Sentences with phrase «than the game film»

Thing is, choosing a franchise quarterback is about far more than the game film.

Not exact matches

The short film reached 6.5 million YouTube views less than two weeks after its September 2013 premiere, while the free game reportedly topped 500,000 downloads within about six weeks of landing in Apple's App Store.

Think about how Disney has launched more than just merchandise to accompany all their major film releases - beyond the movie and toys there are often online and video games and more recently apps released with them.

In the new 15 - minute - film, Brady said he finds that mental aspects of the game, like throwing the ball, making decisions and leadership, are more inherent to him than his physical abilities.

While a film may need to hold the audience's attention for two hours or so, games often have to go much longer than that.

The crowdfunding site Kickstarter might be best known for funding films, games and products — like Pebble, the Palo Alto - based smartwatch whose maker raised more than $ 20.3 million in March, making it the most - backed product in the site's history.

So last summer Ezeli watched more film than ever, which helped him visualize live - game situations.

College football PLAYOFFS, more than a single game, and I acknowledged that's what sold me on him, meaning those few games against the nations best talent put him over the top for me when coupled WITH all his other college film.

He has the best pocket presence of the group and his game film reads better than his «underwear workout».

He's watching more game film than I have.

Also I know Lamar and Watson's velocity tested the same at the combine at 49mph but Lamar in Game film seems to have much more zip on the passes than Watson.

LeBron James teared up at the Toronto film festival as he watched More Than a Game, a documentary that follows James and teammates in their pre - high school and high school years.

There was more hacking going on in that game than in a slasher film.

He ended it with no individual accolades to speak of, a 1 — 2 team record in games he appeared in and less than an hour of film for NBA front office types to pore over.

The game takes place during a struggle between Republic and Sith more than 3,500 years before the events in the Star Wars films.

The chances are that game developers will adopt such technology first, he says, as they tend to find it easier to adapt to new technologies than film and television producers.

More than 70 % of 55 + use their computers for email, but many also visit social networks, play games online, download films or listen to online radio.

An engrossing video game can place you into the moment more so than any film, song, painting, or piece of literature.

Reservoir Dogs: Bloody Days by Big Star Games is a third - person top - down shooter with few connections to Quentin Tarantino's film other than it being about gangsters with color - coded names; and yet Bloody Days partially succeeds in its aspiration to revive a classic for crime and gangster films, while offering a time - rewind mechanics that helps the game distinct itself from the pool of titles in the top - down shooter category.

Cartoonish exaggeration worked for director Jay Roach in Meet the Parents and Meet the Fockers, which The Campaign resembles much more than it does his cutting political films, Recount and Game Change.

Despite the best efforts of a game cast (and although it fares much, much better than its immediate predecessor), American Pie Presents The Book of Love primarily comes off as a typically low - rent and flat - out needless straight - to - video endeavor - with the pervasive lack of laughs ultimately exacerbating the film's myriad of problems.

The film does bite off a bit more than it can chew trying to replicate two separate Olympic games and missing some easy targets involving NBC style coverage of same.

What matters to the player is that the game offers NONE TO LITTLE CHALLENGE and looks to film history more than it does to game history.

The three strangers each play a different role in their game — Dollface interacts with the family first, knocking on the door and entering the home at lot earlier than in the original film.

Game Night «s ability to never doubt its characters or their reactions in situations is what makes the film truly feel funnier than it probably is.

She even makes Christian partake in the cliche of licking food off of a partner's body — in a deliberate echo of the honey - dripping sequence in «9 1/2 Weeks,» Ana finds a new application for Ben & Jerry's ice cream and turns that famous sexual game into a more reciprocal exchange than it was in Adrian Lyne's film.

It was as one - dimensional as arcade games got at the time, and still it had more personality than this film.

Much of the film's emotional punch comes from the ever - optimistic Dug and his relationships with three key supporting characters: caveman tribe chief Chief (Timothy Spall), who admits he's old for... 32, Goona, a female football phenom who Dug digs (she's voiced by Maisie Williams of «Game of Thrones») and Hognob, Dug's pig pal, who's much more than a pet (he's got a little Gromit in him).

He's so much more engaging when directing these smaller films (Oscar - winning Tsotsi) than the big budget Hollywood blockbusters (X-Men Origins: Wolverine, Ender's Game).

