With the possible exceptions of fellow character players Fritz Feld and Gino Corrado, German - born actor Sig Arno played more waiters and maitre d's
than any other film actor.
Not exact matches
In March 2009, while Secretary of State for Energy and Climate Change, Miliband attended the UK premiere of climate change
film The Age of Stupid, where he was ambushed by
actor Pete Postlethwaite, who threatened to return his OBE and vote for any party
other than Labour if the Kingsnorth coal - fired power station were to be given the go - ahead by the government.
Hopper's choice to have the
actors singing during
filming, rather
than lip - synching to a pre-recorded soundtrack, gives such impact to the performances — even with his overuse of certain
other filming choices — creates such a complete world that even with its flaws, Les Miz had me in the palm of its metaphoric hand throughout.
Once there was a
film historian who opined that Wallace Ford was in more movies
than any
other character
actor of his prominence.
Very Bad Things features a pretty terrific cast; while it features no real «big time» stars
other than Cameron Diaz - who only achieved that status upon the release of Mary, which happened after this
film was already done - it offers a very solid list of quality
actors.
He nails the time period, the locations are perfect, the young
actors are amazing (not over or underplaying anything), the cadence is on the money, and the adults are much more genuine and sincere
than they have been in
other W.A.
films.
Though the metaphysical overtones of the screenplay are sometimes awkwardly handled and Eastwood's direction of
actors (
other than himself) is occasionally uncertain, this was one of the better American
films of 1985.
No
other reason
than that, not to mention the fact that I love all of the
actors in this
film.
i only wish those thousands went to work on movies of more substance
than fighting robots... and you don't have to apologize to me, i can in fact compare «Real Steel» to «The Fast and the Frivolous»
films because in essence they are one - in - the - same, simply just the flavor of the week kind of flicks that have no real pull behind them
other than big name
actors, CGI and a promise of action.
The same would hold true of a Lead
Actor bid for Boseman — though James Brown is an enormously compelling real - life figure whose life is replete with the material that wins
actors awards, the Best
Actor race more
than any
other acting category is closely tied to the Best Picture race, and Boseman will likely struggle against competitors in stronger
films overall.
Aside from the well - noted fact that more superior long - form drama (and comedy) can be found on television
than in cinemas, the two most interesting motion picture experiences I had in 2012 were in galleries: The Clock (Christian Marclay, 2010), a staggering and hypnotic achievement of which I still have some of its 24 hours to catch up with, and two multi-screen installations by Candice Breitz: «Him» and «Her» in which many scenes from the
films of Jack Nicholson (in Him) and Meryl Streep (in Her), isolate the
actors from their filmic background leaving the
actors to speak to and interrogate each
other across space and time on many themes of character, identity, success, failure, anger and disappointment.
Other films receiving more
than one award were «Capote» (best
actor to Philip Seymour Hoffman and best adapted screenplay to first - time screenwriter Dan Futterman) and «Crash» (best original screenplay to Paul Haggis and Bobby Moresco and best ensemble acting).
Anderson — who's become even more of an
actors» director in his last few
films than he was already — is at the peak of his powers here, ironically but appropriately directing «Vice» in such a way that phrases like «peak of his powers» (and
other language connoting masculine swagger or preening mastery) seem contrary to the spirit of the thing.
More
than 80 real musicians performed alongside Boseman and the
other actors in the course of
filming Get on Up.
Nestor Almendros, Haskell Wexler and Ken Middleham have done work already legendary; the
actors are extraordinary; the music haunts me more
than that of any
other film I've seen in the last year.
His success with «Alias» ultimately launched his career, and now, ten years later, here he is approaching A-list status, starring in a fine - looking action
film, sharing the screen with none
other than, in the words of Ricky Gervais, «the greatest screen -
actor to have ever lived» — Robert De Niro.
The only redeeming quality to the
film (
other than the aforementioned running time) comes from the quality performances by the lead
actors, especially Peter O'Toole, who exudes devilish charm in one of his best performances in years.
The Roaring Twenties is richer is emotion
than any
other Walsh
film I know of, and much of the credit must go to Cagney; emotionally, this may be the
actor's richest performance as well.
In
other words: if a
film wins the best -
actor Oscar, it's more likely to also win best picture
than if it wins best actress.
