After a decade in television, Altman's
theatrical film career was properly launched with «M * A * S * H.» Scorsese's gritty, energetic early masterpiece, «Who's That Knocking at My Door?»
He eventually left the series to pursue
a theatrical film career, but by 1994 was back on the small screen in such cable - TV productions as The Cisco Kid and Solomon and Sheba.
Not exact matches
While her fellow noughties Disney starlets attracted more fame with their obligatory tween pop
careers and ubiquitous music videos, Hathaway has risen to one of Hollywood's most respected and marketable actresses while the likes of Hilary Duff, Lindsay Lohan, and Raven have all fallen far off the short list of actresses given opportunities to star in
theatrical films.
Of all the things to pin the decline of professional
film criticism as a
career choice on, from changing audience - tastes to the globalization of the
theatrical marketplace to the collapse of traditional media outlets overall, the Great Threat is actually... a college - age kid in a funny hat cracking wise (in between actual critical insights, mind you) about Antonioni?
Extras: Audio commentary with
film producer and historian Bruce Block; new appreciation of the
film and select scene commentary by
film historian Philip Kemp; «The Flawed Couple,» a new video essay by filmmaker David Cairns on the collaborations between Billy Wilder and Jack Lemmon; «Billy Wilder ABC,» an overview by David Cairns on the life and
career of the filmmaker, covering his
films, collaborators and more; new interview with actress Hope Holiday; «Inside the Apartment,» a half - hour «making - of» featurette from 2007 including interviews with Shirley MacLaine, executive producer Walter Mirisch, and others; «Magic Time: The Art of Jack Lemmon,» an archive profile of the actor from 2007; original screenplay by Billy Wilder and I.A.L. Diamond (BD - ROM content);
theatrical trailer; special collector's packaging featuring newly commissioned artwork by Ignatius Fitzpatrick; collector's 150 - page hardcover book featuring new writing by Neil Sinyard, Kat Ellinger, Travis Crawford and Heather Hyche, generously illustrated with rare stills and behind - the - scenes imagery.
Special Features: • Brand new 2K transfer from the original camera negative • High Definition Blu - ray (1080p) and Standard Definition DVD presentations • Optional English SDH subtitles for the deaf and hard of hearing • Audio commentary with co-writer and producer Mardi Rustam, make - up artist Craig Reardon and stars Roberta Collins, William Finley and Kyle Richards • New introduction to the
film by director Tobe Hooper • Brand new interview with Hooper • My Name is Buck: Star Robert Englund discusses his acting
career • The Butcher of Elmendorf: The Legend of Joe Ball — The story of the South Texas bar owner on whom Eaten Alive is loosely based • 5ive Minutes with Marilyn Burns — The star of The Texas Chain Saw Massacre talks about working on Eaten Alive • The Gator Creator: archival interview with Hooper • Original
theatrical trailers for the
film under its various titles Eaten Alive, Death Trap, Starlight Slaughter and Horror Hotel • US TV and Radio Spots • Alternate credits sequence • Reversible sleeve featuring original and newly commissioned artwork by Gary Pullin • Collector's booklet featuring new writing on the
film, illustrated with original archive stills and posters
FEMALE PRISONER SCORPION: BEAST STABLE • Newly
filmed appreciation by critic Kat Ellinger • Shunya Ito: Directing Meiko Kaji, an archive interview with the director • Unchained Melody, a new visual essay by Tom Mes on the
career of Meiko Kaji • Original
Theatrical Trailer and Teaser
FEMALE PRISONER SCORPION: # 701's GRUDGE SONG • Newly
filmed appreciation by filmmaker Kazuyoshi Kumakiri (Kichiku: Banquet of the Beasts) • Yasuharu Hasebe: Finishing the Series, an archive interview with the director • Japanese cinema critic Jasper Sharp looks over the
career of Yasuharu Hasebe • They Call Her Scorpion, a new visual essay by Tom Mes on the
film series • Original
Theatrical Trailer
FEMALE PRISONER SCORPION: JAILHOUSE 41 • Newly
filmed appreciation by critic Kier - La Janisse • Japanese cinema critic Jasper Sharp looks over the
career of Shunya Ito • Designing Scorpion, a new interview with production designer Tadayuki Kuwana • Original
Theatrical Trailer and Teaser
Directing the
film will be Benedict Andrews, best known for his
theatrical directing
career.
The modest analysis of his
career — which includes roles in Oscar - nominated
films «Lincoln» and «Inside Llewyn Davis, as well as critically - acclaimed comedies «Frances Ha» and current
theatrical release «What If» — stands in stark contrast to praise offered by «This Is Where I Leave You» director Shawn Levy.
It's interesting to hear him explain his appeal and approach to this
film, following a
career of directing urban crime dramas, as well as his discussion about changes made for the
theatrical cut.
Throughout his
career he has photographed a diverse range of personalities including Hillary Clinton, Muhammad Ali, Elizabeth Taylor, Lance Armstrong, Madonna and Jeff Koons and has expanded his work to include direction of music videos, live
theatrical events, and documentary
film.
Calder's creative enterprises were cross-disciplinary and exceeded the traditional definitions of painting and sculpture; throughout the course of his
career Calder developed sets for a variety of
theatrical, musical, and dance performances, collaborated on
films, illustrated books, produced wallpaper, fabrics, and costumes, created designs for racing cars and airplanes, and embraced humanitarian causes.