Sentences with phrase «than their artist statement»

There are artists who do not see writing in their practice going much farther than their artist statement, a necessary...

Say something about your work in less formal terms than an artist statement, at least so the dealer knows you have something to say about it, and at best so that you pique the dealer's interest.

Not exact matches

For example, she says, rather than solving a widespread problem, technology - minded artists may want to create a product that's simply playful or makes a statement.

But, your posts claim you are a graffiti artist on the wall of religion and I would think such a statement would strongly imply reformative poignancy rather than simple jocularity.

PAPELITOS Cut Paper Collage by MEAGAN BURATTO April 3 - May 31, 2018 ARTIST»S STATEMENT I have been working with paper for more than twenty -LSB-...]

«It is more important than ever to celebrate artists both in front of and behind the camera who have the unique ability to share different viewpoints to inspire, challenge, and entertain us,» said Tribeca Film Festival's executive chair and co-founder Jane Rosenthal in a statement.

Using the online submission system, submit up to 10 poems totaling no more than 15 pages or up to 15 pages of prose with a biography, an artist statement, a project statement, a curriculum vitae, and a $ 15 entry fee by August 31.

However, few have taken Lippard's statement literally, which is to say viewing Reinhardt as a «sixties painter» rather than as a «sixties artist.»

Few artists deserve to be judged for their private parties or public statements, no more than one should judge Ad Reinhardt solely for his cartoons.

I have always thought the artist statement was written more for the artist than the reader.

Rad's equally colorful artist statement is larger - than - life, featuring a mythological hybrid of Ab - Ex legends, «Jackson Johns», who returns from exile in the midwest as a millennial in order to do battle with zombie formalism, and this anecdote from AFC's very own SPRNG BRK Fundraiser:

Optionally include an artist statement of no more than 150 words.

/ / Curriculum vitae & artist statement of no more than 4 standard (8.5» x 11») pages ** / / A proposal of no more than 750 words describing what you intend to do (please indicate desired locations if applicable) ** / / Detailed technical requirements for your project (i.e. services, equipment necessary for your project including maintenance, electrical specifications, installation) ** / / A budget describing all production and installation costs of your project including materials and transportation.

jpeg / tiff; limit for one image: 1Gb)-- docx document with website, written bio, artist statement and image information (title, medium, dimension, year) note: brief may not contain more than 1300 characters — # 40.00 non-refundable submission fee via PayPal — ELIGIBILITY AND RESTRICTIONS: The competition is open to all artists, both national and international, working in all medias.

«Americans,» rather than «African Americans» or «Black Americans,» because nationality is a statement of fact, while racial identity is a question each artist answers in his or her own way, or not at all.

Organized by Scott Rothkopf, the museum's deputy director of programs and chief curator, and Jessica Man, a curatorial assistant, the show is accompanied by a catalog of more than 650 pages, which includes a memoir by the artist's mother, Carol Hendrickson, a public health nurse, who lives with her second husband next door to Owens and her family; testimonies about how wonderful Owens is as a person and a painter from a bevy of artists, curators, dealers, and studio assistants; price lists from early exhibitions; essays, including one about Elizabeth Murray by Francine Prose; statements by influential people who were among the first wave to recognize her importance.

At the time of her death, possibly the last surviving artist of the first - generation of the New York School, Hedda Sterne viewed her widely varied works more as in flux than as definitive statements.

Collectively these artists posit painting as a question rather than a statement.

If Nicholas Nixon's statement in the original New Topograghics catalogue «The world is infinitely more interesting than any opinions I might have of it», defines his generation's position then one might take Aaron Rothman's artist statement as its correlative:

Even when Rob Pruitt displays his paintings after news clips of Barak Obama, one for every day of his presidency, it feels more like an artist's terminal self - indulgence than a statement.

As the show evolved, the Rubells said they decided to call the exhibition «30 Americans rather than African - Americans or Black Americans because nationality is a statement of fact, while racial identity is a question each artist answers in his or her own way, or not at all.

Participants are required to bring a 1 - 2 paragraph printed artist statement (not more than a page) that will be shared with the group.

More than 340 artists — including 2015 Venice Biennale Silver Lion winner Im Heung - soon and media artist Park Chan - kyung — signed a statement questioning Marí's record, especially in light of his handling of

Following Baldessari's seminal statement «I will not make any more boring Art», he conceived the work The Artist Hitting Various Objects with a Golf Club (1972 — 73), composed of 30 photographs of the artist swinging and hitting with a golf club objects excavated from a dump, as a parody of cataloging rather than a thorough straight classificArtist Hitting Various Objects with a Golf Club (1972 — 73), composed of 30 photographs of the artist swinging and hitting with a golf club objects excavated from a dump, as a parody of cataloging rather than a thorough straight classificartist swinging and hitting with a golf club objects excavated from a dump, as a parody of cataloging rather than a thorough straight classification.

Moran uses this technique to infuse the work with greater detail than other monotype techniques used in his other artworks.His work strives to «capture a moment of an experience and to draw the viewer into a feeling of intimacy with that moment,» Moran writes in his artist statement.

«I am again (more than ever) convinced that the artist statement should be done away with; we need not justify what we are doing with halfhearted explanations.»

