Sentences with phrase «theatre designed by»

As well as the reading of Marx throughout the Biennale's duration in the «Arena», a theatre designed by David Adjaye in the heart of the Central Pavilion, work by Fabio Mauri and Bruce Nauman open the Central Pavilion and Arsenale respectively, and «anthologies» of Terry Adkins, Hans Haacke, Harun Farocki, Walker Evans and Chris Marker can also be found scattered throughout this dense show featuring works, and often groupings of works, by 136 artists.

Not exact matches

The contemporary, theatre - style space, also designed by Jouin Manku, will offer multiple levels creating optimal views of the sparkling Vegas skyline from every seat in the room, while an expansive outdoor patio will offer a relaxing, fresh - air escape.

Analysis by the Education Policy Institute (EPI), has shown that the take - up of GCSEs in arts subjects, including design, drama, theatre, music, and dance has seen a drastic decline.

[3] The theatre with a capacity of 1150 and a flanking office building were designed by architect L. A. Smith in the Spanish Colonial Revival architecture that was favored by architects of motion picture theaters during the 1920s.

It is predicted to have 11 restaurants including Mexican, International, Italian, Oriental, Seafood and Brazilian, 12 bars, a theatre, a state - of - the - art spa, 18 - hole championship golf course (designed by universally renowned golfer Jack Nicklaus) and a 45,000 sq ft casino as well as a fully choreographed Dolphinarium, Dominican Safari, Animal Park, nightclub and river that meanders sleepily the resort.

As a child, Feuer spent time interning at a theatre company, and her current use of materials including cast and painted foam, aircraft cable, and other commercial products, seems informed by her youthful experiences with set design.

(Carlos Motta, John Arthur Peetz, Carlos Maria Romero), Georgina Starr and Frieze Artist Award - winner Kiluanji Kia Henda will create seven new artworks spanning literature, theatre, design and installation, all connected by a strong performative aspect.

Undaunted by unpopularity, though he was never to make much money until he and Jasper Johns began to decorate the windows of Bonwit Teller and Tiffany under a joint pseudonym in the mid 50s, Rauschenberg pressed on with theatre designs for another Black Mountain friend, Merce Cunningham, and for Paul Taylor.

Stretching from the 1600s to today — and gathering together the worlds of art and architecture, fashion and theatre, music and design — the exhibition includes works by Inigo Jones, Mike Kelley, Alison and Peter Smithson, Moki Cherry, Ithell Colquhoun and Heidi Bucher, among many others.

Park Nights is an annual series of music, theatre, performances, talks and film screenings staged on Friday nights in the Serpentine Gallery Pavilion, designed in 2010 by Jean Nouvel.

As demonstrated by the 40 - odd elements that make up this 30 - year «retrospective», his practice intersects with architecture, design and theatre while flitting with seeming ease between painting, sculpture, installation and video.

Since 1969 he has also designed sets and costumes for the theatre, notably projects devised with Carlo Quartucci in the eighties and the recent sets for two Wagner operas directed by Federico Tiezzi (2005, 2007).

Cripps had three solo exhibitions at The Acme Gallery, London (1978, 1980 and 1981), designed sets for theatre productions of «Agamemnon» and «Metamorphosis» by Stephen Berkoff and staged numerous performances in Europe and the United States (1974 - 82).

Mannequin design, production and staging for the exhibition were developed by the Museum with Denis Marleau and Stéphanie Jasmin of the Montreal theatre company UBU.

Influenced by comics, theatre interiors and architecture, Surrealism, Art Deco, machine - age design, and folk art, Brown cultivated a pop aesthetic which employed what John Yau has described as a «lexicon of motifs» — a repertoire he developed in a manner «as surefooted and daring as that of Willem de Kooning or Jasper Johns».

This pop - up wooden theatre in Southampton, England, was designed by London architecture collective Assemble to look like a cross between a performance venue and a football stadium (+ slideshow).

Brandenburg's practice reflects her training in set design and the visual arts and is inspired by a wide range of historical elements, many reverting back to the late 19th - centruy, sourced from literature, the visual arts, expressionist theatre, Hollywood films, photography, chess and magic, as well as pre-Freudian psychoanalysis.

