer museum aides or part time ceramists, as their female counterparts so often end up doing; as far as scholarship is concerned, how many men would be willing to change their jobs as teachers and researchers for those of unpaid, part - time research assistants and typists as well as full - time nannies and domestic workers?

Art schools, perceived as little more than a breeding ground for near - do - wells and bohemians, have been disenfranchised in this country, their buildings abandoned or reallocated, and the treasured notion of being tutored by professional painters and sculptors who could pass on many hard earned skills, abandoned.

Though one of them paints images and the other does not, one might well feel that they have much more in common than either one does with a painter who prefers to work on a grand scale and with reference to important public issues.

Personally, as a painter who's been making sculpture as a way back to painting, if that ever occurs, few painters today seem to add anything new to painting unless they admit to themselves, as I finally did, that painting is nothing more, and nothing less, than flattened sculpture, which in turn is a subset of drawing.

This quest to capture pure optical sensation goes back to the Impressionists, who argued that their paintings were more faithful to actual visual experience than were the carefully drawn and shaded compositions of the Salon painters.

To suppose that the fact of the religious painter having a more elevated subject than his brother artist makes it unnecessary for him to consider his picture as an artistic production, or that he can be less thoughtful about a color harmony, for instance, than he who selects any other subject, simply proves that he is less of an artist than he who give the subject his best attention.

FAIRFIELD PORTER: Well, people like Sloan and the illustrators of the American scene, who were naturally good painters, but then they... They had native talent, and they knew better than they thought.

A painter associated with the sites and people of England's industrial North West, Lowry, who died in 1976 in his eighty - ninth year, is probably not known anywhere beyond his homeland, which is too bad in that he is a more invitingly strange and idiosyncratic artist than Sickert, Freud, and Hockney combined.

Frequently pigeonholed as the last great English romantic painter in the vein of Constable and Turner, Hodgkin is more incendiary than that — a sunburst of an artist who exploded counterintuitively from a British visual culture temperamentally uneasy at depicting sensuality or expressing intellectual thoughts.

As such, «Rower's pours come closer to the abstracting nature photos of Edward Weston than to the works of Pollock or de Kooning, painters who, even when most abstract, always left behind traces of the actions of their hands.»

In all, it is a good first look at a painter who is only now receiving international critical acclaim, more than 25 years after her death.

«The exhibition John Graham: Maverick Modernist at the Parrish Art Museum in Water Mill, Long Island, is a unique opportunity to explore the work of an artist who has hovered on the margins of the Modernist narrative for more than a half - century, when he isn't forgotten altogether... Maverick Modernist takes a deep dive into Graham's background as an artist, a career he began in earnest when, at the age of 35, he enrolled in the class of the Ashcan School painter John Sloan at the Art Students League in New York City.»

But as Neo-Geo's star waned, the idea of leaving New York grew on the painter, who had grown up traveling the world with two itinerant parents (as a family, they rarely lived anywhere for more than two years).

Thelma Appel is an important landscape painter who has been working and teaching for more than five decades.

The only artist to be selected for more than one gallery is the painter Philip Guston, who will be represented by a painting from the early 1960s chosen by Christopher Wool and a painting from the mid-1970s chosen by Amy Sillman.

And they had a different point of view than the other galleries that existed at the time, and they were particularly interested in the Pictures Generation [a loose affiliation of conceptual photographers and painters who emerged in the mid-70s and appropriated media and advertising in their work], which by that time had become almost underground.

Opening: «Jonathan Lasker» at Cheim & Read An American abstract painter who has had more than 80 international solo shows since 1981, Jonathan Lasker is widely known for his formalist paintings and drawings that are both planned and improvised.

More than once, he expressed the wish to be a film director rather than a painter, to be someone who could confront rather than reflect.

The Fitzwilliam Museum's exhibition «A World of Private Mystery: John Craxton RA (1922 — 2009)» now seeks to reassert the relevance of a painter who was persistently punished for his assertion that life was more important than art.

I will also show some famous names like Elvira Bach and Ken Done among my recognised painters Michel Maly and Christine Seiterle who I have worked with now for more than 15 years ``

Through ongoing, generous donations from Dr. Daum and other patrons, and judicious purchases with funds from an endowment for acquisitions, the museum's permanent collection has grown to encompass more than 1,500 artworks by some of the most highly regarded artists of the past 50 years, including Pop art practitioners, Color Field painters, Neo-Expressionists of the 1980s and 1990s, and artists of diverse practices who have emerged during the last 20 years.

But see lots of minor artists that were legit, from Delaunay to Jim Dine, who was more a professional painter than creative artist.

Organized by Scott Rothkopf, the museum's deputy director of programs and chief curator, and Jessica Man, a curatorial assistant, the show is accompanied by a catalog of more than 650 pages, which includes a memoir by the artist's mother, Carol Hendrickson, a public health nurse, who lives with her second husband next door to Owens and her family; testimonies about how wonderful Owens is as a person and a painter from a bevy of artists, curators, dealers, and studio assistants; price lists from early exhibitions; essays, including one about Elizabeth Murray by Francine Prose; statements by influential people who were among the first wave to recognize her importance.

I bring up Alex Katz, a painter who bucked the postwar fashion for abstract expressionism in favor of figuration, and who at 90 is still painting, who likes to say that he's better at it now than ever before.

«More than 35 years after his death, the painter who broadened the borders of abstract painting and of black American art is getting his time in the spotlight.»

Entitled Drip, Drape, Draft, the show presents works by Robert Davis, a close friend of Johnson for more than a decade; Angel Otero, who he has known for some six years; and Sam Gilliam, an older artist from what Johnson refers to as «an almost lost generation of black abstract painters», with whom he recently struck up a mutually significant friendship.

At Pratt, he studied with some of the foremost figurative painters of the day including Richard Lindner, Philip Pearlstein and Alex Katz, but it was painter Richard Bove who encouraged Williams to work from intuition and memory rather than from observation.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

Frankenthaler's reputation as a painter rather than printmaker is consistent with other Abstract Expressionist artists who also worked in printmaking: Pollock, De Kooning, Johns, Mitchell.

First U.S. Exhibition to Explore Impressionism's Little - Known German Chapter with More Than 100 Paintings, Drawings, and Prints Max Liebermann, celebrated as «the German Manet,» was the leader of a generation of German painters who were inspired by the stylistic developments in France.

Certainly, there are those painters who are doing their job better than the others, and those that we can choose among others due to our preferences.

2013 Texas Artist of the Year: Rachel Hecker Art League Houston couldn't have made a better choice than to honor Hecker, a powerful and poetic painter and University of Houston professor who also served as assistant director of the Core Program during its pivotal first decade.

But who knows how important any painters are in the long run — including painters who are part of the «New Casualism» Sharon is currently writing about — artists who Sharon says are interested in the «how» more than the «what»?

The artist Bob and Roberta Smith — who is one man, Patrick Brill — celebrated the creation of Art UK by presenting a new work in his trademark sign - painter's lettering, proclaiming «through our public collections we all own art», to the parliamentary art collection, one of more than 3,000 collections already represented on the website.