Sentences with phrase «theatrical set of the film»

Coursing through the theatrical set of the film which was arranged to evoke Isamu Noguchi's sculptural sets produced for Martha Graham, are four actors including performers wearing gorilla suits.

Not exact matches

Also included, Anderson's American Express commercial that remains a fun homage to Truffaut, a loving speech by Oakley Friedberg, the young son of set designer Mark Frienberg, who spent time on location with his family raising funds for charity organizations, a silly trophy case application making fun of the film's lack of critical awards, deleted and alternate scenes, a stills gallery, and the theatrical trailer.

The set includes both an «Unrated Cut» of The Hangover (1:47:44) and the film's «Theatrical Edition» (1:39:38).

In addition to a movie - only DVD of the record - setting theatrical cut, Warner released a «2 - Disc Digital Copy Special Edition» DVD with bonus features and an unrated extended cut of the film.

The sets feature both the original theatrical cut plus an extended version of each film, a digital copy of the film for portable media players and bonus discs of supplements.

The extras includes the following: The Making of Battle Royale, TV Spot: Tarantino Version, Basketball Scene Rehearsals, Tokyo International Film Festival 2000, Special Edition TV Spot, Original Theatrical Trailer, Battle Royale Documentary, Special Effects Comparison Featurette, Filming On - Set, Behind - The - Scenes Featurette, Audition & Rehearsal Footage, Instructional Video: Birthday Version, Battle Royale Press Conference.

Lee's latest film went to the festival with distribution already in place — in April, Focus Features set the fact - based feature for an August 10 theatrical release date, picked to reflect the one - year anniversary of the Charlottesville protests, which took place on August 12, 2017.

From the very outset Resnais sets up the theatrical artifice of the film with opening scenes of repetition and staged production design.

Outrage from exhibitors over the selection of films not set for theatrical release prompted the festival to issue a new directive: all future competition films must also be screened in French cinemas.

This commemorative gift set also includes all 10 + hours of bonus content from the equally amazing 2007 Ultimate Collector's Edition, as well as all five feature film versions — The Final Cut, «92 Director's Cut, Domestic and International Theatrical versions and the rare Workprint.

In the late summer of 2004 I travelled with Gerald and a cinematographer to Chicago, where we filmed former Chicago Reader film critic Jonathan Rosenbaum in his shelf - lined apartment, a teenaged Gabe Klinger in his parents» house and Roger Ebert on the set of his TV show, in its final year at that familiar cosy, theatrical location.

For the supplemental materials, there's an excerpt from the documentary Michelangelo Antonioni: The Eye That Changed Cinema; Blow - Up of «Blow - Up», a new documentary about the film; two interviews with David Hemmings, one on the set of Only When I Larf from 1968, and the other on the TV show City Lights from 1977; 50 Years of Blow - Up: Vanessa Redgrave / Philippe Garner, a 2016 SHOWstudio interview; an interview with actress Jane Birkin from 1989; Antonioni's Hypnotic Vision, featuring two separate pieces about the film: Modernism and Photography; both the teaser and theatrical trailers for the film; and a 68 - page insert booklet containing an essay on the film by David Forgacs, an updated 1966 account of the film's shooting by Stig Björkman, a set of questionnaires that the director distributed to photographers and painters while developing the film, the 1959 Julio Cortázar short story on which the film is loosely based, and restoration details.

Galleries of production stills, production art, filmmaker biographies, posters, lobby cards, merchandise, set documents (call sheets and the like), and a screenplay excerpt of the film's climax (Felton had a beautiful command of language), three radio spots, storyboard - to - screen comparisons for the scuba and squid scenes, an outtakes reel, and 20,000 Leagues Under the Sea's 1954 theatrical trailer finish off this exhaustive treasure chest of a DVD.

While you won't lament the lack of a theatrical release or wish this attracted more than a modest audience, the film is definitely a couple of notches better than the low expectations set by the direct - to - video status.

Anchoring the set is the Mad Max: Fury Road / Mad Max: Fury Road Black & Chrome (Warner, Blu - ray) double feature of the original theatrical release and Miller's preferred B&W version of the film (which is also available separately).

With «Walter Mitty» plowing through its theatrical run and into awards season, Martinez took the time to sit down and tell us about working on that project as well as his experience on a number of other film sets.

An extensive selection of work from across the world is presented including the World Premieres of William English's HEATED GLOVES and THE HOST, in which director Miranda Pennell delves deeper into her past and her late parents» involvement with the Anglo Iranian Oil Company (BP); Ben Rivers» THE SKY TREMBLES AND THE EARTH IS AFRAID AND THE TWO EYES ARE NOT BROTHERS, the feature element of Ben's current Artangel installation at BBC White City; EVENT FOR A STAGE by Tacita Dean, a filmed presentation of her live theatrical happening in collaboration with actor Stephen Dillane at the 2014 Sydney Biennial; the European Premiere of Omer Fast's REMAINDER, a London - set thriller adapted from Tom McCarthy's acclaimed novel of the same name; the European Premiere of INVENTION which highlights the possibilities of camera movement and the development of artistic apparatus and Kevin Jerome Everson's PARK LANES, set in an American bowling alley over the course of a day.

