Sentences with phrase «than art catalogs»

He studies record - album covers rather than art catalogs.

Not exact matches

The National Museum of the American Indian (NMAI) has one of the most extensive collections of Native American arts and artifacts in the world — approximately 266,000 catalog records (825,000 items) representing over 12,000 years of history and more than 1,200 indigenous cultures throughout the Americas.

RADICALS II At the Brooklyn Museum in April, a smaller exhibition, «We Wanted a Revolution: Black Radical Women, 1965 - 85,» organized by the museum's Elizabeth A. Sackler Center for Feminist Art, came with work by more than 40 artist - activists and a dynamite sourcebook - style catalog.

With more than 100 works from the original exhibition and a big, richly illuminating catalog, «The Armory Show at 100: Modern Art and Revolution» at the New - York Historical Society offers an excellent opportunity to ponder such questions.

Featuring over 150 iconic and lesser - known artworks by more than 70 artists and collectives, this catalog offers an interpretative survey of Chinese experimental art framed by the geopolitical dynamics attending the end of the Cold War, the spread of... go to book page >>

It turns out that I had written more often about Meyer's art than any other critic, and the catalog reprints every piece, including the artist's obituary.

(I'm posting this as a pdf rather than html — as they are rather lengthy) I was also able to buy online a Catalog from the 2000 - 2002 traveling show; Louis Finkelstein, Paintings 1971 - 1999 which showed at; Yale University School of Art, New York Studio School, Haverford College and Knox College.

2016 — Bohrer, Ashley, The Commodified Built Environment, Red Wedge, August 2015 — Derrick, Andy, Friday Feature, Matthew Woodward, ArtSquare, December Hartigan, Phillip, Seeing the Art For the Trees, Hyperallergic, August Daignault, Kristina, With Matthew Woodward, Inside the Artists» Kitchen, May 2014 — Hartigan, Phillip A, Expo Chicago Fails to Inspire, Hyperallergic, October, Obaro, Tomi, What I'm Doing This Weekend, Matthew Woodward, Chicago Magazine, October Juarez, Frank Art365, Matthew Woodward, May Hildwine, Jeriah, Matthew Woodward, Review, ArtPulse Magazine, April 2013 — Hall, Sarah Elise, Art - Rated, Matthew Woodward, Interview, November Klein, Paul, Art Letter, The Huffington Post, October Sherman, Whitney, Playing With Sketches, Rockport Publishing, October 2012 — Meuller, Rachel, Meticulous Chaos, Be Nice Art Friends, July Taskaporan, Erol, Matthew Woodward, Interview, Neo Collective, July Gumbs, Melissa, View From the Birth Day at the Chicago Cultural Center, Examiner, July Amir, Matthew Woodward's Decaying Drawings, Beautiful / Decay, May Dluzen, Robin, Catalogs of Anonymous Forms, Chicago Art Magazine, April Debat, Don, Unveiling the Unique, Chicago Sun Times, March Mutts, Lost at E Minor, New Art, January 2011 — Vora, Manish, Iconomancy: The Magic of Art, Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City, Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retro?

The catalog Four Generations: The Joyner / Giuffrida Collection of Abstract Art (2016), edited by Courtney J. Martin, shows that a history of blacks in American art can be told through means other than the representational or narratiArt (2016), edited by Courtney J. Martin, shows that a history of blacks in American art can be told through means other than the representational or narratiart can be told through means other than the representational or narrative.

In a catalog essay on Elizabeth Murray, Robert Storr reels off more than a dozen women on the radar of 1950s art, as measured by a «yearbook» edited by Robert Motherwell and Ad Reinhardt before Reinhardt's black paintings.

The 800 - page catalog is its own monument, weighing in at more than 10 pounds, and its dozens of contributors reground postwar art in the cataclysm of the Holocaust, the rise of the Iron Curtain, African decolonization movements, and nationalist reforms from Latin America to Southeast Asia.

, D300 Gallery, California Institute of the Arts, Valencia, CA (catalog) 2014 Untitled Solo Show, D300 Gallery, California Institute of the Arts, Valencia, CA 2012 My nights are more beautiful than your days (curated by Dulce Chacon and Eugenio Echeverria) Centro Cultural Border, Mexico City 2011 My beautiful things are falling down from the sky, el Marrakech Salon, Mexico City

With the vigorous support of Hyde Park Art Center (HPAC) director Don Baum, the resulting exhibition, the Hairy Who, was a sensational departure from the typical sober - sided display: a comic for a catalog, brash, sharp - elbowed works full of the detritus of everyday life, artists jumping into the air rather than posing for the ages.

Art is more than eternal masterpieces,» he wrote in a 1969 document included in the exhibition catalog.

«Inventing Downtown,» more about art than documentation, isn't a time capsule, although its informative catalog certainly is.

A short stack of catalogs for the Hammer Museum exhibition «Leap Before You Look: Black Mountain College, 1933 - 1957,» San Francisco Museum of Modern Art's upcoming photographic show «Anthony Hernandez,» and «Three Centuries of American Prints,» from the National Gallery of Art in Washington, D.C., weighs in at more than 15 pounds — about the equivalent of a bowling ball.

Germano Celant, a renowned art historian, critic, and theoretician, has served as the curator of hundreds of exhibitions worldwide and published more than one hundred books and catalogs.

