Sentences with phrase «than any contemporary art»

Dissident feminist Camille Paglia finds more pleasure in the shoe department than a contemporary art gallery.

With the opening of a massive building next week, Mass MoCA will have more gallery space than any contemporary art museum in the country.

Not exact matches

Chiang Mai had a lot of creative young people making contemporary art in a way that felt more organic than the artisan - style «maker movement» happening in Brooklyn, NY, and Portland, Ore..

Few critics would seem more qualified to write about contemporary art than Eleanor Heartney, and her latest book, with cover endorsements from Arthur Danto and Andrew Greeley, has the look of an important contribution.

At each of his restaurants, Vallone works closely with his chefs and oversees every aspect of the guest's experience, from the floral displays to the many works of contemporary and modern art that adorn the walls of each venue, from the mise - en - place of each dish to the more than 1,100 lot wine list.

With centers ranging from 45,000 to 75,000 square feet, Main Event offers state - of - the - art bowling, multi-level laser tag, gravity ropes, more than 100 virtual and interactive video games, chef - inspired dining and a high - energy contemporary bar.

Elephant aims to survey the international contemporary art scene with more energy and depth than any other magazine in print or online.

There have been few better British films than Brief Encounter even at a time when our studios are taking their place in the vanguard of this great contemporary art.

After breaking ticket records at the Museum of Contemporary Art in Chicago, the touring exhibition «David Bowie Is» hits NYC in March, with more than 400 objects from the celestial pop icon's life, including costumes, lyric sheets and performance clips.

The art may not be as detailed and the animation may be more ragged than more recent Studio Ghibli efforts, but as a visual spectacle Nausicaä easily outdoes most contemporary tradionally animated features.

What students do in arts - integrated education is actually far closer to the practice of contemporary artists than what usually happens in regular arts classrooms.

The Broads have given away more than $ 4 billion to education, health and science research, and contemporary - arts causes.

The Broad Foundation's most recent $ 30 million challenge grant to the Museum of Contemporary Art, Los Angeles, of which Eli Broad was the founding chairman, has enabled MOCA to present Collection: MOCA's First Thirty Years, which opens Nov. 15 and features more than 500 works from the institution's 6,000 - work permanent collection.

Jane Friedman has spoken at more than 200 events on new media, writing, and publishing, and has consulted with arts and literary organizations such as the National Endowment for the Arts, the Creative Work Fund, and the Contemporary Arts Center in Cincinnarts and literary organizations such as the National Endowment for the Arts, the Creative Work Fund, and the Contemporary Arts Center in CincinnArts, the Creative Work Fund, and the Contemporary Arts Center in CincinnArts Center in Cincinnati.

More than in any other Latin American country, the introduction of contemporary esthetic and functional conceptions is due to one man, Carlos Raúl Villanueva, a former student at the French school of Beaux Arts.

Nevertheless, Madison is much more than a college town — it has plenty of water access through several lakes, the Madison Museum of Contemporary Art, and the famed Dane County Farmer's Market, one of the country's largest.

But this vacation rental in the Hollywood Hills offers more than just city panoramas, from outdoor living areas perfect for entertaining to custom interiors filled with contemporary art.

The city also boasts more than a dozen museums dedicated to architecture, contemporary art, natural history, maritime history and ship building.

By car, it's less than 10 minutes to Rodeo Drive and The Grove, and less than 10 miles to concerts at the Hollywood Bowl and the incredible contemporary art of the Getty Center.

Once the site of a large industrial complex, MACRO (Museum of Contemporary Art Rome) sticks out in a city where it's hard to find a museum containing works less than a millennium old.

For more than 25 years, Cheryl Haines has developed site - specific exhibitions and public programs that have exposed new audiences to contemporary art and advanced discourse on art about place.

Attractions: When a person thinks of San Francisco, a giant International Orange - colored bridge, a park spanning more than 1,000 acres or a city where contemporary art and culture collide often come to mind.

Situated in the heart of Sydney, Travelodge Hotel Sydney Wynyard is less than 1 kilometer (0.6 mile) from the Rocks, Circular Quay, Museum of Contemporary Art, and Museum of Sydney.

The Carnegie Museum of Art is a dynamic, contemporary art museum that features a collection of more than 30,000 objects across a spectrum of art forms, ranging from painting and sculpture to decorative arts, design, film, and vidArt is a dynamic, contemporary art museum that features a collection of more than 30,000 objects across a spectrum of art forms, ranging from painting and sculpture to decorative arts, design, film, and vidart museum that features a collection of more than 30,000 objects across a spectrum of art forms, ranging from painting and sculpture to decorative arts, design, film, and vidart forms, ranging from painting and sculpture to decorative arts, design, film, and video.

Similar to Jet Set Radio Future, XIII used a cel - shaded art style but leaned into it being a moving comic book more than it's contemporary.