With its painterly sets of jutting beams, leaning walls and heavy black lines painted on flats and arranged to suggest both a skewed sense of depth and a forced perspective that flaunts its artificiality, the film dropped audiences into an aggressively unreal world and celebrated its theatrical artifice as a vision of madness and horror.

Featured on the first disc of the set are both versions of the film, the theatrical R - rated cut and the unrated version (which contains ten minutes of never - before - seen footage), as well as two full - length audio commentaries.

With more than 50 additional minutes of exclusive performance footage not seen in the theatrical version of the film, the Festival Express DVD set features the following «bonus» set list:

In Region 2, where Valiant came to DVD a few weeks earlier, the film was treated to some behind - the - scenes bonus features, including a 14 - minute making - of featurette, a scene progression, recording sessions footage, a television special set at the film's world premiere in London, and the theatrical trailer (something that Disney never includes on the DVD of the film itself, merely as a promotional tool on other DVDs).

Included is an excellent new audio commentary by the always informative film historian / author Troy Howarth; an additional audio commentary by director Peter Duffell and author Jonathan Rigsby; a new 10 - minute interview with second assistant director Mike Higgins; A-Rated Horror Film, a 17 - minute vintage featurette about the film featuring interviews with director Peter Duffell and actors Geoffrey Bayldon, Ingrid Pitt, and Chloe Franks; the English and Spanish theatrical trailers for the film, both in HD; 4 radio spots; an animated image gallery with 68 stills containing on - set photos, promotional materials, and advertisements; and a collection of Amicus radio spots and still galleries for Asylum, At the Earth's Core, From Beyond the Grave, Madhouse, Scream and Scream Again, Tales from the Crypt, The Beast Must Die, The Land That Time Forgot, The Mind of Mr. Soames, The People That Time Forgot, and Vault of Horror.

Hosted by Christopher Husted (he of the Bernard Herrmann Estate), the analytical featurette covers the agreement set between British and American studios that guaranteed a set sum of theatrical revenue be allotted towards the production of British - made films with local crews and cast.

By the default FastPlay method, the fullscreen version plays and once it does, you'll have to go to the audio set - up page to select one of the tracks on the widescreen version to play the 16x9 - enhanced presentation of the film in its 1.85:1 theatrical aspect ratio (which the case calls 1.78:1 family - friendly widescreen).

Two documentary features, a «conversation» with Sisterhood author Ann Brashares and «Fun on the Set,» are obviously taken from the film's EPK materials for the theatrical release, but they do offer some substantial information on the origins and success of the book series and the journey to film.

On Disc One, which contains the theatrical version of the film, there's Cholo's Reckoning, an interview with actor John Leguizamo; Charlie's Story, an interview with actor Robert Joy; The Pillsbury Factor, an interview with actor Pedro Miguel Arce; Four of the Apocalypse: The Zombies of Land of the Dead, interviews with actors Eugene Clark, Jennifer Baxter, Boyd Banks, and Jasmin Geljo; the Dream of the Dead IFC TV special with optional audio commentary by director Roy Frumkes; deleted footage from Dream of the Dead; a set of deleted scenes (titled The Remaining Bits on previous releases); the film's theatrical trailer; and a photo gallery with 111 images.

«When I was young, Parvana, I knew what peace felt like...» GKids has debuted the full - length theatrical trailer for an animated film titled The Breadwinner, set in the heart of Afghanistan telling the story of a girl who dresses as a boy in order to work and provide for her family.

The Criterion set features both versions, and the theatrical cut features commentary by Bertolucci (who launches in to the film before he remembers to introduce himself), screenwriter Mark Peploe (who calls it «the biggest screenwriting experience of my life»), producer Jeremy Thomas, and composer / actor Ryuichi Sakamoto, all recorded separately and edited together in a dense, meaty that builds on the accumulation of observations and insights.

The four films included in this box set offer a terrifically concentrated insight into the rapid development of one of the great filmmakers, showing off his grounding in theatrical character insight even as the growing technical sophistication between films hints at visual splendor to come.

Extras: Cast and film - maker's commentary, Making of Resident Evil, Scoring featurette, Costumes featurette, Set design featurette, Zombie camera tests, Teaser trailer, Theatrical trailer.

Not only did Ellis co-write the screenplay for his 1995 interlocked collection of twisted tales set in the»80s, but the film easily has the coolest cast of any Ellis flick: Mickey Rourke, Kim Basinger, Winona Ryder, Billy Bob Thornton, Pineapple Express «Amber Heard and Brad Renfro «s last theatrical role.

