Sentences with phrase «than casual readers»

Ultimately I think the Kobo Aura HD is more suited for ereader / E Ink aficionados rather than casual readers just getting into ereading for the first time.

Problem is that we current have heavy readers rather than casual readers!

Maybe that's just me being hyper - critical, because as writers we tend to notice more errors than casual readers.

In this last example it is impossible to miss the tone of irony, and this is something which is often present — more often than the casual reader might suppose.

Not exact matches

-LSB-...] blog, and wonder what kind of style, I'm going to say business casual, quiet dressing, and informal elegance, hoping some long time readers are better at copywriting than I and have crisper taglines of -LSB-...]

I love your weekly recaps, deffs should keep them up even if its for yourself more than your readers — its a great thing to look back on Lovely casual look and obviously the bag makes it super chic

Having said that, I've found a larger - than - average number of folks looking only for something casual here (likely due to the lack of time investment needed to join), and I've yet to hear of any successful relationships come out of the site (where readers tell me they've met The One, or something equally special, on the site).

To the casual reader, many of those moments captured by their love - lost writers are better than all of the others.

For more than a century, Bartlett's Familiar Quotations has been an indispensable resource for quotes for scholarly and casual readers alike.

The reader application is not useful for anything other than casual reading for entertainment.

Compared to many people's usage of paperbacks, and as a low - cost alternative for casual reader with a less than a book - a-month habit, I think K4 may well hit the mark.

They seem to believe that casual readers (users who don't think a dedicated reading device makes sense) form a Long Tail that will end up being more important than eReader owners and physical book buyers.

Well, the $ 99 price point is huge psychologically — A lot more people start making impulse purchases, a lot more eReaders start being gifted, more people feel a device «that does nothing other than read» is worthwhile since it's just $ 99, more casual readers try it out.

The population of eBook readers is huge and there will be an ample number of reviewers who are worth far more to you than casual acquaintances that you meet, your friends, your family or even those anonymous people who work as book reviewers for major newspapers and magazines.

But as far as feeling like you've «made it» and you're ready to quit your day job, it's more important to cultivate your 1,000 true fans than have a good sales month here or there (as many who've been there can tell you, success can be fleeting if it came as a fluke and you didn't take advantage of it by turning casual readers into true fans).

And since there are more casual readers than dedicated readers and not all dedicated readers are willing to commit to digital any survey looking at just the number of people who ever read will show a strong bias towards the old ways (that are slowly fading) and minimize the extent of the change that has already taken place.

As such, the Plastic Logic Reader is expected to be marketed more toward business professionals than toward casual novel readers.

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

Casual readers might assume that you were endorsing Wegman et al.'s summary rather than just quoting them for comparison with Rapp.

What concerned me was that a casual reader viewing his 2002 - 2009 data might notice that CO2 increased less from 2008 to 2009 than in the few previous years, or that the 2006 - 2009 increase was less than the 2002 - 2005 increase, and might conclude that the recent rate of increase was at best linear (or worse) as he claimed.

At a glance, the the casual reader might take the conclusion to be that the BCCA found no more than that the plaintiffs had failed to establish, on a but - for meaning necessary basis, that loss was caused by defendants who made the misrepresentation.