Plus, hilariously, he praises the appearance of the «infant» demon - critters from the first film as being a directorial choice rather than a throwback to Silent Hill 1 (the game), which is what he hates about the appearances of the monsters in Revelation!

With The Interpreter, Pollack and his crew of actors and artists ensure that this game of cat and mouse is much more than that — it is a thinking person's film filled with heart and soul.

I've never played the Konami games on which this series is based, but they certainly must be more lovingly produced than this cheap thing (its crispy, bright, digital presentation makes the first film look like a voluptuous cradle of generous budgeting and production design).

The film does temporarily fall into the trap of playing out like a video game considering the task of moving from one Horcrux to another: Items that are nothing more than MacGuffins at their most basic level (see: «Sucker Punch «-RRB-.

It take a serious pair of stones to release a production this major without warning, and their bold choice to make the film available directly after the game caught more eyeballs than a usual press cycle of screenings and reviews might have.

When Gravity came out a bit more than a year ago, a thousand science - fiction - loving bloggers leapt to their keyboards to explain why the film was a «game changer»; Boyhood doesn't have a constituency that's quite so... naturally vocal, so this post is here for the next time someone shrugs at the marvels of Boyhood.

She brings her «Twilight» game to this film, falling into her nervous ticks and tells when the script requires her to give something more than her trademarked wide - eyed stare.

To be fair, that seems far more plausible in the film world than in a video game world (and was one of my problems with the first film).

For more than a decade, IFMCA award - winning composer Olivier Derivière (Remember Me, Assassin's Creed IV Freedom Cry) has been scoring music for animation, films, and video games and is widely acclaimed for both his composition and innovative approaches to connecting music with the game experience.

The film strains credulity even for a vid - game fantasy by letting the leading lady recover awfully quickly from bad injuries, but other than that Vikander commands attention and is the element here that makes Tomb Raider sort of watchable.»

A Game of Shadows is a film with grander ambitions than being just a solidly entertaining romp.

Naomi Watts and Sean Penn star in Fair Game, the latest film about Iraq — and the third so far to have been scored by John Powell, though this one is largely to do with political rather than military matters.

«The latest big - screen iteration of the blockbuster video game isn't a film for the ages, but it's actually pretty good fun; an old - fashioned treasure - island adventure tale gilded in circa - 2018 wokeness (Lara Croft's breasts no longer command a lead supporting role) and anchored by an Oscar - winning actress far more gifted than the story requires.

These guilds are massive and Paramount has, even more than they did with Selma, dropped the ball on the film's screener game in one of the worst awards» campaigns I've ever seen.

But the more Molly's Game tries to decide what its story is about rather than just telling it, the more the film feels like it's trying to «solve» Molly rather than portray her, to the point where its two big emotional moments involve Molly being sat down and informed about her own daddy issues by one male character, and getting passionately defended by another, her lawyer (Idris Elba), while she stays silent.

But more than just a 90 minute visual buffet, the film shows what it's like to be a journalist at the top of your game, doing something that you love, and that makes a major difference in the lives of those you write about.

Woolley has said the film comes with a twist «more sensational» than The Crying Game.

This sequel is more religious thriller than superhero film, though the directing duo of Mark Neveldine and Brian Taylor (whose other credits include Gamer and the maligned Jonah Hex screenplay) make it look like a car commercial, with their jerky handheld digital video, odd angles, and hollow showiness.

The film won't have a lot extra on its thoughts than the video games about city - wrecking creatures that impressed it (and the cliche - ridden B - movies that impressed them), however on the similar time it most often avoids pretending differently.

3: «Get Out» or Luca Guadagnino's achingly tender «Call Me by Your Name» will emerge as a popular first choice among Oscar voters, and a film that was made for considerably less than $ 10 million will win Best Picture for the second year in a row, confirming that «Moonlight» changed the game in more ways than one and forever altered our idea of what constitutes an «Oscar Movie.»

That the film works as anything more than an elaborate game of guess - the - citation is a credit to two key elements, the first being its imaginative visual sensibility, an expressionist approach to costuming and set design that comes as welcome relief from the grays - and - earth - tones look of contemporary tentpole fantasy filmmaking.