Sentences with phrase «than dialogue about»

Studies have found that dialogue concerning travel results in more matches than dialogue about films.

It also found that dialogue concerning travel resulted in more matches than dialogue about films.

Not exact matches

This is about creating a dialogue, rather than a monologue.

But more than just a numbers game, social media is about a qualitative message, and the ability to encourage dialogue and engagement with followers.

There can be no true dialogue when each side is relating to a phantom of its own projection, however benevolent that projection might be, rather than to a view of the other side that the other side can truly accept about itself.

I'm concerned about Tony's theology, whose philosophical foundations I criticized pretty consistently while I was involved in EC in 2004 - 7 before bowing out because Tony seemed more into pushing with some arrogance a pomo philosophy he never really studied in school than he was into fostering dialogue (I went back to just reading the wonderful books of Brian McLaren which is how I got involved in the first place).

«So rather than starting the debate himself, actually it's grassroots... because of the very specific situation in Brazil, have requested the Pope, and the Pope is a pope of dialogue and is saying, «yeah, let's talk about this».

Public dialogue in the U.S. about the Persian Gulf war has drawn heavily on the language of the just war tradition — more so than has been the case with any war since at least the 1860s.

The lamentable polarisation and confusion which has developed as a consequence of these conflicting interpretations of our present situation is only too familiar to anyone involved in the life of the Church and has led all too often into destructive polemic rather than real dialogue about the best way forward for Catholic Christianity in the third millennium.

There is nothing more holy» or terrifying» than reading what St. Catherine of Siena wrote about wayward clergy in her searing Dialogue; few sermons in Christendom equal the power of St. Alphonsus Liguori's on the enticements of the world; and how many of us would have the courage of a St. Charles Borromeo, who, as he implemented the reforms of the Council of Trent, had his life threatened multiple times?

While it is fine, indeed healthy, for Judaic scholars to engage in a heated exchange about the best way to approach interfaith dialogue, nothing can justify Prof. Novak's truly repugnant accusation that, in not ascribing to Dabru Emet, Prof. Levenson is somehow guilty of fostering «self - hatred» among Christians, or his insulting suggestion that Levenson would be better off teaching in an Orthodox yeshiva than at Harvard.

When viewed as a general guide to faith rather than as a collection of specific teachings, the Bible can provide a basis for theological reflection and dialogue about every aspect of life for contemporary Christians.

«In the world in which we now live, with fears about «The Other» - whether that be Sunni, Shia, Jew, Christian, Yazidi, Hindu or Buddhist - stoked and spread through social media, and amplified by those who would seek to suppress understanding, rather than promote it, there is an urgent need for calm reflection and a genuinely sustained, empathetic and open dialogue across boundaries of faith, ethnicity and culture.»

If Christians are afraid of dialogue about serious & sensible questions from athiests than are they really much different than the Taliban.

He is best known for advancing dialogue around college and youth sports, with The Nation writing in 2017 that Tom «has done more than any reporter in the country to educate all of us about the professionalization of youth sports.»

It's always better to be upfront about your concerns and keep engaged in a dialogue than to stew about the lack of communication while not doing something about it....

Only one place was not inline with our political message but still more than happy to have a dialogue about women leaders.

Ken Mehlman, chairman of the Republican National Committee and one of the principal architects of the GOP turnout apparatus nationwide, said a top - notch voter identification and turnout effort matters more in a congressional race than a presidential one because there is «much less of a public dialogue» about individual House contests.

«Sadly, Zephyr Teachout, having just stepped away from running a PAC, is reducing the «People's Pledge» to a political prop rather than engaging in a real dialogue — if she is truly serious about a real dialogue on this important issue, we will be happy to discuss it with her.»

She added: «The debate around this important issue has been based on high emotions and subjective opinions rather than a sensible dialogue about how we can tackle childhood obesity.»

The poor word choices, which resulted from the passion expressed by some, diverted the attention away from the legitimate concerns of the more than 500 hardworking mental - health workers, correctional officers, caregivers for developmentally - disabled individuals, administrative personnel and others who attended the rally to call for substantive dialogue with the governor about the direction we need to take the Empire State so that it serves all its citizens well, especially the most vulnerable among us.»

Rather than quietly accept negative conditions and live in fear, probationary faculty should engage their mentors and department chairs from the start in a dialogue about expectations.

Continue the dialogue about this terrible virus, which is feared to be more prevalent than fully understood.

Prefer dialogue to get acquainted rather than potentially exaggerate a paragraph about my attributes.

With more people than ever venturing into the world of online dating, this movie is sure to spark dialogue about dating virtually.

It's more about intuition and gesture than dialogue.

The narrative is clearly more important than the game's mechanics, and that shows at times, but the combination of mechanics, dialogue choice and acting help to push the message about how devastating depression can be for an individual suffering from it.

There are so many things wrong with this game, first of all the plot is too linear you play as Mario throughout the whole game you don't get to play as peach or bowser, there are no new characters other than kersti, all the characters in the game are from the Mario platformers, there are no exp so you can't level up and if you run out of stickers you have no choice but to run away, peach only has about five lines, bowser is the main antagonist and he has no dialogue, in the previous installments the main antagonist always had dialogue, and one of this game's worst problems is that luigi went from being a playable character to a glorified cameo, I have no idea what nintendo was thinking when they made this game.

