Sex is arguably a more precious thing
than these material objects.
ultimately deliver more long - term happiness
than material objects, when we reflect on them.
Under # 3 — Memories are better
than material objects, he writes: The rule of diminishing returns -LSB-...]
Sehgal constructs situations rather
than material objects.
Conceptual art is a postmodernist art movement founded on the principle that art is a «concept» rather
than a material object.
Eliasson uses these concepts to create works like Multiple Shadow House which exist as experiences more
than material objects.
It has been shown by a recent study from San Francisco State University that greater happiness comes from seeking experiences, rather
than material objects.
The study found spending to help others or buy experiences does more for
you than material objects, too.
It will be much easier on your wallet, and it has the potential to improve your relationship far more
than any material object that you and your money can buy.
Not exact matches
That is, the form is received in matter as it is in any physical change, but also the form is received without matter, that is, it is possessed in disassociation from the sentient's
material constitution.3 In virtue of this second mode of reception, the sensible thing is something more
than an agent; it becomes an
object for an experiencing subject — though this is not, of course, how Aristotle expressed it.
Today the shelves of Christian bookstores bulge with
material that makes Charlie Shedd look like a prophetic sage (even if he did recommend only a trifling 15 minutes of exercise per day) rather
than an
object of easy derision.
... [Americans] have become a nation that may defy every foe but that most dangerous of foes, herself, destined to a majestic future if she will shun the excess and perversion of the principles that made her great, prate less about the enemies of the past and strive more against the enemies of the future, resist the mob and the demagogue as she resisted Parliament and King, rally her powers from the race for gold and the delirium of prosperity to make firm the foundations on which that prosperity rests, and turn some fair proportion of her vast mental forces to other
objects than material progress and the game of party politics.
A «thing» is thought of as a constant pattern through repetition rather
than a substance or a
material object in the old sense.
Such
material should be rejected as pornographic when its fundamental message is degrading and exploitative and when it treats sex as an
object for use rather
than as a medium of human relationship.
Since that time,
material vaporizing from sunlit areas of the comet and then condensing in shadowed regions (which a recent report suggests are about 50 °C cooler
than those illuminated by the sun) may have helped form the neck joining the once - separate
objects.
Rather
than using substances known as metamaterials to hide
objects in plain sight, some scientists instead want to use the strange
materials to build windows into worlds with fundamentally different physics.
The observed disk obeys Keplerian rotation: the
material orbiting closer to the central star revolves faster
than material further out.The high - sensitivity observations provided other important information about the
object.
Using under $ 1,500 worth of
materials, scientists have built a 3 - D metal printer
than can lay down thin layers of steel to form complex geometric
objects.
By adjusting the
material properties of the
object and the polarizations and synchronization of the individual light waves in the beam, physicists can make the
object radiate more light forward along the beam
than backward toward its source.
Previous research has suggested that the spheroids were used as percussive tools for shaping or grinding other
materials; however most of the
objects analysed by the team had weights that produce optimal levels of damage from throwing, rather
than simply being as heavy as possible.
Consequently the skirt
material, like the atmosphere, experiences a Coriolis force, even though the pyramid is merely a shape rather
than a solid
object.
«These diamond
objects have a single - crystalline structure, making them stronger
than polycrystalline
materials.
The halos around quasars — the brightest and the most active
objects in the universe, they are galaxies formed less
than 2 billion years after the Big Bang; they have supermassive black holes in their centers and consume stars, gas, interstellar dust and other
material at a very fast rate — are made of gas known as the intergalactic medium and extend for up to 300,000 light - years from the centers of the quasars.
Because of a little phenomenon called the hedonic treadmill, focusing our attention on amplifying what we have will always have a greater impact on net happiness
than pursuing more money or more
material objects.
Sometimes
material things are more
than just
objects.
A widower whose heartbreak touched the world when his childhood sweetheart died from cancer less
than a year after their wedding has revealed that he's Radiocarbon dating (also referred to as carbon dating or carbon - 14 dating) is a method for determining the age of an
object containing organic
material by
Recent cinema has been rife with
object lessons on why it's probably better to risk angering fans of source
material rather
than sacrifice momentum (look no further
than Watchmen), so it stands to reason that Azkaban benefits from having taken the road less traveled, even if it wasn't the way that the original fans wanted it to go.
Try to get the posts covered with a
material of a different texture
than your upholstery, so the kitten doesn't get confused about which
object is OK to scratch and which isn't.
Artists can create a library of basic textures and
objects this way, allowing them to customize the raw
material rather
than painstakingly building every costume, fencepost, and machine rivet from scratch.
