She recently curated «Dreamlands: Immersive Cinema and Art 1905 - 2016», a large
thematic exhibition addressing issues of the immersive cinematic experience in relation to the body and technology.
Not exact matches
During his tenure at the MCA, Molon curated major
thematic survey
exhibitions with a broad international and historical scope such as Production Site: The Artist's Studio Inside - Out (2010) where the
exhibition addressed the pivotal role of the studio in artists» practice; and Sympathy for the Devil: Art and Rock and Roll since 1967 (2007).
Previously he held positions as Chief Curator at the Contemporary Art Museum St. Louis and curator at the Museum of Contemporary Art, Chicago, where he organized major
thematic survey
exhibitions with a broad international and historical scope such as Production Site: The Artist's Studio Inside - Out (2010), which
addressed the pivotal role of the studio in artists» practice.
The
exhibition spans four distinct
thematic sections, beginning with works by five internationally renowned individuals — Louise Bourgeois, Sophie Calle, Mike Kelley, Bruce Nauman, and Cindy Sherman — who have been pioneers in
addressing psychology in their art, and who have strongly influenced other artists over the past ten or more years.
Rather than grouping the artists geographically, the
exhibition explores the
thematic and material relationships between the artists to
address themes that transcend particular locations such as peace and social violence; race, power, and identity; informal economies and corporate impact on the environment; memory; architecture, light and space.
Several artists navigate directly the main
thematic map of the
exhibition; others chose a more personal approach, looking at the presence of domestic workers in households, the public sphere, and the artists» lives, while another group of artists create abstract and poetic landscapes that bring a different and necessary vocabulary in an
exhibition that tries to
address such a wide and contradictory array of topics and perspectives, from personal desires and dreams, to historical processes.
This
thematic group
exhibition explores dualities of wild and tame, human and animal as well as
addressing the loss of animal habitats and efforts to document and preserve species.
Inspired by recent art - historical scholarship and in line with art - market trends, the
exhibition eschews the binary of avant - garde experiment and socialist - realist conformity in favor of a
thematic presentation that
addresses contentious issues such as the formation of proletarian subjectivity, the impact of crash industrialization and agricultural collectivization, and the persistence of nationalism notwithstanding the hope for world revolution.
In acknowledgement of Canada's sesquicentennial in 2017, the City of Ottawa invites professional artists, artist collectives and curators working in visual arts, media arts and fine craft to propose
exhibitions that
address an overarching
thematic: «Mapping.»
With a focus on artists working predominantly in film, video, photography and installations, Campagne Première organizes
thematic exhibitions that question modes of representation and
address the conditions of the artwork «s production.
The
exhibition is completed with the presentation of smaller works on paper, which
address the same
thematic realm.