Traditional publishers also have editors that will work on your book, but the whole idea of professional self - publishing is to do a better
job than the traditional publishers.
That is quite a few
less than a traditional publisher, BUT (and this is a big one) there are some MAJOR benefits Amazon works in compared to a traditional publisher.
At Page Two we feel strongly that if you're funding your book, a hybrid publisher should give you full royalties, or at least much better royalty
rates than a traditional publisher would pay (i.e. better than 10 - 15 % of the retail price).
I've been reading up on this and Commercial Publisher seems to be a more accurate
term than Traditional Publisher — apparently this term was dreamed up by someone over at Publish America.
If indies are selling more genre
ebooks than traditional publishers in early 2014, unless traditionally - published ebooks somehow make a massive turnaround in ways they haven't before, indie dominance is likely to grow.
But as time wore on in that first early stage, and it looked like ebooks were here to stay and were growing in percentage of all books sold, many of us started realizing that we could price our books higher, but still
lower than traditional publishers and make a ton of money and still give readers good deals.
Independent authors and Amazon - imprint authors sell more eBooks per
day than the traditional publishers combined which is the uncomfortable truth that most industry observers, and those in the Big Five publishers, find it hard to swallow.
In Sepinwall's case, an author with a built - in platform (a popular column and webite, over 50,000 Twitter followers), was able to publish a book that was more
immediate than a traditional publisher's schedule would have allowed.
By default, they immediately become a major player in the markets they enter, and because publishing is likely to be a minor revenue stream feeding the Amazon Ocean for the foreseeable future, they're undoubtedly going to be more aggressive in making
deals than a traditional publisher can be.
Most of that fluff and blather is coming from new intermediaries who take a smaller
cut than traditional publishers, while putting your eBook on a virtual shelf where no one who doesn't already know it exists will ever find it.
Not only that, but the self - publishing world arguably demands more of
writers than any traditional publisher, requiring them to become their own editors, marketers and agents, among other things.
Independent authors — without agents, publishing deals, or marketing dollars — face radically different pricing
concerns than traditional publishers and publishing startups like Byliner and The Domino Project.
Bowker (the entity that dispenses ISBN numbers) released statistics this past June indicating that ten times more titles are being published by independent
publishers than traditional publishers.
And because I believe the pie is one hell of a lot
bigger than traditional publishers or agents think it is, I will support and encourage you or anyone else who wants to give it a go and not sneer at them because they weren't traditionally published.
He's betting that his ability to attract new readers by offering a lower price
point than his traditional publisher and the higher per - copy royalty for self - pubbed e-books will offset the loss of existing readers.
Philosophically, I believe people should be free to choose their own paths, but to me, the indie path seems to offer so much more to the
author than traditional publishers do.
I do create print versions for all of my full - length self - published novels and I do sell a few copies of each book every month, which, because of the short «shelf life» of books in stores, is generally more
than my traditional publisher sells in bookstores.