The so - called artist statement you posted (also known as a press release to normal humans) is not that different in content than the reworded, underwritten version supplied here by the reviewer (thanks Dad), except that the conceptual element was excised.

Throughout her youth, Kara began experimenting with various avant - garde styles, creating pieces in order to tell a story or make a statement rather than achieve beauty or perfection — in that sense, her work was much closer to the earliest avant - garde movements of Europe than her contemporary fellow artists such as Jasper Johns, who also dabbled in explorations of the early 20th century art.

[1] Immediately, however, this statement encounters the «crisis of care,» [2] the problematic within, against, and beyond which Take Care mobilizes more than 100 artists, activists, curators, and researchers.

Details: To apply for this commission, we require a short proposal containing: • An initial sketch or design • An artist's statement describing the theme / idea • A description of the materials you are proposing to use • A brief description of fabrication and installation methods • An initial budget • A CV and / or evidence of previous work Artists should be minded to ensure the initial sketch or design along with the artist statement describing the theme consist of no more than 2 sheets of A4 or 1 sheet of A3 in total.

Or retroactively begun, by artists looking to elbow their way into the art world; regardless, the use of press release art - speak in your statement is no different than complying with a dress code.

In the past couple of years, the Statements series has been bringing to Amsterdam internationally renowned artists like the Russian collective Chto Delat or Nathaniel Mellors, putting them in a curatorial position rather than merely presenting a retrospective of their work.

In a statement to the Brooklyn Museum, Smith describes her experience as a female artist: «My first year at a community college, the professor told me even though I could draw better than the men students, that a woman could not be an artist... In the mid-1970s in Santa Fe, I found that only Native men were able to exhibit in the galleries.

«Process is more important to me than a preconceived outcome, so taking risks is key to my approach,» she wrote in an artist's statement posted on artsicle.com.

All works should be photographed and submitted on a flash drive (images should be no larger than 72 dpi) with captions and your artist statement.

Submission guidelines are the following: • Contact Info and area of study • Brief reason of interest (300 words or less) • Brief Artist statement or Short proposal (150 words or less) including specification on work dimensions and any installation specification • Digital Images — Jpeg Format less than 5mb, Audio — Mp3, Video — Still image + online link All mediums will be accepted But space is limited.

When she wrote those words they were closer to a manifesto than an artist's statement, foretelling the surging power of women in art, a development for which she can take a certain degree of credit as an activist.

The book connects everyday experience, social critique, and creative expression with classroom learning, and includes color reproductions of artworks; statements in English and Spanish from more than fifty contemporary artists; lesson plans for using art to explore subjects such as American identity, changing definitions of the family, AIDS, discrimination, racism, homophobia, mass media, and public art; and resources, including annotated bibliographies for further study.

Unpopular Culture is a subtle but in - your - face statement in the manner of Saltz's call - to - arms, not just for artists putting on shows, but for organisers of exhibitions to consider that there may be more approaches than just recycling the same fashionable artists and clever ideas.

Because the public declarations of protest included artists, collectors, and critics who cosigned joint statements, Reinhardt considered the protest simply an opportunistic networking opportunity, rather than a protest movement that entailed any true risk on the part of the participants.

With more than 60 artists represented, many of the pieces are larger - than - life works that are sure to make a statement — from taxidermy works by Polly Morgan to ethereal works by Paul Fryer.

«Americans,» rather than «African - Americans» or «Black Americans» because nationality is a statement of fact, while racial identity is a question each artist answers in his or her own way, or not at all.

Abstract nouns like «beauty,» «perfection,» «surrender,» «happiness,» and «freedom» thread through the artist's sibylline statements, which less cohere than uneasily coexist, hinting at a grand, overarching significance while never settling on a singular meaning.

In an accompanying statement, the artist writes about the struggle to find ways of making marks that look natural and at home on the canvas, that have their own personality rather than acting as a conduit for hers.

«Americans,» rather than «African Americans» or «Black Americans,» because nationality is a statement of fact, while racial identity is a question each artist answers in his or her own way, or not at all,» Don and Mera Rubell explain in a Museum statement.

Prospecting participants must submit a short artist statement describing their project (no longer than 1 A-4) and short biographical notes (CV).

At the time of her death, possibly the last surviving artist of the first generation of the New York School, Hedda Sterne viewed her widely varied works more as in flux than as definitive statements.

Exhibited virtually on the e-flux website, The Next Documenta Should be Curated by an Artist is really much more of a question than a statement, a question to which a dozen or so artists responded in a varied manner, including Marina Abramovic, Pawel Althamer, AA Bronson, Daniel Buren, Liam Gillick, Joseph Grigely, Alfredo Jaar, Ken Lum, John Miller and Martha Rosler.

Each decision, from producing the work and hanging it to creating the framework of the exhibition; the statements, catalogue and marketing, was a constructive conversation between the artists, the curator and Iniva and the end result was much more than the some of the individual work.

100 word bio of writer - tell us about who you are 100 word artist statement of writer - tell us about what you make 2 images of writers work, with no side longer being than 5» and a resolution of 72dpi (in other words a medium sized image around 700kb)