Too often this year, I used the movie
theater as an escape hatch, instead of an opportunity to enrich myself.
Not exact matches
«Ready Player One,» director Steven Spielberg's science - fiction thriller about a grim world where people seek
escape through virtual reality, opened
as the top film in North American
theaters, delivering the first No. 1 debut this year for Warner Bros..
There is only one way in and out of the
theater, so there is no way to lose the children since they have to pass you
as they attempt to
escape.
As you may already have heard, there is a version of The Dying of the Light
escaping into (a handful of)
theaters this weekend, alongside a simultaneous VOD release.
In
theaters September 6, «Vin Diesel reprises his role
as the antihero Riddick, a dangerous,
escaped convict wanted by every bounty hunter in the known galaxy.
In
theaters today, «Kate Beckinsale, star of the first two films, returns in her lead role
as the vampire warrioress Selene, who
escapes imprisonment to find herself in a world where humans have discovered the existence of both Vampire and Lycan clans, and are conducting an all - out war to eradicate both immortal species.»
In
theaters January 20, «Kate Beckinsale, star of the first two films, returns in her lead role
as the vampire warrioress Selene, who
escapes imprisonment to find herself in a world where humans have discovered the existence of both Vampire and Lycan clans, and are conducting an all - out war to eradicate both immortal species.»
Both Clarke and Oldman are on - the - money, and Keri Russell is likable
as Malcolm's wife, though unfortunately her role is so thinly drawn and disposable it
escapes the mind quickly after leaving the
theater.
Tracy Letts, who adapted his Pulitzer Prize — winning play for the screen, never got Tolstoy's memo about how «each unhappy family is unhappy in its own way,» and
as a result we're treated to a veritable banquet of American -
theater tropes sensationalizing intergenerational dysfunction: banshee - like women and taciturn men in the autumn of their years, and progeny who either suffer for their familial devotion or lose their souls to
escape the nuthouse.
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