A specialist in contemporary art and a leader in the field of college and university museums, Berry has written more than a dozen books and catalogs and organized projects with artists including Nayland Blake, Los Carpinteros, Richard Pettibone, Shahzia Sikander, and Kara Walker.

PUBLICATIONS NURTUREart has produced more than 30 publications including exhibition catalogs, full - season exhibition reviews, and critical dialogues in contemporary art.

NURTUREart has produced more than 30 publications including exhibition catalogs, full - season exhibition reviews, and critical dialogues in contemporary art.

These are people who can start a catalog essay with Bob the Drag Queen rather than art.

Following Baldessari's seminal statement «I will not make any more boring Art», he conceived the work The Artist Hitting Various Objects with a Golf Club (1972 — 73), composed of 30 photographs of the artist swinging and hitting with a golf club objects excavated from a dump, as a parody of cataloging rather than a thorough straight classification.

Much more than an aesthetic experience, enjoying art is an intellectual exercise enhanced by broadening our understanding of art history and artists» ideas and motivations, insight ripe for the picking in countless books and catalogs.

To perpetuate their brand, they work a lot harder, taking their catalog to international collectors at art shows in Miami, New York, and California, rather than hoping that a collector from China will happen to walk through their door in downtown Louisville, Kentucky.

Rather than setting painting free as a kind of proto - modernist, Turner, art scholar Sam Smiles contends in a catalog essay, sought to liberate it «from artificial limitations and an imperfect understanding of art.»

Germano Celant, a renowned art historian, critic, and theorist, has served as the curator of hundreds of exhibitions worldwide and published more than one hundred books and catalogs.

Art AIDS America is accompanied by a nearly 300 - page catalog featuring essays by 15 contributors and with more than 200 illustrations.

«I can think of no other artist whose paintings exude the joy and pleasure of being an artist with more intensity than Karl Benjamin's, nor any other artist whose long teaching career has left no blemish of cynicism on his practice,» critic Dave Hickey wrote in the catalog of a 2007 survey of Benjamin's paintings at Louis Stern Fine Arts.

He is author, co-author, or contributor to more than 70 art - related books and exhibition catalogs, and some of the artists he has written essays on include Francis Alys, Waltercio Caldas, Lygia Clark, Gordon Cheung, Lucio Fontana, Julio Galan, Damien Hirst, Rebecca Horn, Teresa Margolles, Cildo Meireles, Ana Mendieta, Gabriel Orozco, Helio Oiticica, Santiago Sierra, Jesús Rafael Soto, Javier Téllez, and Teresa Serrano.

EXHIBITION Jan. 24, 2014 «Carrie Mae Weems: Three Decades of Photography and Video» Opens at Guggenheim A survey of her work over the past 30 years, the exhibition was organized by the Frist Center for Visual Art in Nashville to include more than 200 objects (photographs, video, audio, text and fabric banners) and an accompanying 280 - page catalog The exhibition opened at the Frist Center on Sept. 21, 2012, and was on view through Jan. 13, 2013, before traveling to the Portland Art Museum, Cleveland Museum of Art, Cantor Center for Visual Arts and finally the Guggenheim in New York (Jan. 24 to May 14, 2014).

With more than 180 illustrations and an illuminating essay by Bruce Robertson, this catalog demonstrates the Ebsworth Collection's rich and varied look at modern American art.

It featured more than 300 works of art by 106 artists and was accompanied by a 142 - page catalog titled Modern Aart by 106 artists and was accompanied by a 142 - page catalog titled Modern ArtArt.

With more than 180 illustrations and an illuminating essay by Bruce Robertson, the catalog demonstrates the Ebsworth Collection's rich and varied look at a dynamic era in our national art.

The catalog contains more than 100 masterpieces of European and American art ranging from the 1920s to the 1960s, reconstructing relationships on both sides of the Atlantic through the figures of the American collectors Peggy and Solomon Guggenheim.

The LA Art Book Fair continues through Sunday, presenting artists» books, art catalogs, monographs, periodicals and zines exhibited by more than 250 international presses, booksellers, antiquarians, artists and independent publisheArt Book Fair continues through Sunday, presenting artists» books, art catalogs, monographs, periodicals and zines exhibited by more than 250 international presses, booksellers, antiquarians, artists and independent publisheart catalogs, monographs, periodicals and zines exhibited by more than 250 international presses, booksellers, antiquarians, artists and independent publishers.

That habit includes visiting artist studios and selecting shows for his Redbud Gallery, reading art history, perusing auction catalogs and updating the database of his collection of more than 1,300 objects.

The gallery has published more than one hundred twenty - five exhibition catalogs with scholarly contributions by leading art historians, artists or critics; authors have included Hilton Als, David Anfam, Debra Bricker Balken, Isabelle Dervaux, Joseph Jacobs, Leslie King - Hammond, Sam Hunter, Susan C. Larsen, Gail Levin, George Lipsitz, Whitfield Lovell, Robert Morgan, Francis V. O'Connor, Carter Ratcliff, Arlene Raven, Martica Sawin, Barry Schwabsky, James Siena, Lowery Stokes Sims, Elisabeth Sussman, Stephen Westfall, and John Yau.

Published in conjunction with an exhibition at The Museum of Modern Art, this catalog presents more than 270 prints and books, organized thematically, and includes an essay that traces Bourgeois» involvement with these mediums within the broader developments of her life and career.