Essentially the «Punisher: War Zone» of «Ghost Rider» movies, «Spirit of Vengeance» is a true experiment in letting directors (and
actors) go full - blast in what they do best, rather
than trying to tie a
film to
other comic book movies or a larger shared universe.
That's Keiji Inafune, creator of Capcom's Dead Rising series, and none
other than Bruce Campbell, the iconic
actor of The Evil Dead and
other pillars of the zombie -
film genre.
Really, the most prominent
actors in the
film other than Keaton were Catherine O'Hara and Jeffrey Jones, and one wouldn't exactly call them superstars.
Gertrud renounces external eventfulness in order to cultivate internal or imaginative eventfulness» — and using the (constant - and - never - moving as a way to allow viewers to focus on acting and the body rather
than on technical formalist tricks, in fact, the shots are the longest technically allowable before the invention of digital shooting) camera merely as a functional recording - device rather
than as an originator of instant meaning and knowledge as in Hollywood, this
film remains the best summation of the truism that a longwinded presentation of several
actors merely speaking for ten - minutes - a-scene while the camera does not move and no artificial and manipulative «cinematic language» is involved, in
other words, the dreaded «merely
filmed non-cinematic literature and theatre,» not only has a much greater capacity to teach
than any Hollywood mode of filmmaking but is more dramatic
than any car chase.
The
film took some big swings, and some of the decisions made didn't initially sit well with certain people, not the least of which included none
other than Luke Skywalker
actor Mark Hamill.
«Yes, audiences are more disposed toward being inclusive in matters of race and sexuality in the 21st century
than they were in the 20th — witness the (Oscar) win by A Fantastic Woman, starring a trans
actor in the leading role, as Best Foreign
Film of the year, and the
other major mainstream
film of the year, Get Out, Jordan Peele's social critique / horror
film, which also dominated at the box office.
«
Other than Guillermo and the cinematographer and some of the
actors, every single person on this
film was Canadian and really kind of from Toronto — so it absolutely is I think unprecedented, frankly, in terms of the type of recognition,» Dale said Tuesday.
Believe it or not, despite the fact that Christopher Lee played Dracula more
than any
other actor in the history of
film, he actually didn't approve of the most of the incarnations of his famous monster.
This guy
other than Cohen was the funniest
actor in the
film.
Roger called him the International Man of Mystery and said he probably knew and introduced more directors,
actors, distributors, exhibitors and critics
than any
other single person in the
film industry.
It was bypassed by the main groups in New York and L.A., but it won in Boston and among the New York online critics — and so far in the best picture, best director, best
actor and best supporting actress categories, it has won more awards
than any
other film.
He's a crusty old cuss, but he softens a bit when he encounters his best buddy, played by none
other than David Lynch (no relation to «Lucky's» director), who had cast Stanton in several
films and considered the
actor a dear friend.
Had Personal Shopper cast any
other actor than Stewart, this
film would be a completely different result.
Director Joss Whedon deserves a lot of credit for not only balancing the
film's many tones, but the large cast as well, and although some
actors fare better
than others (namely Robert Downey Jr. and Mark Ruffalo), the ensemble works together so well that you'd think it was part of the plan all along.
«Louder
Than Bombs,» Trier's first English language project and inaugural collaboration with name
actors, technically marks his biggest project to date — but this ruminative ensemble piece about a New York family haunted by the legacy of its departed matriarch fits right in with Trier's
other films, yielding an alternately wise, melancholic and good - humored look at people surrounded by support but nonetheless alienated by their incapacity to confront their problems.
It now has some competition, though, in La La Land, another critical and festival darling that scored 12 Critics» Choice nominations, more
than any
other film, including key categories like best picture, best director, best
actor, and best actress.
There are exceptions, of course (like Bernal and Luna) and the Latino market at least has the benefit of a really large and natively Spanish speaking
film community that it can fall back into but, seriously, name a latino character
actor other than Luis Guzman.
While
films and their leading
actors are split into «drama» or «musical or comedy» categories, the Golden Globes» supporting
actors hail from all
films; for that reason the two categories have a stronger correlation to the eventual Academy Award nominations
than most
others.
The 17 - year - old beat out more
than 3,000
other actors to play the role of a young man stuck on a life raft with a tiger in the 3D
film, which has a December 2012 release date.