Conceived as an index of roofs — rather
than as individual paintings — these works suggest a collective presence and relate strongly to Gates», whose father tarred roofs for a trade.
Not exact matches
It remains critical in a hands - off kind of way, but doesn't end there; his «tireless production» (
as they describe it in the press release) makes his
individual, technically unimpressive
paintings into something much greater
than the
individual.
The
paintings were composed of thick, fluid brushstrokes, the
individuals appearing more
as caricatures rather
than traditional realist portraits.
Moreover, because the White
Paintings all emerged from a single concept and each
painting's surface is basically indistinguishable from that of the next, the tendency, understandably, has been to treat the White
Paintings en bloc, rather
than as individual pieces.
Painters including Jackson Pollock (1912 — 56), Willem de Kooning (1904 — 97), Franz Kline (1910 — 62), Robert Motherwell (1915 — 91), Mark Rothko (1903 — 70), Barnett Newman (1905 — 70), Adolph Gottlieb (1903 — 74), Richard Pousette - Dart (1916 — 92), Clyfford Still (1904 — 80) and Lee Krasner (1908 — 84) saw the
individual process of art - making
as equal to or more important
than the final result, and art critic Harold Rosenberg coined the phrase «action
painting» to refer to this overriding significance of the act of
painting.
As the only exhibition of its kind in California, it brings together more than 120 works by 28 individuals, including large - scale installations, sculpture, paintings, works on paper, wall drawing and photographs, as well as digital and video ar
As the only exhibition of its kind in California, it brings together more
than 120 works by 28
individuals, including large - scale installations, sculpture,
paintings, works on paper, wall drawing and photographs,
as well as digital and video ar
as well
as digital and video ar
as digital and video art.
Thus while he
painted individuals from photographs, Richter's replica images were often blurred and bore nothing distinctively identifiable about the subject, an effect that forced the viewer to consider the fundamental components of the
painting itself, such
as composition, color scheme, and so forth, rather
than leaving the viewer to identify with, or be distracted by, a picture's implied content or its emotional element of «humanity.»
Jones» principal aim here is to demonstrate that Bay Area figuration constitutes a coherent movement, rather
than having been an accumulation of isolated
individuals who saw Abstract Expressionism
as a moribund, even alien style and who simply began to
paint recognizable figures
as an antidote.
Depending,
as it does, upon the
individual, upon the subjective and automatic and personal qualities of the that man, the
painting can be no better
than the artist.
As Hodgkin's
paintings have become more psychologically charged over the course of more
than 50 years, straightforwardly descriptive elements that were present in his early portraits have come to be disguised and subsumed in
paintings that still endeavor to evoke specific
individuals in particular situations.
As the show was being installed, Aho had completed more
than fifty
individual paintings.