You're also going to find courses that use Super Mario Bros. elements to create what feels more like contemporary art than Super Mario Bros. courses.

Along with his wife, Elham, Lebanese businessman and uber collector Tony Salamé has been collecting contemporary art for more than ten years.

But then things can change quickly: the number of contemporary art collectors in London is so different today than it was even 35 years ago - in the 1980s you could count the number of them on one hand.

«I'd rather see my art on a model on a runway than on drywall,» he explains, still buzzing from ringing the closing bell at NASDAQ last Friday with his art group, The New Blue Riders, one of the first contemporary art groups to close an index of this kind.

Despite contemporary and localizing references in The Little Patriots, such as the dome of the Pantheon in the background or the paving - stone barricade to the left, the pall of the academic poncif hangs heavier over the painting than the smoke of revolutionary fervor; one is made all too aware, in the pose of the little patriot in the center — reminiscent of that of Donatello's David, and so appropriate in its iconographic implications — that Jeanron was an art historian as well as an artist.

Another attempt to answer the question involves shifting the ground slightly and asserting, as some contemporary feminists do, that there is a different kind of «greatness» for women's art than for men's, thereby postulating the existence of a distinctive and recognizable feminine style, different both in its formal and its expressive qualities and based on the special character of women's situation and experience.

Art Miami art-miami.com In its 25th year, Art Miami is among the most noteworthy contemporary art events in the United States, annually attracting more than 72,500 collectors, curators, museum professionals and art enthusiasts from around the worArt Miami art-miami.com In its 25th year, Art Miami is among the most noteworthy contemporary art events in the United States, annually attracting more than 72,500 collectors, curators, museum professionals and art enthusiasts from around the worart-miami.com In its 25th year, Art Miami is among the most noteworthy contemporary art events in the United States, annually attracting more than 72,500 collectors, curators, museum professionals and art enthusiasts from around the worArt Miami is among the most noteworthy contemporary art events in the United States, annually attracting more than 72,500 collectors, curators, museum professionals and art enthusiasts from around the worart events in the United States, annually attracting more than 72,500 collectors, curators, museum professionals and art enthusiasts from around the worart enthusiasts from around the world.

Taken by fellow artists, these portraits were created over a span of more than seventy years and capture artistic figures that define the modern and contemporary art world.

The cups don't seem to have much to do with contemporary art other than the fact that Heilmann started working in the ceramic tradition, so the colors become meaningful in themselves.

With over 4,000 objects representing more than two dozen collectors, including contemporary artists making art conceived by collecting, Massimiliano Gioni, the museum's artistic director, and his team of curators have mounted a remarkable series of object lessons about what it means to «keep,» the relationship of possession to loss, the madness inherent in love, and the undeniable importance of the individual's voice in recording and interpreting history and its sweep.

Few artists have shaped the scope of contemporary art and influenced a younger generation more than Wolfgang Tillmans.

Her work has been exhibited in more than 170 group shows, most notably in New York City at The Whitney Biennale, The New Museum, Edward Thorp Gallery, Pamela Auchincloss Gallery, and throughout the US at Nielsen Gallery (Boston), Santa Barbara Museum of Art, Detroit Institute of Arts, Museum of Contemporary Art (Chicago), Aldrich Museum of Contemporary Art (Ridgefield, CT), the Butler Institute of American Art (Youngstown, OH), and the American Academy of Arts and Letters (NY).

Contemporary art is comprised of a variety of materials, we know that, but in three or four days at the fairs — more than, say, in a month in Chelsea — you see it all: string, twine, thread, clay, silicone, wax, rubber, wood scraps, wood shims, metal, resins, glass, wire, pins, needles, buttons, stuffing, mattresses, carpet, glazed ceramic, fabric, plywood, rolled paper, glue tiles, boxes, chains, lace — shall I go on?

The persistence of contemporary painters is evidence, however, that nothing is more invigorating for an art form than to be declared dead.

As a contemporary art exhibition, «Viva Arte Viva» almost exclusively features works made by individuals for display rather than collective use, but it's permeated by an impulse to integrate art into the social fabric.

EXPO CHICAGO / 2012 GARNERS WIDESPREAD ENTHUSIASM AND SUPPORT FROM DEALERS, COLLECTORS AND CULTURAL INSTITUTIONS 27,000 People Attended the Inaugural Exposition EXPO CHICAGO Returns to Navy Pier's Festival Hall September 19 - 22, 2013 (Chicago) EXPO CHICAGO, The International Exposition of Contemporary and Modern Art welcomed more than 27,000 people to the inaugural event that featured 120 exhibitors from around -LSB-...]

Published to accompany the major solo exhibition by Lisa Yuskavage that was presented at The Rose Art Museum of Brandeis University in Massachusetts and at the Contemporary Art Museum St. Louis in 2015 - 2016, The Brood explores more than two decades of the artist's work.

