I made the same mistake so many times, and found out that parchment paper is different
than wax paper.
I used pure honey and everything held together well, but... perhaps I should have used something other
than wax paper?
Hi Hazel — Parchment is a silicon - covered baking paper, safer for high heat
than waxed paper.
Not exact matches
Some
waxed paper does seem to stick more
than others (I never had trouble with mine at home in the all the testing rounds, nor did the recipe's tester but...) so parchment
paper might be a better bet next time.
Because my caramels... which are delicious, though a bit darker
than the picture (the darker sugar, I think, that I used)-- each have a nice little permanent
wax paper skin.
One tip — I found placing a piece of
wax paper over the top when cutting to be easier
than oiling my knife.
Spray hands with baking spray and roll mixture into balls (a little larger
than a golf ball) and drop on
wax paper.
I realized in the final five or so minutes that we were clearly in «soft ball» temps and, rather
than lose the whole thing, poured it into a tray (with a
wax paper sling, a la the SK Cookbook apple cider caramels!).
Cut a circle of
waxed paper or plastic wrap larger
than the top of the jar and place it under the lid before sealing the jars.
Roll the remaining dough out between two sheets of
wax paper to form a rectangle slightly larger
than the pan.
Roll dough out with a rolling pin between
wax paper sheets, making a circle slightly larger
than the pie plate.
Because I wanted it taller
than the pan, I used a piece of cardboard covered with
waxed paper and rolled it I tto the size of the inside of the pan.
Roll part of the dough out (on
wax paper) to a circle at least 3 inches larger
than the hand you are printing.
Because I wanted it taller
than the pan, I used a piece of cardboard covered with
waxed paper and rolled it I tto the size of the inside of the pan.
Pour mixture onto a sheet of
wax paper larger
than the mixture, and fold the
paper over the mixture
Amazing the difference it is to apply
wax this way rather
than with a
paper towel that I am use to.
Contemporary art is comprised of a variety of materials, we know that, but in three or four days at the fairs — more
than, say, in a month in Chelsea — you see it all: string, twine, thread, clay, silicone,
wax, rubber, wood scraps, wood shims, metal, resins, glass, wire, pins, needles, buttons, stuffing, mattresses, carpet, glazed ceramic, fabric, plywood, rolled
paper, glue tiles, boxes, chains, lace — shall I go on?
1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More
than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on
Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread
Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on
Paper, Galerie Thaddaeus Ropac, Paris
I
waxed the top only — my husband with more strength
than me — actually buffed back and forth with
paper towels after I put the
wax on to really get in good and coated.