Sentences with phrase «than actors because»

Camera operators are more important than actors because if they do not know what they are doing, well, you can not make a film.

Not exact matches

And Face ID — which Apple touts as being less vulnerable to bad actors than its Touch ID fingerprint sensing — could be more secure than using a fingerprint sensor on a phone simply because such sensors tend to be so small that they require you to input several partial prints from the same finger.
Scaling becomes possible because participants will monitor the chains they are economically impacted by, rather than every chain; one watches the chain wherein they wish to reinforce proper behavior and punish malicious actors.
Twitter and Facebook is exploding, because less than 20 people in the crowd clapped for him after he thanked god for winning best actor
Israel's vulnerability becomes more difficult to explain also because the immediate security challenge it faces is from non-state actors perceived to be weaker than Israel.
But as a simplistic celebration of overcoming - adversity clichés, «Real Steel» may have the edge because its aim is to entertain kids, wearing its obviousness on its sleeve rather than disguising it behind performances by actors who by rights are worthy of more complex material than the O'Connor offers them.
Because we need more of a story than Hugh being a bad boy, Charlie, for reasons of financial convenience, gets stuck with Max, who is played by Dakota Goyo without that annoying smugness of child actors, the sort that says, «Hey, I'm only 10, but I'm already more successful than you!»
TV's most magnetic, compelling new leading actor in years, Benzali is unusual in the medium because he knows that understatement can carry more impact than shouting and scenery chewing.
Disobedience, based on a novel by Naomi Alderman, cuts deeper than your standard forbidden - love story, largely because the actors are so attuned to their characters» anguish.
British theatre actress Andrea Riseborough, who plays Riggan's co-star also avoids critical reviews «because [she finds] them debilitating, not because [she doesn't] respect them» Riseborough added that there's a certain element of fear when it comes to actors encountering critics, rather than hostility, especially in the world of theatre.
i only wish those thousands went to work on movies of more substance than fighting robots... and you don't have to apologize to me, i can in fact compare «Real Steel» to «The Fast and the Frivolous» films because in essence they are one - in - the - same, simply just the flavor of the week kind of flicks that have no real pull behind them other than big name actors, CGI and a promise of action.
One other movie that barely was finished in time — «Wolf of Wall Street,» which had to postpone its release for more than a month from Nov. 15 because director Martin Scorsese was behind schedule — collected a nomination for star Leonardo DiCaprio in the comedy or musical actor race.
And because he's essentially mimicking an actor, rather than a character, it does have the potential to take you out of the film somewhat.
In Tootsie, directed by Sydney Pollack, Hoffman plays Michael Dorsey, an actor struggling more because of his difficult reputation than lack of talent.
MAZIN: I would much rather have the actors wander off than the director because they will find stuff in the moments of the performance.
In one sense, writers had it easier than actors or directors because they could keep working by hiding behind pseudonyms.
We derive pleasure from her burgeoning affair with Buddy as it builds to a climax no less synthetic — and no less invigorating — than, say, The Karate Kid's, because the elements surrounding Mary are in place: Estelle, the perfect foil for their happiness; societal forces (discrimination turns Buddy and Mary into a latter - day Romeo and Juliet); and Rispoli, a magnetic actor who needs his teddy - bear physique to store outsize humanity.
The film is good to excellent in every way except morally, and there it's questionable more often than it should be, not because it's an evil film, or because the filmmaker or actors are bad people, but because the interplay of means and ends has been under - thought or misjudged, to the point where the film becomes a catalog of obscenities: a horror thrill - ride drawn from life, a thing for viewers to test themselves against while feeling just awful about Agu and his country, whatever its name is.
I wouldn't expect any less from the director of «Final Destination 5» and the writer of «Step Up All In,» but it's hard not to feel bad for the actors involved, especially Richard Armitage, because he deserves better than this kind of SyFy summer schlock.
Less than two weeks ago we brought to your attention the fact that Martin Freeman made a rape joke — not, as some alleged, because we wanted to «ruin his career» and bring the shrieking banshees of evil, eeeevil political correctness upon him (or something), but because an actor whom a lot of people like said something pretty dang awful, and we thought people might want to be informed.
Every actor around him seems worse than they usually would, because Brando is playing a laconic person, a real person.
The film was given more attention for the off - screen shenanigans of its lead stars than anything else, which is a slight pity because Brad Pitt and Angelina Jolie aren't just beautiful people, they're very fine actors - rarely credited for the latter because, I suspect, of the former.
• «The Kids Are All Right,» with major nominations including picture, actress (Annette Bening), supporting actor Mark Ruffalo) and screenplay (Lisa Cholodenko and Stuart Blumberg), joins «Milk» among top nominees with a homosexual subject, and in a way is more meaningful because it shows a functioning family rather than a single person.
Bruno can also tell you about Victor Mature's self - deprecation and his rebuff to a California club manager who had declined his membership request because he was an actor: «But I have more than 60 films to prove I am not an actor
Mark Ruffalo, who Finn has known for more than 20 years from their time together at EST, auditioned for the movie «and should have gotten a part,» she says, «but he didn't get approved because he was an unknown theater actor in New York.»
