Rather
than painting smaller rooms a light color, give them a warm and cozy feel with rich, deep tones and........
Not exact matches
There are more
than a dozen works on view in Trump's apartment, including a series of prints by conceptual artist John Baldessari, a massive work by art - market juggernaut Christopher Wool, a
small piece by the up - and - coming artist Will Boone, prints by photographer Mariah Robertson, and a
small, colorful abstract
painting by the young art - world star Alex Da Corte.
What better gift
than the gift of faith, Our Lady of Guadalupe posters and frames which resemble the
painting in Mexico?s Basilica of Guadalupe make excellent gift ideas for an office,
small church, large home or factory.
Stopping in front of a
smaller painting he did of Arnold Palmer when the club made Palmer an honorary member last summer, Dillon pointed his cane at the King's likeness and said, «Arnie told me he likes it better
than the one Norman Rockwell did of him.»
I think the attendees
painted themselves into a corner, and except for a
small handful, were acting as they were to defend, as you say, their decision to be there more
than defending Nestle per se.
BabyZone covers this idea in a nice roundup called «The Best Baby Shower Games Guide» and suggests focusing on
small, meaningful tasks such as stencil decoration or glow - in - the - dark star installation rather
than full wall
painting.
It may have seemed like a
small task, but to me decorating that nursery signified something so much bigger
than paint colour and cute furniture.
I like it when the
paint is thick enough for each dot to turn into a visible fingerprint with an interesting structure and when I can easily see how the flowers made by my younger child are
smaller than the ones made by my oldest because of the different sizes of fingers.
I've just gotten into furniture
painting myself although I haven't tried anything more ambitious
than a
small 3 drawer chest or a chair.
They resemble antique jadeite... You are a better woman
than I am... letting
small children help you with a
paint project — Seriously??
One could go on to discuss the committed and rather spectacular performance that Miles Teller gives in the role Pazienza, or the cool aesthetic that matches the time period in
small, effective ways, but despite the casts best efforts and writer / director Ben Younger's endeavor to
paint more a portrait of a man determined to overcome the odds rather
than going through the motions of another redemptive sports tale, Bleed for This unfortunately ends up reducing itself to just that.
A bolder, brasher film would have allowed these paradoxes to exist without
painting Bulger as simply a tyrant, often the one doing the shooting or strangling, making him in that hand - on way feel
smaller rather
than the opposite.
Toby Jones (The
Painted Veil, Mrs. Henderson Presents) as Karl Rove and Jeffrey Wright (The Invasion, Casino Royale) as Colin Powell also look much
smaller than their real - life counterparts, and more mannered, seeming like they would be more at home in an «SNL» skit
than in a serious film about these public figures.
The first «fully
painted» feature film took a live - action drama of the days following Vincent van Gogh's untimely death in a
small French village and, with the work of more
than 125 artists from around the world, converted every frame into an oil
painting in the Modernist's style.
Still, there's something about this couple on screen that kind of works, partly because Hawkins and Hawke are remarkable together, and partly because director Aisling Walsh and screenwriter Sherry White let them make much of
small things: The looks on their faces, say, when she starts popping bright, cheerfully
painted cards in with his bills, and a New York visitor offers to pay more for her card
than for his fish.
Other
than that homely schnoz, though, nothing about the Genesis's appearance looks cheap — our test car's metallic red
paint is deep and lustrous, its panel gaps are the same as (or
smaller than) all of the other cars here, and the overall proportions create a substantial stance.
The 1977 - 1979 Lincoln Mark V was a bit
smaller than its Mark IV predecessor, so Ford kept up its deal with famous fashion designer labels Bill Blass, Cartier, Emilio Pucci and Givenchy and had each one choose the
paint, interior and vinyl roof for a «Designer Edition» Mark V.
Me Before You also
paints a portrait of a
small English village riddled with class distinctions that rings more true
than J.K. Rowling's overwrought The Casual Vacancy.
As a
small - time hybrid, but mainly self - published author, it feels good to see a more realistic picture of the industry
than painted through outliers and mega-bestsellers.
No building stands taller
than the coco palm, which is the de facto local tree, and most residences are
small homes
painted in bright colors.
I guess that's one of the things that makes them different from photographs, in that a photograph might be a record, a snap, one moment — a
painting I think is about creating a
small world around that photo... I really like that idea of something that you can enter like a box or an exhibition space, and enter these little rooms which for me are memories, but it's not about nostalgia — it's more about setting up something that's still living — so it's almost they're all in the present, rather
than in the past.»
A major change in the social and institutional support for art itself was well under way: with the rise of the bourgeoisie and the fall of the cultivated aristocracy,
smaller paintings, generally of every - day subjects, rather
than grandiose mythological or religious scenes were much in demand.
Tuck writes that: «the
paintings in this show alternate between the quiet and the chaotic: landscapes that are represented like in comics and topographical maps — on a soft colored ground lines are drawn with
paint, the figures are much
smaller than life size and feel like quotes from movies... [Richter] draws seamlessly from our common cultures of art, entertainment, violence, music, etc., and plants these things in his
paintings.»
Brett Baker (BB): Your new
small paintings look interesting - more abstracted [
than earlier works] but still closely observed.
A surprise to me, my most consistent sales have been on the higher end — larger, more expensive
paintings (the ones I love to
paint) rather
than smaller works (that I imagined people could afford).