Soulages work feels wholly present in the contemporary discourse, rather than an important figure in the art historical, or a road marker in post-war abstraction.

In addition to the Center's collection of artworks, the CCS Bard Library and Archives house more than 25,000 books and exhibition catalogues focusing on contemporary art, exhibition history, and the theory and interpretation of contemporary art and culture, as well as extensive research archives comprising over 1,000 linear feet of material.

Marlborough Contemporary has established a programme and roster of artists to display in parallel to Marlborough Fine Art and in less than a year presented exhibitions with leading emerging artists.

CCS Bard's permanent collection of contemporary art includes more than 3,000 works by more than 400 of the most prominent artists of the 20th and 21st centuries.

< EXHIBITION Paying homage to Ebony and Jet magazines — cultural barometers, vital news resources and bibles of aspirational imagery in the African American community for more than half a century — the Studio Museum in Harlem mounts «Speaking of People: Ebony, Jet and Contemporary Art» on Nov. 13.

More than 30 well - known women of contemporary art, including Sylvie Fleury, Isa Genzken, Katharina Grosse, Roni Horn, Barbara Kruger, Sherrie Levine, Jessica Stockholder and Rosemarie Trockel, are entitled LADIES FIRST!

2005 — BRIC PROJECT DIVERSITY, Corridor Gallery, Brooklyn, NY 2004 — THE MELTING, Rockefeller Arts Center, SUNY Fredonia — TELL ME A STORY OF A WORLD WITHOUT WORDS, City Without Walls, Newark, NJ — A SLOW READ, BRIC Rotunda Gallery, Brooklyn, NY, curated by Katarina Wong — SIX NEW YORK ARTISTS, Linda Warren Gallery, Chicago — SEEN & UNSEEN, Broadway Gallery, New York 2003 — ANNUAL JURIED EXHIBITION, Delaware Center for Contemporary Arts, Wilmington 2002 — ART AT STEEPLETOP, Millay Colony for the Arts, Austerlitz, NY 2001 — ART CONTEMPORANI DE MUNTANYA, Ecomuseu, Valls d'Aneu, Spain 1999 — LEST WE FORGET, Amory Arts Center, West Palm Beach, FL 1996 — RED CLAY SURVEY BIENNIAL, Huntsville Museum of Art, AL 1995 — CONFESSIONS, Woodruff Arts Center, Atlanta 1994 — ALEX O'NEAL AND JAN HANKINS, P. S. 122, New York 1989 — NEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, ChicART AT STEEPLETOP, Millay Colony for the Arts, Austerlitz, NY 2001 — ART CONTEMPORANI DE MUNTANYA, Ecomuseu, Valls d'Aneu, Spain 1999 — LEST WE FORGET, Amory Arts Center, West Palm Beach, FL 1996 — RED CLAY SURVEY BIENNIAL, Huntsville Museum of Art, AL 1995 — CONFESSIONS, Woodruff Arts Center, Atlanta 1994 — ALEX O'NEAL AND JAN HANKINS, P. S. 122, New York 1989 — NEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, ChicART CONTEMPORANI DE MUNTANYA, Ecomuseu, Valls d'Aneu, Spain 1999 — LEST WE FORGET, Amory Arts Center, West Palm Beach, FL 1996 — RED CLAY SURVEY BIENNIAL, Huntsville Museum of Art, AL 1995 — CONFESSIONS, Woodruff Arts Center, Atlanta 1994 — ALEX O'NEAL AND JAN HANKINS, P. S. 122, New York 1989 — NEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, ChicArt, AL 1995 — CONFESSIONS, Woodruff Arts Center, Atlanta 1994 — ALEX O'NEAL AND JAN HANKINS, P. S. 122, New York 1989 — NEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, ChicArt, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, ChicArt 1986 — FOUR ARTISTS, Randolph Street Gallery, Chicago

In a provocative article titled «The Curious Case of Contemporary Ink Painting» (Art Journal, Fall 2010), art historian Joan Kee has recently suggested that despite being chosen to represent South Korea in international biennials in the 1960s, Suh and other Mungnimhoe painters were marginalized in their own country by being classed as «ink painters» rather than as contemporContemporary Ink Painting» (Art Journal, Fall 2010), art historian Joan Kee has recently suggested that despite being chosen to represent South Korea in international biennials in the 1960s, Suh and other Mungnimhoe painters were marginalized in their own country by being classed as «ink painters» rather than as contemporary artisArt Journal, Fall 2010), art historian Joan Kee has recently suggested that despite being chosen to represent South Korea in international biennials in the 1960s, Suh and other Mungnimhoe painters were marginalized in their own country by being classed as «ink painters» rather than as contemporary artisart historian Joan Kee has recently suggested that despite being chosen to represent South Korea in international biennials in the 1960s, Suh and other Mungnimhoe painters were marginalized in their own country by being classed as «ink painters» rather than as contemporarycontemporary artists.