Sentences with phrase «theatrical exhibition»

Even if it's not a particularly meaningful presentation, it hints at the format in which a majority of theatrical exhibitions were screened.

It's a touch soft and dark, but not drastically different from theatrical exhibition.

And yet, it still looks pretty delightful on Blu - ray, getting presented in the 1.78:1 aspect ratio, approximating the 1.85:1 of its original theatrical exhibitions as opposed to the 1.33:1 it got on DVD.

The longer and considerably more troubling answer is that, as of this writing, The Weeping Meadow will never see any kind of theatrical exhibition in L.A.; Good Morning, Night will play one time only, at the UCLA Film and Television Archive, in February; and The Intruder — my pick for the best film of 2005 — will receive a one - week engagement at a single area theater in March.

This is almost certainly NOT its original aspect ratio, which would have been widescreen for theatrical exhibition in the mid -»60s.

What that means is, as on the recent films of Christopher Nolan, Age of Extinction alternates between the 1.78:1 aspect ratio (which actually measures 1.88:1 here, though overscan will probably still allow it to fill most 16:9 screens) and the blockbuster standard 2.40:1 aspect ratio used for the entirety of standard theatrical exhibitions.

Despite theatrical exhibition in 3D (achieved via post-production conversion), the film does not get a Blu - ray 3D release in North America, where Disney has cooled on the format.

As a Netflix Original, I Don't Feel at Home in This World Anymore wasn't necessarily made with theatrical exhibition in mind, but this doesn't seem to have impacted the film's craft credits, which are superb.

One obvious drawback lays in the design; as commercials enforced, G - Force was tailor - made for 3 - D theatrical exhibition, Disney / Bruckheimer's amusing first live - actionish selection for such treatment.

The booklet and a bonus feature explain the different framings and why the 1.66:1 European standard, a compromise between theatrical exhibitions and the television / home video dimensions, is chosen as the default presentation.

I don't doubt that this is the best the movie has looked since its first theatrical exhibition, but those expecting results comparable to HD transfers of American blockbusters from the same time are expecting too much.

(The invaders were originally Chinese, but with three years to consider geopolitical trends, the filmmakers wisely changed the bad guys to a nation that doesn't own a giant U.S. theatrical exhibition chain.)

Defying expectations but approximating theatrical exhibition, Season of the Witch is presented in 1.78:1.

Projects should be conceived for theatrical exhibition at film festivals and in arthouse / cultural cinema settings.

And like most entertainment companies, MoviePass is already looking beyond theatrical exhibition.

Approximating the 1.85:1 ratio of theatrical exhibition, the 1.78:1 anamorphic widescreen transfer is a bit drab, grainy, murky, and dark.

Forgoing dimensional changes for the IMAX sequences, the entire film is presented in the 2.40:1 aspect ratio of its standard theatrical exhibitions.

At times framing seemed a bit tight on top and bottom, and comparing the film to the fullscreen trailer provided on the DVD, one can confirm that Thomasina was matted for theatrical exhibition.

«The only platform I'm interested in talking about is theatrical exhibition,» he said.

Said Fishkin: «For us, change is inevitable, but we are still part of a special division of the film industry, which is theatrical exhibition.

Housed in a slimline digipak case that comes with a nice collectible booklet, «Bill Cunningham New York» comes to DVD via a solid high - definition transfer, in 1.85:1 widescreen that preserves the aspect ratio of its theatrical exhibition.

The Muppet Movie is presented in the 1.85:1 widescreen aspect ratio (matching the dimensions of its original theatrical exhibitions) and has been enhanced for 16x9 displays.

Made by one of the few big directors still preferring a narrower frame, Dark Shadows is presented in 1.78:1, approximating the aspect ratio of its theatrical exhibitions.

Reid has held multiple positions during his 30 year career in theatrical exhibition, including 15 years with Loews Cineplex Entertainment where he served as Chief Executive Officer from 2002 through its successful merger with AMC in 2006.

That is what most closely resembles the sound format its theatrical exhibition and it sufficiently serves the purpose on DVD.

Sound comes via a Dolby Digital 5.1 track, which was remixed from a simpler stereo presentation that accompanied the film's theatrical exhibitions.

This may have been the aspect ratio of its theatrical exhibitions (and actually, documents on Disc 2 clearly state theaters were to display the film in 1.85:1), but it's pretty noticeably overmatted, as certain elements (or parts of elements) get cropped out of the top or bottom of the frame with some regularity.

The Dolby TrueHD 7.1 mix is consistently loud and overbearing, but since effects often take precedence over dialogue, that much is by design and true to theatrical exhibition.

Much the same way, an aggressive Dolby TrueHD 5.1 mix has the immersive potency I recall from the film's theatrical exhibition.

Housed in a regular Amray case, L'Enfant is presented in 1.66:1 anamorphic widescreen, preserving the aspect ratio of its original theatrical exhibition.

The 1.85:1 framing reflects the movie's true nature (more family - friendly coming - of - age drama than CG fantasy) and the immaculate print yields no complaints whatsoever, satisfying with sharp, detailed, consistent video that surpasses the theatrical exhibitions of even better cinemas.

Housed in a regular Amray case, Just My Luck is presented on a flip disc that includes both full screen and 1.85:1 anamorphic widescreen versions of the movie, the latter of which preserves the aspect ratio of its original theatrical exhibition.

Housed in a regular plastic Amaray case, It Might Get Loud comes to DVD presented in a 1.85:1 anamorphic widescreen that preserves the aspect ratio of its original theatrical exhibition.

Theatrical exhibition is dying, Fox is disappearing into the Disney fold — indie arm Fox Searchlight is operating «business as usual» this year, but it could very well be their last — and Netflix, driver of big deals in the recent past, has 80 films of their own slated already, so no one knows how much they're really looking to acquire (they were relatively quiet at TIFF last fall).

The movie is presented in anamorphic 1.85:1 widescreen, the ratio of its original theatrical exhibition.

That ratio is a happy medium, presenting more visual information than either of its theatrical exhibitions but not quite the full open matte image from the CAPS files.

Fortunately, it is a non-issue for Fading Gigolo, which appears in 1.85:1 here matching the aspect ratio of its theatrical exhibition.

Ydessa Hendeles Foundation, Toronto, June 6, 1998 - March 2000 «Realities» is a theatrical exhibition that results from a series of disturbing juxtapositions.

«Realities» is a theatrical exhibition that results from a series of disturbing juxtapositions.