Sentences with phrase «than the protagonist»

A good villain must be more powerful than the protagonist.

Films like this often make the villains so heinous that they become far more fun to follow than the protagonists, to the point where we grow tired of seeing the good guys and wishing for more mayhem.

While set on a massive scale, this never feels bigger than a protagonist fighting an antagonist.

Of course, there are movies where the antagonist is more memorable and charismatic than the protagonist — No Country for Old Men, The Dark Knight, even (arguably) Star Wars.

The writer - director is much more assured and confident behind the camera than her protagonists are, as they snap selfies and flail about in hopes of coming to a greater understanding about themselves.

Villains should look stronger and smarter than the protagonist for most of the story.

- Local multiplayer only controls a sidekick with less functions than the protagonist - Enemies get stuck and hidden behind structures and makes them hard to dispatch

C looks like she would be fun to play as in the potential co-op mode, but her design is awfully busy, and she almost looks more combat - ready than the protagonist, which could be problematic in terms of narrative.

There are few sidekicks that manage to become cooler than their protagonist.

The lip of a wave or force of a gale is painted in such a way that one is nearly convinced of Magrin's oceans and deserts more so than his protagonists.

Lord Parekh's trouble was that he put Bin Laden's case rather too plausibly and, indeed, considerably better than the protagonist himself might have done.

We particularly enjoyed the scrappy underdog feeling of playing as Billie, with fewer powers than her protagonist predecessors.

If cinema tends to use nature as a tool for a character's self - discovery, these are examples of a growing tendency for nature to be depicted as something more powerful than the protagonist: less Robinson Crusoe and more Moby - Dick.

During character creation selectable features include, gender, hair style and color, eye shape and color, body type, skin tone, and, for characters other than the protagonist, vocation (the game's term for character class).

The genius of that fragmented, backwards - moving thriller about a man (Guy Pearce) with no short - term memory is that it never allows the audience to know more than the protagonist.