Sentences with phrase «than the art leaving»

It was the energy that was exciting, rather than the art leaving lasting impressions.

Not exact matches

I was minding my own business as the rest of you what ever comes to my mind which to me is considered as a piece of art that gave to it all my precious time of my sleep... And rather than ignoring my post you would rather leave all and come to mine to call it stupid and taking all the space there is...??? OMG you must have felt like I had taken all the air you breath leaving you gasping for air as a fish out of water...!!

If he should leave at the end of the season and no more notice than that, there would be no shortage of top class suitors.Arsenal are one of the very top clubs with a state of the art stadium and the finest facilities.

Strong personalities have left the dressing room completely, and he clearly sees football as an art form rather than a sport requiring skill AND physical ability.

After this accelerated design cycle, the team was left with hundreds of molecules that perform as well as, if not better than, state - of - the - art metal - free OLEDs.

Read more: Asian stone tools hint humans left Africa earlier than thought; Mystery ancient human ancestor found in Australasian family tree; Oldest artist's workshop in the world discovered; Shell «art» made 300,000 years before humans evolved

The dates, based on new excavations and state - of - the - art methods, push back the earliest solid evidence for humans in Australia by 10,000 to 20,000 years and suggest that modern humans left Africa earlier than had been thought.

After obtaining a Bachelor of Fine Arts from the University of Georgia, Britt opened up shop as an abstract painter — a talent she discovered with less than a year and a half left at the Lamar Dodd School of Art.

So before they come to a head, address the small contentious issues; maybe your partner tends to prioritize social engagements over dinner dates for the two of you, maybe they simply leave the laundry in the washing machine longer than you would like — whatever it may be, working through these small things is important because when you get to the big issues you will have had practice in the art of compromise and conflict resolution.

Bolstered with two fine performances from its healthily talented leads, this truncated art film — while entirely a mouthful to say — will pique your morbid curiosity and satisfy any need for dispiriting drama, though it admittedly aims to leave you more rattled than it does.

The film is Trance, and as the slice of art above suggests, it leaves the psyche of a man, played by James McAvoy, in less than perfect shape.

Adding to his limit - pushing, take - me - or - leave - me form, he bravely stages a longer - than - expected performance - art sequence with a strobe light that could be found in 2010's Gaspar Noé - directed mold - breaker «Enter the Void.»

Having turned the volume up to 11, however, that leaves more than 100 minutes to be filled with something, and so Robert Rodriguez and company have elected to do more of the same, stringing together bite - sized exploitation stand - bys — beheadings, gushing blood, machine - gun brassieres, beheadings, martial arts performed by clones, a ticking bomb sewn to a human heart, beheadings, angry prostitutes, an undercover beauty queen, beheadings, Mexican jokes, Charlie Sheen as the U.S. President, Mel Gibson as a brilliant tech villain who claims he can see the future, and more beheadings — and pretending that the plot matters one iota.

With No Child Left Behind (NCLB) emphasizing math and reading, business and manufacturing leaders calling for workplace readiness in our graduates, and politicians citing lagging international competitiveness in science and math, the Arts Endowment chairman must utilize the bully pulpit more than ever before.

For example, more than a dozen comments came from representatives of arts - related organizations, accusing the department of leaving their subject area out of the mix.

The No Child Left Behind Act's (NCLB) narrow, regimented approach to accountability led to reduced attention for subjects other than English language arts and math, overreliance on standardized testing, and less focus on meeting students» all - around needs.

The English Language Arts Common Core State Standards (ELA CCSS) come at a time when many reading teachers, literacy coaches, and classroom teachers seek more extensive literacy practices than the policy mandates of No Child Left Behind and Reading First.

Still, that's less than I was expecting, considering that this car was absolutely loaded, with unexpected features such as a rear - view camera, radar - enhanced cruise control, adaptive headlights that turn left and right with the steering wheel, and a state - of - the - art Bose sound system.

