Not exact matches
The dummy then is no more
than a substitute for the breast, an
object to
silence or pacify a baby when the real thing (the mother) is not available.
And Swinton, even when robbed of one of an actor's most expressive tools, somehow turns that deprivation to her advantage: Her hoarse, watchful
silence sets her apart in more ways
than one, and Marianne becomes both an
object of desire and a figure of unexpected depth and compassion.
«Postmemory is a powerful form of memory precisely because its connection to its
object or, source is mediated not through recollection but through representation, projection, and creation — often based on
silence rather
than speech, on the invisible rather
than the visible...» Marianne Hirsche INTRODUCTION «The true picture of the past flits by.