Not exact matches
That's pretty prolific for someone who offers up quality work each and every time out, rather
than coasting on simplicity like a few
other hard - working
film music
composers out there.
Levinson always picks the perfect
composer for each
film he scores rather
than rigidly sticking with the same one, and the roster of
composers with whom he has worked is a virtual who's who of the
film music business - Alex North, Bruce Broughton, John Williams, Randy Newman, Ennio Morricone, Hans Zimmer, Christopher Young, and
others.
Of course, there is far more to Powell's music
than drum loops, and the way he combines modern electronics and synths with an orchestra is as impressive as any
other film composer.
You never quite know what you're going to get from Howard — I don't think there's ever been another major
film composer who has gone through such a wide range of styles (of course lots of
other film composers have written in a wide range of styles, but not like Howard, with no real sign of consistency of individual voice between them) and such a wide range of quality, with his music as likely to be dull and sometimes worse
than that as it is to be compositionally and emotionally soaring and inspired.
Indeed, if the
film gave us nothing
other than a stellar introduction to the astonishing Debussy reworkings of Japanese electronica
composer Isao Tomita (you better believe he is all up in my Spotify right this second), that would have been a great deal.
Among the highlights will be the social practice artist Theaster Gates singing his own rendition of «God Bless America,» «The Battle Hymn of the Republic» and
other traditional patriotic tunes; the filmmaker Arthur Jafa presenting his lauded short movie about racism, «Love Is the Message, the Message Is Death»; the artist Shirin Neshat showing
films about violence against women; the
composer David Lang performing and also speaking about «danger and honesty in both pop and classical music»; the poet Elizabeth Alexander reading her own work; and the artist Hank Willis Thomas presenting and discussing his
film «A Person Is More Important
Than Anything Else» (2014) on James Baldwin.