(2) The dialogue between theology and science must be more
than a dialogue within the individual minds of brilliant scientist - theologians; it must be a genuine engagement between theology and science.
There is more at stake in the religion - science dialogue, and in books like this one,
than dialogue within individuals and between disciplines.
Not exact matches
«Maintaining civil and respectful
dialogue within the big tent is more important
than any particular session,» the event's director said in a statement.
Maintaining civil and respectful
dialogue within the big tent is more important
than any particular session.
Although we have limited ourselves in this chapter to the discussion of
dialogue within the Church, we must not forget that Vatican II also used the term «
dialogue» to refer to communication with separated Christians, 10 with non-Christians and atheists, 11 with the entire human family, and with the world.12 This aspect deserves our attention even more
than the use of the
dialogue model for exchanges
within the Church.
In fact, these discussions can be regarded as an early form of the Christian - Marxist
dialogue, even though the
dialogue, for the most part, was internalized
within these thinkers rather
than being represented by «Christians» on the one side and «Marxists» on the other.
I think it's far worse
than that, with shades of Gentile's corporatism); that it has continued the conversion of competing and / or divergent centres of power into a recursive bureaucratic autarchy, emptying out the wider polity of any sort of
dialogue or dialectic, shades of Gentile again, and that socially and fiscally it has been profoundly regressive, continuing the marketisation of the severely wounded NHS and of education, also badly bleeding, treating school and university students as «product», not as people; adopting a broadly Powellite attitude to migrants (useful economic fodder, mustn't change the culture, «British jobs for British people»); devising the catastrophe of PFI / PPP
within a broader neo-liberal agenda, and so on.
Honestly, more
than any speech or
dialogue exchange
within the movie, the structure here suggests a lot about how fleeting any given moment, any particular memory, any specific item, or any person's life actually is in the big picture of life across generations.
Whereas before when the Dynamo is activated and inverts Shantae's magic to make her evil, and her friends snap her out of it
within seconds, thanks to some well - spoken
dialogue, it turns out Shantae's friends did more
than just say a few lines.
Something has been poured in the waters of the Black community that has made hate and animosity more understood
than love itself... Reading this book will hopefully spark the necessary conversation needed to find the love
within ourselves to connect to one another again... Any community
dialogue involving healing, relationships, or renewal will find this book an essential tool, thus making it possible to find and totally unlock the love that has been missing between the Black man and woman.
Slapping the nickname «Needy» on Seyfried's only - possibly - nerdy - by - movie - standards - otherwise - hotter -
than - 99 % - of - my - hs - classmates best friend character (full name: Anita Lesnicki, her nickname seems designed to add superfluous character the incredibly - talented Seyfried can supply with a mere inclination of her head) is the first hint of Cody doing her thing; by the time Jennifer is mocking Needy's bf Chip (the sublime Johnny Simmons) as «lime green Jell - o» the Cody
Dialogue Effect is in full force
within the film.
For more
than twenty years now, New York - based artists Liam Gillick and Lawrence Weiner, who each represent different aspects of, and / or strands
within, (the complex interplay between) the conceptual, post-conceptual and neo-conceptual traditions in art, have engaged in an intense intellectual and artistic
dialogue.
Svenja: It depends, but I would say I've had more solo exhibitions
than I was participating in group exhibitions, which is a fact I like since my work is a lot about the combination of single paintings
within an exhibition space and their
dialogue between each other.
38 At the same time, however, «lawyers are themselves social actors, functioning
within rather
than above the perpetual clash» of interests.39 This private - interest role represents the more familiar view of lawyers as zealous advocates for their clients.40 The case -
dialogue method, the Report argues, serves to prepare students for their role as private - interest advocates, which is only one side of their dual roles.