Conceived by founder and artistic director Robert Wilson and International Summer Program participants from multiple disciplines, the annual benefit unites art, performance, music, theatre, design, architecture and fashion.

Stretching from the 1600s to today — and gathering together the worlds of art and architecture, fashion and theatre, music and design, the exhibition includes works by Inigo Jones, Mike Kelley, Alison and Peter Smithson, Moki Cherry, Ithell Colquhoun and Heidi Bucher, among many others.

A project by Suzanne Treister at Raven Row over four weekends featuring four keynote speeches within a specially designed theatre: a global futurist, a U.S. Security Agency insider, an anarcho - primitivist and the international expert on world's fairs... Alongside an exhibition including three unique libraries, two video lounges and designs for a virtual world's fair.

In 1986 Salle received a Guggenheim fellowship for theatre design whilst his collection of critical essays «How to see» was published by W.W. Norton in 2016.

/ collaborations 2014 - 16 microLandscapes (sound, visuals, programming), interdisciplinary project by Emma Fishwick 2013 - Bodied Assemblies (sound), improvised dance work by Rhiannon Newton (ongoing) 2013 Three Squared, (sound), dance work by Rhiannon Newton with Unkempt Dance 2012 - 14 Motion, (sound) with Andrew Brooks, Berish Bilander, Brett Thompson, Hugh Harvey and Sam Zerna 2013 Prompter (visuals and sound design), hybrid theatre work by Hydra Poesis, premiered at Arts House Meat Market, Melbourne 2013 Wintering (visuals), dance work by Aimee Smith, premiered at State Theatre Underground, Perth 2012 All My World is Scaffolding (sound), choreographed by Jo Pollitt and Tara Daniel, PICA 2010 Memorial (sound), dance work by Michael Whaites, LINK Dance Company 2009 Caused to Happen (sound), dance work by Craig Bary (NZ), LINK Dance Company

Other events include short film evening curated by ArtHertz in association with Rushes Soho Shorts, design workshops hosted by Ridley Buchanan Architects, choral performance from The Renaissance Project and immersive interactive theatre piece from Flipping The Bird Productions.

For the duration of Milan design week, the Czech company took over decadent 19th - century puppet theatre Teatro Gerolamo to showcase 18 glass monsters, created by designers from all over the world.

The new, sustainably built, 15,205 square foot structure for the Jungers Culinary Institute on the Central Oregon Community College (COCC) campus, designed by Yost Grube Hall Architecture, was made possible by $ 3 million in grants and contributions from the Bend, Oregon community, for which students serve lunch, happy hour, and dinner in the 60 - seat public restaurant, Elevation, alongside a three instructional kitchens that include a baking and pastry kitchen, a fifty - seat demonstration theatre, and classroom space for up to 100 students per year.

They are hoping to use a fuel - cell system which has just been launched by another theatre, and a lighting design which harnesses daylight.

Shipping by Paul Home (1931) Soilders» Act by R.M. Willes Chitty (1931) Specific Performance by W. Kent Power (1931) Statutes by W. Kent Power (1931) Stock and Grain Exchanges by Alexander Stark (1931) Street Railways by Donald M. Fleming (1931) Succession Duties by T. Sheard (1931) Sunday Observance by R.M. Willes Chitty (1931) Telegraphs by R.M. Willes Chitty (1931) Telephones by R.M. Willes Chitty (1931) Tender by R.M. Willes Chitty (1931) Theatres, Shows and Public Entertainments by R.M. Willes Chitty (1931) Timber by R.M. Willes Chitty (1931) Time by R.M. Willes Chitty (1931) Torts by W. Kent Power (1931) Trade and Trade Names by Paul Home and Harold G. Fox (1931) Trade Marks and Designs by Harold G. Fox (1931) Trades and Trade Unions by Gerald Kelly (1932) Trespass by W. Kent Power (1931) Trials by W. Kent Power (1931) Trusts and Trustees by A. Roy Courtice (1931)