This set contains both the Unrated and Theatrical versions of the film.

This film has several shades of his previous theatrical release, American Ultra, which was also a romantic comedy set on the backdrop of a larger genre picture.

; the featurette Witchfinder General: Michael Reeves» Horror Classic; theatrical trailers for not only all six films in this set but also for several other Price titles like The Raven, House of Wax and The Fly; and a 24 - page booklet packed with great photos.

Stagecoach's original 3 1/2 - minute theatrical trailer unexpectedly opens with talk of aviation and other modern transportation, segueing into the yesteryear streamline in which the film is set.

Blu - ray extras include audio commentary by Geeson and film historian Nick Redman; on - set footage shot by Geeson; the theatrical trailer; and an isolated track of Dominic Frontiere's score.

Releasing to DVD ten days before Fantastic Four: Rise of the Silver Surfer hits the silver screen, the two - disc set provides a copy of the original theatrical version of the film, plus a seamlessly branched Extended Cut.

This box set includes the theatrical versions of the films (not the extended versions), plus a wealth of bonus materials.

This stood in contrast to past Fincher films, most of which have been treated to cracking sets that welcomed admirers that passed on theatrical viewings.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

This box set version also contains, within its plush exterior, a set of eight limited edition card prints, an exclusive Senitype still with 35 mm film frame, a collection of six black - and - white screen - captures, and a 27» x40» theatrical poster.

On Disc One, there are theatrical trailers for both films; 2 TV spots for Death Wish II (including a partial one); a TV spot for Death Wish 3; the vintage featurette Action II: The Making of Death Wish 3, Runaway Train, and House; and a set of Mark Hartley - directed interview outtakes from the Electric Boogaloo documentary, including screenwriter David Engelbach, actress Robin Sherwood, producer Bobby Roberts» son Todd Roberts, and actor Alex Winter.

, a feature - length documentary on the entire series (from the memorable Second Sight Films release of the film); In Search of the Hotel Broslin, a 2001 featurette with Henenlotter and rapper R.A. «The Rugged Man» Thornburn; a six - minute outtakes reel in HD from a 2K scan of a 16 mm print; The Frisson of Fission: Basket Case, Conjoined Twins, and «Freaks» in Cinema, a new video essay by Travis Crawford discussing the history of films featuring «freaks of nature»; a set of image galleries (promotional stills, behind the scenes, ephemera, advertisements, home video releases); a promo gallery featuring 3 theatrical trailers (all in HD from 4K sources), a TV spot (also in HD from a 4K source), and 2 radio spots; The Slash of the Knife, a rarely seen short film made by Henenlotter prior to Basket Case; an audio commentary on The Slash of the Knife by Henenlotter and Mike Bencivenga; outtakes and an image gallery from The Slash of the Knife; Belial's Dream, an animated short story by filmmaker Robert Morgan; and last but not least, a 28 - page insert booklet featuring the essay «Case History» by Michael Gingold, «Cham - pain in the Park!»

The game also features playable content exploring previously untold adventures set in the time leading up to Star Wars: The Force Awakens, as well as original dialogue from key members of the theatrical cast, providing the most authentic Star Wars for experience for players, including Harrison Ford (Han Solo), John Boyega (Finn), Daisy Ridley (Rey), Adam Driver (Kylo Ren), Oscar Isaac (Poe Dameron) and other top stars from the film.

Anthea Hamilton is a UK - based artist who creates multi-media installations that resemble theatrical stages or film sets and incorporate arrangements of prop - like objects, references to modernist paintings, and appropriated images of pop culture icons such as blow - ups of John Travolta in John Travolta, Bust - like, 2012.

Through paintings, costume and set designs, posters, photographs, film clips and theater ephemera this exhibition brings to light an exhilarating but fleeting moment in the cultural history of the Soviet Union when innovative visual artists joined forces with avant - garde playwrights, actors, and theatrical producers.

The surreal setting of Barlow's creations somehow reminded me of the behind the scenes setting for a big production of a theatrical play or film.

In the film's imagery, performers and set pieces have been removed through photo - editing to expose architectural elements and to create new readings of these theatrical spaces.

The drawings, delicately rendered in graphite, pigments, ink and oil, contain fantastical depictions of figures that exist only in the artist's imagination, poetically staged in theatrical settings that echo the adventures of his films.

Calder's creative enterprises were cross-disciplinary and exceeded the traditional definitions of painting and sculpture; throughout the course of his career Calder developed sets for a variety of theatrical, musical, and dance performances, collaborated on films, illustrated books, produced wallpaper, fabrics, and costumes, created designs for racing cars and airplanes, and embraced humanitarian causes.