Honestly, more than any speech or dialogue exchange within the movie, the structure here suggests a lot about how fleeting any given moment, any particular memory, any specific item, or any person's life actually is in the big picture of life across generations.

Ararat is less about history than the necessity of dialogue and debate, and the devastating effects of stifling dialogue.

Put together, this is one of the great dialogue comedies, with far more verbal acuity than most movies about campus life — or most movies, period.

Of course, everything about «Pompeii» feels half - assed — from its bland romance, to its terrible dialogue, to the worthless addition of 3D — and though it's slightly better than last month's «The Legend of Hercules,» the film is still a pretty miserable viewing experience.

The film also has an undercurrent of ugliness to it, intentional to a certain extent, with more shots and dialogue about human waste than is typical for a law enforcement thriller.

This is Tarantino, so the film is all about dialogue and character and not really breathtaking cinematography, so other than Tarantino's firm belief in preserving 70 mm, I'm not clear why he's pushing it for this particular film.

Rather than be an elegant, moving tale about Christmas» ability to bring out the inner - child in us all, Arthur Christmas sticks to repetitive sight gags and awful — and I do mean AWFUL — dialogue puns.

The actors aren't all well cast (I counted only about three I'd consider to be above average for their respective roles — Acker as Beatrice, Fillion (Waitress, White Noise 2) in the supporting role of Dogberry - the only time the audience I viewed the film with laughed at anything in the film that came from actual dialogue, rather than the injected slapstick and actors occasionally comical facial expressions, came from Fillion's delivery - and British actor Paul Meston in the minuscule part of Friar Francis) The rest often appear as though they're reciting lines without any sense of meaning in the words they are saying, and when one of those happens to be the male romantic lead, that's one hell of a liability.

are more of the same; truth is that most of these elisions are interchangeable with those that made it to air, though because there's a God in heaven, a dialogue about how Hilary Swank could more than likely kick the ever living shit out of ex-hubby Chad Lowe did make the final cut.

He talks about how this film is a fairytale and how he loves the little girl he cast and how honest she is in her complete inability to be anything other than herself (and, damnably, how much he let her ad lib her dialogue and thus alter his film).

Paul Thomas Anderson for teaching me that it's ALL about the script and if you have the right actors directors don't have to do anything on set but be a fan, Lumet for his films and his book, a young directors» must read, Coppola for his courage in filmmaking, Steven Soderberg for refusing to ever be put in a box and pushing the form as far as he can, Kathryn Bigelow for giving masterclasses in action, James Cameron for Terminator 2 and prove big budget cinema can still be perfect cinema, Sean Penn for bringing his acting chops to directing, David Mamet for his scripts and his dialogue, Nolan for having more heart than most people seem to give him credit for (Memento, Rises, Inception and Interstellar all made me cry.)

But dialogue and setting in this movie are finally less important than certain facts about its production: according to the movie's press materials, both Chan and director Stanley Tong «finished the film on crutches,» and two stuntwomen as well as actress Francoise Yip broke their legs during the motorcycle tricks.

These are cartoonish people we can care about, more than slick vehicles for Black's and co-writer Anthony Bagarozzi's excellent dialogue.

outline, the gore (such as exploding heads) adds nothing other than wank - bank material for sadists, the dialogue is severely lacking in his usual cleverness, and worst of all Tarantino displays none of his usual skill at that constant electric hum of «shit is about to go down!»

The film is about an orphaned dinosaur who befriends a young human boy, and reportedly features relatively little dialogue as the two communicate through action and expression rather than words.

But none of it would be worth talking about were it not for the impeccable performances by Tony Leung and Maggie Cheung who say more here with silence and furtive glances than most actors do with dialogue over their entire careers.

Far more than in their scripts for «Legally Blonde» and «10 Things That I Hate About You,» screenwriters Karen McCullah Lutz and Kirsten Smith reveal a precise ear for dialogue that turns words back on themselves, and especially the sort of talk that young women say to one another in private: In perfect Shelley - talk, she exclaims, «My heart is pounding like a nail!»

THE KILLING OF A SACRED DEER Yorgos Lanthimos's best film to date, is an wonderful demonstration of why Colin Farrell is so suited to deliver his dialogue, and Nicole Kidman is a more than welcome edition in to his Greek Weird universe where a slighted teenager can make children bleed from their eyes by will alone, and where people love to talk about the materials in the wristbands of their watches.

The main extra on Warner's New Year's Eve Blu - ray is a running commentary by Marshall, who not only falls into the trap of simply describing either the action or dialogue of a scene instead of imparting much background information and stories about the production (going unaddressed, disappointingly so, is the widely reported last - minute Heigl - for - Berry recast, with the latter rejoining the project in a smaller capacity once her schedule cleared), he does so in a sing - song fashion that presumably is supposed to come off folksy - friendly but quickly becomes more than a little obnoxiously self - amused.

The film — a character study about two road workers who bicker and banter with each other as they tediously paint road lines in a burned down Texas state park — is a notably weightier comedy than most Rudd vehicles (this isn't one), striking some beautiful, poignant notes along with the funny dialogue.

His screenplay credit may refer to little more than an outline of character and scene descriptions, because in just about every scene, actors look like they're coming up with dialogue on the spot.

For about an hour I was held rapt by Keoghan, Kidman and Farrell (whose hangdog expressiveness Lanthimos seems to comprehend more fully than any other director), and by the loopiness of the dialogue — loopy in the sense that it's both out there and repetitive.