Sentences with phrase «than object sculpture»

Pepper strove to make «experience sculpture rather than object sculpture.»

Not exact matches

«Even when people don't take a photo of a particular object, like a sculpture, but have a camera with them and the intention to take photos, they remember that sculpture better than people who did not have a camera with them.»

Oakland artist Jeremy Mayer, who makes found - object sculptures out of discarded typewriter parts, is one of the shop's regular customers, but his presence in the film has less to do with typewriters than with the artist's financial struggles.

The Carnegie Museum of Art is a dynamic, contemporary art museum that features a collection of more than 30,000 objects across a spectrum of art forms, ranging from painting and sculpture to decorative arts, design, film, and video.

Chen transforms a household object in Black Broom (2000) fabricating a larger - than - life sculpture from transfusion tubing with hypodermic needles protruding from the «bristles.»

The Department of American Art includes more than 1,000 paintings and sculptures from the 18th century to 1950 and nearly 2,500 decorative art objects from the 17th century to the present.

The departure was short - lived, however, ending when Hoptman returned to the city as a senior curator at the New Museum, bringing in works by painters like Elizabeth Peyton, George Condo, and Tomma Abts while also organizing seminal exhibitions including «Unmonumental: The Object in the 21st Century» — the influential show of provisional - looking sculpture that famously included a lot of paint — and «Younger than Jesus,» the first iteration of the museum's Triennial.

In her monumental sculpture, Flack has worked to change the representation of women in art, presenting them as strong, intelligent, purposeful individuals rather than «mere sex objects gazing up at a general on a horse,» according to a release from the WCA.

Families will explore a climbing structure, walk into a larger - than - life painting and create sculptures made of found objects, all developed to help improve their visual literacy.

Following these exhibitions and the more current than ever topic of the representational character of image, space and actual object, Galerie Gmurzynska, will bring a selection of sculptures, reliefs and collages spanning art historical narratives from the early 20th century to the early 21st century.

The nature of the exhibition is such that sculptures, paintings and installations transition from prop to image to art object, staging an enquiry into whether these fictional depictions in mass media ultimately have greater influence in defining a collective understanding of art than art itself does.

Above all, Jenkins wishes to convey that art is a mode of action, rather than an object, sculpture or painting.

This exhibition of more than 40 sculptures attempts to connect that realism with the sacred use of the objects.

Her expressionist paintings are inspired by a wide variety of art historical references, from Situationism and Abstract Expressionism to graffiti and cartoon, and her found - object sculptures assembled from urban detritus feel more playful and light than their material constituents.

Sculpture has always offered relief, in more ways than one, and Clement Greenberg made a point of painting as object.

The artist intends the sculpture, sited in the remote wooded area of the lower grounds at Laguna Gloria and recalling petrified wood in its textures, to be an «excavated relic or fantastical object,» one that is «more sci - fi than scientific.»

Including more than 100 objects (installations, sculptures, photographs, and works on paper), the exhibition defies chronology, with the intention of refracting meanings across the rotunda.

The exhibition brings together more than 100 works from the 1920s and «30s along with major reconstructions of spaces, sculptures and functional objects by key Soviet artists such as El Lissitzky, Gustav Klutsis, Aleksandr Rodchenko and Varvara Stepanova.

Although most of Tuttle's prolific artistic output since the beginning of his career in the 1960s has taken the form of three - dimensional objects, he commonly refers to his work as drawing rather than sculpture, emphasizing the diminutive scale and idea - based nature of his practice.

Nelson's artistic and cultural interests were even wider and more challenging than some of his famous New York colleagues; in his Philadelphia studio he explored avenues as innovative and diverse as welded sculpture, incorporating scrap or found objects, and printmaking, a medium that established him among the leading innovators of the day.

Facilities include works on paper with more than 3,000 prints and drawings; painting storage with works from the Renaissance to the present; and object storage with Greek and Roman pottery and glass, Ancient American ceramics and African and European Medieval and Renaissance sculpture and artifacts.

Rather than serving solely as sources for paintings or pastels, these sculptures were independent objects, what the artist called essais — «trials» or «experiments.»

Lebrun, Rico A collection of more than 100 objects including paintings, drawings, prints, and sculpture.

Her sculptures resolve this concept of prosaic «practicality» by the refusal to sensationalise her subjects, metaphorically transcending their designated purpose and intended limitations, and taking reassurance in objects and materials existing for their own inherent value, rather than a perceived use.

I usually see it as a 2D design object that's easier to sell than performance, sculpture, or video — something to coordinate with your home or office decor.

Its permanent collection of more than 84,000 objects includes paintings, sculpture, decorative arts, costume, furniture, and other works of art from every part of the world, including objects from Ancient Egypt, Greece, and Rome, and art of all periods from Asia, Europe, and the Americas, up to the latest in contemporary art.

The show's more than 400 objects include liberal and lively quantities of scruffy bricolage, bodacious figurative sculpture, hip flirtations with fashion and design, and some rather inscrutable instances of latter - day institutional critique.

I wondered whether it would be possible to construct a show as I did a sculpture: intuitively adding and subtracting, allowing meaning to be generated by the objects rather than using them in service of an argument or idea.

