Sentences with phrase «than any other film critics»

«Scott Weinberg has had a profound impact on the psyche of my career more than any other film critics out there,» says James Wan, director Saw and The Conjuring, in his exclusive introduction.

Not exact matches

It was on more critics top 10 lists than any other animated film by a mile, and much loved by viewers, how does it not get a nom?

They were also better than those of any other major studio, leaving Disney the only one of the seven majors to receive a grade higher than a C. Interestingly, Disney's three Marvel - related films (including Big Hero 6, which is not part of the Marvel Cinematic Universe) were not just the studio's highest - grossing releases, but were also the highest - scoring Disney films with critics.

However, I've yet to hear much personal discussion on it from anyone other than the critics and it would seem that Farhadi has still some way to go before he gets the recognition he deserves among your average film enthusiast.

Considering that Smith claims that he made this film for teen girls, not for one moment does Yoga Hosers feel like anything other than a mid-40s writer / director shaking his fist at a younger phone - desperate generation, making inside jokes for the adults in the audience and lambasting the critics that have wronged him in the past.

Men critics in areas other than film wrote an average of 6 film reviews whereas women with this job title wrote an average of 3 film reviews.

These findings indicate that men hold the higher status titles of film critic or critic in categories other than film including television critic, music critic, theatre critic, pop culture critic, and media critic.

Not only are women outnumbered as film critics, staff writers, other types of critics, and freelancers, women also review fewer films on average than men.

But if A24 could pull off the biggest surprise Best Picture win in ages with Moonlight, whose budget was just $ 4 million, we probably can't eliminate Florida for being too small, especially as critics heap greater praise on it than any other film this year.

While the film is being praised by other critics (higher marks than both previous Avengers films) you don't see much happening here that we haven't already seen in the other 13 films.

If critics have a function anymore besides carving their own gravestones on the marble of modern cinema, it's to point a finger at films like Junebug, which sounds like a thousand other pictures but is actually something all its own: a Southern Gothic in the tradition of Flannery O'Connor that treats its characters as more than plot - movers or cardboard caricatures.

Critics were slamming this film before it ever came out, for no other reason, really, than the easy mockability of Tom Cruise.

Nothing would make this more interesting of an Oscar year if something other than The Artist wins, but after it took the London Film Critics it's really hard to imagine any other film winning.

Plenty of other female critics, besides me, are flagging the problem, which includes a scarcity of substantial and complex female characters in narrative films, whether Hollywood or indie, that fail to pass the Bechdel test (at least one scene with two female characters who have names, talking to each other about anything other than a man).

We both knew very little about the film, other than it had received praise from critics.

I'd also call him a film critic and a screenwriter, though his criticism, like much of Godard's and Rivette's, is made up of sounds and images rather than words and his screenwriting is always built on the writing of others.

Roger called him the International Man of Mystery and said he probably knew and introduced more directors, actors, distributors, exhibitors and critics than any other single person in the film industry.

If they did, Amy Ryan's chances probably wouldn't be so overdetermined, because if there's anything more eternal than Oscar's penchant for snubbing a critic's darling, it is its tendency to give the cold shoulder to loathsome, almost irredeemable female roles (like Something Ronan's sniveling brat from Atonement, who is redeemed by film's end, but by two other actresses!).

It was bypassed by the main groups in New York and L.A., but it won in Boston and among the New York online critics — and so far in the best picture, best director, best actor and best supporting actress categories, it has won more awards than any other film.

After all, other than Boyhood, the critics have mostly embraced either foreign films like Ida or movies way too obscure for Oscar voters, like Under the Skin.

But the Christopher Nolan film worked for audiences and critics, and now is firmly in the awards - season firmament (in fact, Nolan so far has received more Best Director prizes from critics groups than any other filmmaker this... Read

Critics and moviegoers were cooler towards The Heartbreak Kid than other Farrelly Brothers films, but I can't see more than marginal differences in its artistic success versus their earlier works.

La La Land: Damien Chazelle's love letter to Hollywood came into TIFF with more heat than any other film: It infatuated audiences at the Venice Film Festival, where Emma Stone won a best actress award, and continued to wrap North American critics around its lithe little finger in Toronto.

It now has some competition, though, in La La Land, another critical and festival darling that scored 12 Critics» Choice nominations, more than any other film, including key categories like best picture, best director, best actor, and best actress.

The White Review No. 14 features interviews with the art critic, historian and October journal editor Hal Foster; British artist Mark Leckey, whose hugely influential film «Fiorucci Made Me Hardcore» was memorably described by Ed Atkins as «better than art»; and the novelist Rachel Cusk, who talks about her commitment to «writing sentences that aren't the product of sentences written by other people.»

In 1962 the film critic Manny Farber published the provocative essay «White Elephant Art and Termite Art,» in which he distinguished two types of artists: the White Elephant artist, who tries to create masterpieces equal to the greatest artworks of the past, and the Termite, who engages in «a kind of squandering - beaverish endeavor» that «goes always forward, eating its own boundaries and, likely as not, leaves nothing in its path other than signs of eager, industrious, unkempt activity.»