If you'd like to continue reading and find out what happens next, you can get the book from Kindle for just $ 2.99 (link); and if you want to be a rockstar and patron of the arts please leave a quick review on the Amazon page — it just takes a minute but will mean more to me than you'll ever know.

Lisette's List By Susan Vreeland Random House • $ 16 • ISBN 9780812980196 Although she's unhappy about leaving Paris in 1937 for a remote village in the south of France to care for her husband's grandfather, Lisette learns more than she expected about both art and life.

Rather than feeling like authors are being left out of BitTorrent's model, it's a safer assumption that authors have enjoyed this level of freedom and control — quite successfully — for years; now it's time for other avenues of art to experience the say ability to generate content and make it available without having to seek the approval of an established go - between.

Do you see how the covers become more and more «inconic» and stripped down, till all that is left of the art is usually a highly memorable image, having more to do with logo - making and image - making than with actual «art» as we used to think of it for a book.

I'm new to the ramifications and specific processes involved, but am pursuaded this is the likely model for future publication projects that most benefit the first person on the food chain: the writers / artists who conceived them, who are trying to make some kind of living doing what they do best, hoping to find an audience for their work as a * first * resort rather than wearing themselves out with full - time day jobs of no comparable skill or education preparation — but that pay the bills, maybe — and that leave little energy and reserves for their art.

Barcelona also plays host to a number of modern art masterpieces - including the iconic Gaudi architecture - and each one is more photogenic than the last so make sure to leave plenty of memory for all your new snaps.

That said, Sony's press conference usually runs the longest of the E3 pressers — nobody understands the art of «leave them wanting more» less than this company — so by the end of this liveblog, my Jack Tretton love may have withered into mild Jack Tretton disdain.

Eventually players will be left to wander a desert in search of as many robots to decommission as possible, which is a lot more fun to watch in something like Blade Runner than play in something like Sword Art Online: Fatal Bullet.

Heroine Anthem ZERO is a stunning game that has lots of great qualities about it and gets you interested from the get - go of its adventure thanks to its captivating art and score that caresses your ears and eyes and makes you feel warm all around, and while the adventure at its core is a delight, the mechanics and gameplay of Heroine Anthem ZERO unfortunately diminish the experience and ultimately leaves more frustration than pleasure.

had to leave...... however, Im looking to go back and do it better this time and have been scouring the ads there are some tru art loft live works at better prices than I would have thought, just over $ 1 a sq ft not like all the new $ 2 - 3 sq.ft new «Artist Lofts».

Hi Cory I find this a very interesting piece but I am not a youngster who has just passed a degree course I am a 60 year old who has just been disabled out of work and who has drawn, doodled or painted all of my life, I come from a family of 12 so we didn't get a chance to go to college I left school at 14 with nothing more than a second place in an art competition and every time I tried to take a course in art at night school my work hours would change usually just after I had handed over my # 100 or so.

Despite contemporary and localizing references in The Little Patriots, such as the dome of the Pantheon in the background or the paving - stone barricade to the left, the pall of the academic poncif hangs heavier over the painting than the smoke of revolutionary fervor; one is made all too aware, in the pose of the little patriot in the center — reminiscent of that of Donatello's David, and so appropriate in its iconographic implications — that Jeanron was an art historian as well as an artist.

Please visit and repost my Art Campaign — I am trying to spread the word and get as much recognition as possible for this campaign being that there are less than 15 days left and we are very far from our goal.

Visitors to the city, which has more than 80 art galleries in addition to year - round arts - and - crafts festivals, «will leave... refreshed and renewed mentally and physically.

I'm also sad to see the jingle and the tagline leave too... Living life on your own terms is just so much more inspiring than «selling art online».

Like Krasner leaving a woman's art school for a man's world, Blaine never shows less than talent.

Though her career effectively spanned less than two decades (cut short by the artist's premature death in 1973 at age 47), Szapocznikow left behind a legacy of provocative objects that evoke Surrealism, Nouveau Réalisme and Pop art.