Very
small pictures, if
painted by gifted artists and installed in an adequate version of what Dave Hickey once dubbed a «clean, well - lighted place,» can produce exhibitions just as ambitious and adventurous as larger - scale projects... these canvases address significant issues related to their respective genres while averaging little more
than a square foot apiece.»
There is a
small 2003 - 04
painting on stilts, which seems ready for a religious procession, although its vaguely flagstone patterning — another recurring motif — evokes Jasper Johns more strongly
than a paraded saint.
But the initial sensation was always more interesting in the
small painting than in the drawing.
The exhibition will include Kürten's most recent large
paintings, executed in acrylic and ink on linen, as well as more
than twenty
smaller paintings on primed cardboard.
There are four large
paintings (60 inches by 52 inches) and more
than a dozen medium and
small ones on the walls.
The
small paintings; «Mrs. Joyce», «Kittiwake» and «Vanilla», showed me something different, something very much from Pete Hoida's heart rather
than head.
Small Paintings features the small - scale oil paintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more than sixty years — produces at the start of all of his works, regardless of finished
Small Paintings features the small - scale oil paintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more than sixty years — produces at the start of all of his works, regardless of finis
Paintings features the
small - scale oil paintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more than sixty years — produces at the start of all of his works, regardless of finished
small - scale oil
paintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more than sixty years — produces at the start of all of his works, regardless of finis
paintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more
than sixty years — produces at the start of all of his works, regardless of finished size.
It conjures up a much, much
smaller art world
than today's, when artists were galvanized by the antiwar movement, and abstraction, in one form or another, was still the lingua franca of
painting.
Highlighting the spatial depth, Fish often changes the importance of the foreground and background which results with unexpected spatial effects like in the
painting Dog Days (1993) where the figure of the dog seems
smaller than the watermelon pieces on the table in the foreground.
The most curious and unusual sculpture of the fair was found at Dublin - based Kerlin Gallery's booth: a tiny, stunningly lifelike rendering of a crab whose front claws were molded from artist Dorothy Cross's own index fingers was
painted silver, mounted on a
small white plinth no more
than two feet high (I'm not great with numbers, but as a reference, it's roughly as tall as my friend's art - going, Instagram - celebrity French Bulldog named Miss Pickle, if she sits upright).
The scale of the objects rendered is ultimately unclear: the balls could be of the large, inflatable type, but they alternatively suggest the density of much
smaller decorated wooden croquet balls (a disjunction heightened by the scale of the
paintings, which range from larger -
than - life to miniatures of only 10 by 6 inches or less).
I have taken stabs at making a decent
small painting from time to time, but my natural inclination and disposition since I was a boy was to
paint larger
than life, to feel my brush strokes travel and explore the arc and extent of my reach.
John Walker: Recent
Paintings, the current exhibition at the Alexandre Gallery, features seven large pictures as well as numerous
smaller ones, including more
than a dozen compact oils made on discarded Bingo cards, which the artist found in the former grange hall that became his studio in Seal Point on the coast of Maine.
There are
smaller paintings than this, some of theme equally concerned with the process of
painting, and with the «deliberately accidental», Callum Innes «s words for the process he adopts of dividing the canvas into two,
painting a quarter with a flat colour leaving the other quarter exposed, and then taking the same colour and applying it to the other half of the canvas before «unpainting» it by rubbing it off with turpentine, leaving a ghost of the original colour.
Painted in 1990, only two years before she died at the age of 34, it is balanced on a
small tree trunk, rather
than hanging on the wall.
In addition, our mandate to exhibit
paintings by «mature» rather
than young artists might also be seen as an alternate viewpoint to that of many other
small non-profit spaces.
Upon close inspection, each square centimetre of Morley's
paintings is nothing less
than a
small masterpiece.
This is the paradox about these
small paintings of pots and tins,
painted in a studio no larger
than a box room.
A larger
painting in red on white, in a similar style but
smaller than those that have come to the Tate, sold three years ago in a single bid for $ 9m.
«I can
paint small paintings even on rough seas,» she explains, adding that she long ago learned how to work under less -
than - ideal conditions.
In a
small art department 50 miles north of Santa Monica, Christine Morla and Ichiro Irie teach
painting, drawing and design at Oxnard College, in a city perhaps better known for its agriculture, military base, and punk rock
than for its visual art.
Consequently, the relatively
small, easel - scale
paintings of the Southern Californians revealed a freshness in their coming to terms with reductive form that occurred on a much different level
than the physical / material emphasis of Minimal art in New York.
Folkenroth seldomly
paints smaller than 18x24» so her works tend to be large or mid-sized.
With more
than 250 works on show, the exhibition explores the tireless experimental spirit that drives Raysse's entire artistic output, from his
small, playful sculptures to the self - discipline of drawing; from films expressing the libertarian trends of the 1970s to Raysse's use of neon as colour; and from installations celebrating consumer society to his
paintings, which represent the most complete aspect of his work — among them, transcriptions of great Renaissance masterpieces, female portraits, large group
paintings, and imaginary landscapes.
The three diptychs on display, each composed of a
small painting and a video, similarly lay bare the artist's multistep process, providing one point of access to the larger -
than - life
paintings that form the bulk of the exhibition.