Jeff has pushed that legacy further than any other artist in terms of the standards and level of detail with which he produces his work, and there's an essay in the exhibition catalogue by [Artforum editor] Michelle Kuo that argues that he is producing objects at a level that's higher even than science or industry today, with elements of his sculptures that are more exacting and complicated than equipment made by the aerospace industry.

The exhibition brings together more than 100 works created by more than 20 artists from France, Spain, Belgium, Switzerland, Germany, Great Britain and the United States from the «20s to the «50s, rebalancing the traditional views about Surrealist sculpture by placing equal emphasis on organic abstraction which originated in the whimsical reliefs of Jean Arp, and the of found - object assemblage, which originated in the Assisted Readymades of Marcel Duchamp and became a surrealist passion.

It fits with Minimalism's aim of encompassing more than sculpture as object, to alter one's perception of the entire space, walls and floors included.

Jillian Mayer: Slumpies a body of sculptures that function as utilitarian objects, presented on PAMM's outdoor terrace as well as in the Vattikuti Learning Theater on the museum's first floor Routes of Influence juxtaposes artworks in a manner that maps how aesthetic concepts move fluidly across traditional, national or cultural lines, how «influence» in art is understood today as multi-directional, rather than linear in character.

The exhibition will include more than 50 drawings, paintings, sculptures, objects, and photographs as well as furniture and architectural and landscaping designs.

The Allen Memorial Art Museum has an outstanding collection of more than 12,000 objects — including paintings, sculpture, decorative arts, prints, drawings and photographs — that provide a comprehensive overview of the history of art from a variety of cultures.

Already, many sixties artists have taken on, for me, this classical stature — Dan Flavin, Carl Andre, Don Judd, Robert Morris, Kenneth Noland, among others — which feels more like past than present...» Nevertheless, many of the assumptions which were first propounded about the style — or what was commonly claimed, the non-style — of Minimalism (née Cool Art, The Third Stream, Post Geometric Structures, ABC Art, Object Sculpture, Specific Objects, Primary Structures, or Art of the Real) have remained unchallenged for over a decade.

The Nelson - Atkins serves the community by providing access and insight into its renowned collection of more than 33,500 art objects and is best known for its Asian art, European and American paintings, photography, modern sculpture, and new American Indian and Egyptian galleries.

His 1964 essay «Specific Objects» is considered a manifesto for Minimalist sculpture, advocating artists whose works inhabited the actual space of the viewer rather than the illusionistic space of traditional painting and sculpture.

Rather than limit art to a canvas or traditional sculpture, Art Nouveau expanded the artistic premise by turning everyday objects into art.

The exhibition, curated by Anthony Huberman, brings together roughly 100 sculptures, photographs, videos, paintings, and site - specific installations to explore technology as a group of machines, objects, devices, systems and infrastructure, rather than a local industry.

If Stella's famed black, unmodulated series of canvas works were intended to contain no meaning other than existing painted objects, Morrison's peculiarly shaped Tomb (2012) seems to revoke that formalist abstraction through its rippling drapes and stripes, implying a more complex relationship sculpture has to contemporary attitudes and responses.

I think the work I'm showing is much more object and painting driven than my colleagues», bringing us back to original Biennials, when painting and sculpture were most important.

For Galerie Gmurzynska to present simultaneously in its two separate Zurich exhibition spaces a survey exhibition of 100 years of sculpture with around 70 objects, is both a reference to its more than 50 - year history as well as to its presence.

IN THE CREATION of his Urinal, 1984, Robert Gober referred more explicitly to Marcel Duchamp's readymades (specifically Fountain, 1917) than any other artist now creating sculpture derived from the everyday object.

Traveled to Grazer Kunstverein, Austria and The Studio Museum, New York Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks Gallery, New York (catalogue) 2000 Made in California: Art, Image and Identity, 1900 - 2000, Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999 Through the Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bologna.

For more than two decades, Jessica Stockholder has been fashioning a new language for sculpture and installation art, one that applies a painter's sense of form, pattern, texture and color to three dimensional spaces through the use of a staggering variety of media, from heavy duty construction material to mass - produced commercial products and even live horticulture.Her sculptural and architectural interventions spread themselves over the spaces they occupy; planes of vivid Technicolor hues abut precisely arranged and patterned objects and assemblages of unlikely materials combine and bloom amidst the colorful chaos.

Oldenburg packed more than one hundred objects into the modestly sized room, setting previously exhibited reliefs alongside new, primarily freestanding sculptures.

Encompassing more than 1,400 works, including paintings, sculptures, works on paper and decorative arts objects, the collection is displayed at the DMA in a re-creation of the couple's Riviera home, Villa La Pausa.

Starting Sept. 5, more than 75 sculptures, paintings and design objects will fill the museum's entire upper floor.

The majority of the selected works are articulated in the round, meaning that they read as «objects» rather than as «sculptures», asking to be handled and turned to be fully appreciated.

Two museums; 54,000 square feet of exhibition space; 189 artworks, including more than 100 sculptures (one of them almost 60 feet high); 21 cabinets filled with smaller objects.