Currently on leave from her faculty position, she edited «Four Generations: The Joyner Giuffrida Collection of Abstract Art,» a major volume documenting a collection of more than 300 works of art by about 100 African and African Diasporan artisArt,» a major volume documenting a collection of more than 300 works of art by about 100 African and African Diasporan artisart by about 100 African and African Diasporan artists.

She had left New Orleans two months before Katrina, and she knows that the perception of violence comes partly from that, too — though in fact, it is a violence done to art historical conventions and complacent iconography rather than to characters in settings.

The artwork he created is known today more than ever, and with it, he was able to leave a mark in history and change the way the art is perceived for generations to come.

His love of process as much as product left him more open to representation than Greenberg was, and even conceptual art could strengthen his case for the artist's intentions.

Ultimately, the grand jury acquitted the museum director and declared the works «art» rather than «pornography,» but the trial left a stigma on the artist.

Anyone who identifies him exclusively with his later color studies will find an unexpectedly varied artist here: a photographer of Aztec ruins (the Alberses adored Mexico, making more than a dozen trips), a furniture designer, a carver of bouncy curlicue - patterned woodcuts, and a collagist who could infuse the lift of devotional art into an arrangement of dried leaves.

Art dealers, collectors, auction houses, and major artists such as Gerhard Richter and Georg Baselitz spoke out strongly against the «German Cultural Property and Heritage Protection Law,» which would require that any work valued at or above $ 300,000 and older than 70 years be granted an export license before leaving the country.

Today is the occasion to bear in mind Mimmo Rotella (7/10/1918 -8 / 1/2006), inspired from the ripped posters that lined the walls of Rome, Mimmo Rotella became a key figure in the development of Décollage, a technique which involves removing or tearing pieces of an existing image, rather than building up an image in the manner of conventional collage.This column is a tribute to artists, living or dead, who have left their mark in Contemporary Art.

Philippe de Montebello is leaving the Met after significant renovations — and after far too many shows, as for Rembrandt's birthday, focused less on the art than the museum.

Proof that, after scaling art's heights, he did have somewhere left to go other than the drinks cabinet.

Its second attempt at this broadly appealing exhibition type, «Like Life: Sculpture, Color and the Body (1300 - Now),» is miles better than its predecessor, «Unfinished: Thoughts Left Visible,» which inaugurated the Metropolitan Museum of Art takeover of the Whitney Museum's Marcel Breuer landmark two years ago.

Recent exhibitions includes Puppet Show, Eastside Projects, Birmingham (2013), Things That Go Without Saying, Grazer Kunstverein, Austria (2013), The Parliament, Archive of Disobedience, Umeå Bildmuseet, Sweden, Social Fabric, Iniva, London and Lund Konsthall, Sweden, Surrounded by the Uninhabitable, SALT Istanbul (2012) «There is nothing left», Alexandria Contemporary Arts Forum, Townhouse, Egypt and Oslo Kunstforening (2011 - 12), Something Stronger than Skepticism, Alias, Krakow Photomonth (2011), Manifesta 8, Murcia (2010), Revision, part 1 and 2 (Artists Space, New York, 2009, and Cell Projects, London, 2010), Curtain Show (Eastside Projects, 2010), and Life always Escapes (Wysing Arts, Cambridge, and e-flux journal 2009).

He pointed out that exhibitions are not collected nor have they been documented with the consistency and depth that historical research requires, leaving in obscurity the work and imagination of curators who absorbed the lore of their elders and informally passed on their accumulated expertise to the succeeding generation: Only by comprehending those genealogies can we understand how some objects rather than others entered into conventional art history.

VSR Art historians sometimes make the conscious decision not to write about living artists because it requires a whole different set of negotiations than looking at a completed body of work and trying to contextualize and interpret it in the light of whatever documentation is left.

In the more than fifty years since he moved to Los Angeles, John Outterbridge (b. 1933, Greenville, NC) has been a prominent figure within the local art scene, leaving his mark from Pasadena to Leimert Park to Watts as an artist, an educator, and an activist.