Like The Adventures Of Tintin, though, The BFG exhausted me more than delighted me — partly because I was constantly conscious of how difficult it must have been to choreograph and execute shots, partly because Barnhill belongs to the Hayley Mills tradition of «spunky» child actors who only vaguely resemble actual little kids.
Historically, academy voters have often preferred the non-auteur directors, perhaps because these filmmakers seem to be more collaborative, working closely with writers, actors and other crew members rather than running a one - man show.
Says Cox: «Joe was offered the part of the young British gangster in The Hit, and then he saw Tim Roth in Made in Britain and said,» In all honesty, I can't play this part because there is a better actor than I.» And he went to Stephen Frears and said, «' Mr. Frears, you must hire Tim Roth.
It's a mystery how actors like Ronan, Diane Kruger and William Hurt got involved in the project, because they've all proven that they're much better than this tween romance garbage.
Fans will give the «Marty Discount» to movies starring directors and / or actors they like typically because they want to love the movie they're seeing rather than actually judging the movie on its own merit.
If you think there's wiggle room here, take note: Because Colin Firth and Morgan Freeman are still solidly in this race, even though Tom Ford's embarrassing impersonation of Wong Kar - wai throughout A Single Man and Clint Eastwood's dully exploitative pushing of a Mandela - as - Obama message in his elegantly composed Afterschool Special Invictus didn't do either actor any favors, it's probably unlikely that Viggo Mortensen will sneak in for The Road, which has unfairly gotten less love this award season than those two films.
But we've got our fingers crossed that it'll be more than a gimmick, because one of the most exciting actors around, Tom Hardy, has the lead role, and will seemingly be on screen for every frame of the runtime.
Not because he doesn't have one, but because the actor isn't sure what makes his thoughts any more significant than the next guy's.
Leto's Rayon in Dallas Buyers Club met with hostility not just because it embodied so many stereotypes («a sad - sack, clothes - obsessed, constantly flirting... drug - addict prostitute» as Steve Friess wrote in Time) but also because no trans consultants were enlisted, and because Leto used his speech on winning the Golden Globe for best supporting actor to talk about how that «tiny little Brazilian bubble butt was all mine» rather than anything he had learned about the realities of trans living.
Best Actor went to the lead in another scary movie, Fredric March in Dr. Jekyll and Mr. Hyde (who tied with Wallace Beery for The Champ), perhaps because he showed greater range in his dual role than Clive did in his single part.
His screenplay credit may refer to little more than an outline of character and scene descriptions, because in just about every scene, actors look like they're coming up with dialogue on the spot.
McGuigan seems to realize it, because the finish makes up for Kruger with nothing more than music and editing and placement of actors.
But there's no denying that «Infinity War» — because «Marvel 19» is a decidedly unsexy title — is aiming higher than any blockbuster that has come before it, seemingly encompassing as many actors, characters and crisscrossing storylines as «Lord of the Rings,» «Star Wars» and all eight «Fast and Furious» movies combined.
I became a better lover and performer not only because gave my lovers what they wanted, but because when I failed it only drove me harder to succeed... So who better to turn to for practical sexual advice than one of the most popular porn actors in American history?
And Tropic Thunder may strike some as a better summer comedy than we usually get in August, but I for one would have liked it a lot more if so much of the film's elements — the domineering studio boss, the greedy agent, the actor who's «funny» because he talks «like» an African - American, etc. — had not seemed so familiar from past movies.
Robin Wright Penn and Sean Penn are locked into Maureen and Eddie with a savage zeal; the characters play less implausibly than they sound, because the actors believe in them.
Aw, I really hate to rank Bridges in 10th place, because I was so very glad to see the actor finally win the big prize, but I think I can speak for my fellow AwardsPicks colleagues in saying that Bridges» win as the down - and - out country singer in Crazy Heart was definitely more of a career award than it was his best performance.
AVC: Because when you're doing it seriously, it seems you're playing more the part of a quote - unquote «serious actor» than an actor playing that role.
When we briefly reminded Femi about the debate spearheaded by Samuel L Jackson that argued black British actors are cast because they are cheaper than their US counterparts, the actor — who has four black British students and clients with a Bafta Award under their belt — did not respond directly to Samuel's comments, but focused on offering a different perspective.
Part of this is because Jackson is a much better actor, especially here, than Affleck.
Again, the concept is scarier than the execution, because the actors either overplay their roles, seem bored with the material, or come across as reciting their lines from an off - screen prompter.
It's hard to watch this because we as an audience know that the actors involved are capable of so much more than this trite script.
It is a shame, because the actors deserved better than this.
It's time for the first Screen Actors Guild nomination predictions from The Gold Rush Gang but just because there are fewer categories than The Golden Globes or The Oscar doesn't mean it's not as difficult to suss out.
We found a lot of concern among government actors about unregulated, possibly ideologically motivated, schools operating under the radar, while local communities found these schools more open and accessible because they were close and taught lessons in Arabic, rather than in English and French, which are used in public Lebanese schools.
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