Object motion blur also makes its way to the PC version, and advanced surface shaders are deployed en masse across characters and environments, resulting in
material properties - such as wetness, sheen and reflections - all handled with far more realism
than on current - gen platforms.
Composed of two seemingly antithetical
materials — wood and galvanized iron — this work would at first seem to go against Judd's statement in «Specific
Objects» that his work be viewed as» [a] thing as a whole» rather
than a conglomeration of parts.
In Soap Box (4)(1999), Hanson and Sonnenberg fabricate typical sturdy packing containers from Styrofoam rather
than a strong and supportive
material, subverting their function as weight - bearing
objects.
Part homage, part ironic reinvention, Thomas's 1990s abstractions can be seen as following the 1980s work of Peter Halley, Phillip Taaffe, Sherrie Levine, but their deft shuffling of the
material and the immaterial, of the
object and its image, orient them toward the future (i.e., now) rather
than the past.
As this exhibition makes clear, Rossi's twentieth century contributions were less Pop in their registration; other
than the gestalt effect of the abstractions, they feature almost no conventionally familiar
material, brand,
object, or otherwise.
Totaling more
than 1,400
objects, the Hammer Museum's collection of her work is particularly notable for its extensive selection of preparatory
materials.
Hesse does it her own way: she tends to pale or dark tones, disguises the hardness or pliability of
materials, and carries the space of the room deep within an
object rather
than the other way around.
Under his pseudonym, loosely translating as «Dr Delinquent,» he draws over vintage printed
materials and found
objects rather
than skin, manipulating images of pin - up girls, 1940s Mexican businessmen, luchadores, and Japanese sumo wrestlers.
Her expressionist paintings are inspired by a wide variety of art historical references, from Situationism and Abstract Expressionism to graffiti and cartoon, and her found -
object sculptures assembled from urban detritus feel more playful and light
than their
material constituents.
Thanks to developments in conceptual art in the 1970s, wherein artists, in the lineage of Joseph Kosuth, attempted to distill the artwork into the presentation of words and ideas rather
than crafted
objects — not to mention the recent vogue for archival ephemera as exhibition
material — artists, curators, and museumgoers are well - acclimated to seeing pieces of text on display in museum galleries.
Born in Osaka in 1935, Tetsumi Kudo was essential to the development of «anti-art» avant - garde art in Tokyo in the late 50s and early 60s that used store bought
objects and found
material in order to shock and revolt the status quo and to make art that would be defined by experience rather
than medium, author, or commercial value.
Rather
than finding beauty in traditional hierarchies, he finds potential in all manner of ordinary
materials and
objects found in the world around us.
Blacks read as negatives, greys as positives, indicating that some
materials reflect more
than others and underscoring that what we are seeing is ultimately not an
object but light.
Her sculptures resolve this concept of prosaic «practicality» by the refusal to sensationalise her subjects, metaphorically transcending their designated purpose and intended limitations, and taking reassurance in
objects and
materials existing for their own inherent value, rather
than a perceived use.
The first major investigation into his iconic and groundbreaking early work in more
than 20 years, this exhibition surveys the renowned American designer's wood and fiberglass
objects, and presents related
materials from his archives.
Prohibited exchange items include but are not limited to: electronics, heavy items (over twenty pounds), small - scale
objects (less
than six inches in diameter), loose - leaf paper, tote bags, mass - produced garments, food or other perishables, weapons, and chemicals or other hazardous
materials.
The works are displayed mounted to
materials such as aluminum or plexiglass, though rather
than using these
materials in their traditional mounting methods, the images are adhered to the surface and leaned on shelves or stood on the floor, with exposed sections of their mounting substrate and their freestanding nature highlighting the
object qualities of the prints, along with their physical connection to the depicted subjects.
For Sachs, a bricoleur is one «who hobbles together functional contraptions out of already given or collected
materials, which he re-tools and re-signifies into new
objects with novel uses, but more importantly, which he regenerates into a new, oscillating syntax: one of loss, gain, and more
than anything, one of play.»
As I travel, I have been affected by other individuals, not necessarily artists, who repair or restore rather
than «do away with»
objects and
materials, and habitat that exist within their environment.
For more
than twenty years the artist has been using diverse mediums and many kinds of
objects — including electric lights, fabric, wax, wood and mirrors — to explore architectural space, the nature of
materials in abstract forms and the spectator's response to all of them.
This
material is now part of the Burchfield Penney Art Center at Buffalo State College which houses more
than twenty five thousand
objects by this visionary American artist.