Sentences with phrase «theme over the painting»

I especially love how the last image even continues the theme over the painting.

Not exact matches

Designing your dream nursery isn't just about choosing a cute theme and poring over paint colors.

If you aren't familiar with this series, a group of blogging friends who enjoy painting furniture team up each month to make over a piece of furniture with a theme.

A thin, barely - visible tightrope hovers over two different yet equally - treacherous perils: on one side, you risk missing the point of the original and creating a follow - up whose character, plot, and theme barely resembles its source; on the other, you simply retread the familiar beats of the previous work, applying a fresh coat of paint to the old structure.

It is finished in show - quality green paint over a custom, western themed brown interior.

The walls are painted with different themes, such as Hyrule Field with Hyrule Castle in the background, as well as the Master Sword resting in the forest with the Moon looming over.

Whether the painted scene is based on the city streets of Detroit, or of vintage cars lying in the middle of a parking lot in sun - drenched California, you'll enjoy spending time poring over each image, trying to determine its theme, its message and the story behind it.

I make a lot of material and use it towards one painting, and explore that theme in depth, as opposed to spreading it out over a number of works.

Over 30 juried vendors will offer photographs, oil and acrylic paintings, jewelry, natural - based products, textiles, candles and themed gifts.

These minimal compositions may look familiar today, but it helps to recall that the dawn of the 20th century was still the time when Monet obsessively rendered his water lilies and Seurat fastidiously labored over the Grand Jatte one paint dot at a time... This was a time of the industrial revolution, broad social and political changes that found their reflections in the changing pictorial and musical themes of the first decades of the 20th century.

Looking back at an a career spanning 40 years the exhibition at Bartha Contemporary features a series of paintings revisiting some of the central themes that have determined the artist work over the past decade.

Since his bravura institutional outing in 1997 at the Stedelijk Museum, Amsterdam, Melgaard's forté has been crass, crudely drawn, graffiti - like images of, and writings about, bareback and interracial gay sex — «hate fucking,» «gay terrorism,» «white Daddy dick,» «big fat black dick,» «straight cock,» and other delightful variations on the theme, all layered and scrawled on paintings, old beds, couches spilling over with posters, and other messy piles of carefully amalgamated bric - a-brac.

But whereas the work of those artists achieves a meaningful dissonance through a sundry aggregation of disjunctive motifs, Picabia's layered images serve to reinforce one another within each painting, coalescing in their signification into a unified expression or theme: in one case it is the seductive menace of his Portrait of Kiki (ca. 1938 - 40), a demimonde figure painted in lurid yellows and greens with a spider form imposed over her face; in another it is the cheesy eroticism of Reve (ca. 1935), an image of a sleeping woman about to be kissed imposed over a nude standing (like Botticelli's Venus, but with arms upraised) on the surface of the waves.

This unique exhibition will feature a range of Hodgkin's Indian - themed works on paper including gouache paintings, editioned prints and hand - coloured impressions made over half a century.

Over an almost half - century career that spanned a dynamic period of Chinese history the painter Jizi (1942 — 2015) countered that assertion, arguing that painting could indeed be traditionally and authentically Chinese while also addressing themes of universal significance.

Steve Shane is a passionate art collector with eclectic tastes, but from the nearly thousand diverse artworks that he has amassed over the last three decades, Shane recognizes recurring tendencies and themes, like «art about art,» «painting without paint,» and «dysfunctional family..

The theme resonates in a different way for Robert Ryman, who has obsessed over white paint for as long as Cézanne with his mountain.

The display of many series focussing on one subject from different periods in a major contemporary artist's career gives the audience a chance to see how his painting has evolved over time, including his technique, materials, and even his conception of the theme of portraiture.

When relating this history to the exhibition theme of tragic comedy, I recall Judd's fervent stance that painting was over.

Arcadia is the central theme of this latest exhibition at Michael Werner, which comprises over two dozen paintings completed in 2016 and 2017.

With the nine oil paintings and three works on paper that comprise the exhibition, Miller continues to explore the narrative potential of the animal world by revisiting many of the themes that she has surveyed in her work for the past thirty years, including the relationship between predator and prey, the effect of changing habitats upon both flora and fauna, the folly of our human sense of control over nature, and the passage of time.

BRACHA: Pietà — Eurydice — Medusa is the first comprehensive solo museum exhibition of Bracha's work in the United States, featuring a range of works spanning the last four decades — oil paintings, often created over several years, earlier and more recent drawings, notebooks, and three video works — that address the themes of loss, love and trauma within the context of the atrocities of war and traces of memory of the tragedy of the Holocaust.

Featuring more than 40 works by modern artists ranging from Mary Cassatt to Georgia O'Keeffe who paved the way for future generations of professional women artists, Modern Women at PAFA presents paintings and sculptures by over 20 female artists whose works explore the following themes: motherhood and beauty; the natural landscape; self - portraiture; women in their community; women illustrators; and modern women in motion.

Invisible Man (after Ralph Ellison)(2015) by Tim Rollins and K.O.S., bears a vertical strip and three wedges painted in blue over the opening forty pages of Ellison's novel — marks that reveal the letters «I» and «M.» However, unlike Ellison's novel, the theme of this first gallery is not anonymity but the perception of the individual.

Police executions, war crimes, torture, and terrorism are just a few of the gut - wrenching themes of the artist Leon Golub, who over his long career channeled the outrage of his political activism into raw paintings.

In this exhibition, over twenty paintings from the artist's various stages of his career share one element, which is women, one of Copley's many recurring themes.

Over his thirty - five year career, he worked in every conceivable medium — drawings on paper, sculpture, performance, music, video, photography, and painting — exploring themes as diverse as American class relations, sexuality, repressed memory, systems of religion and transcendence, and post-punk politics, to which he brought both incisive critique and abundant, self - deprecating humor.

This catalog celebrates an exhibition of 28 recent paintings by Robert Slutzky, works which elaborate the theme of «transparency» that the painter has explored over the last fifty years.

Particular attention is given to the importance of motifs, themes and variations in his work, explored in over 200 paintings and works on paper from the past 13 years, among them new works never before published.Born in Edinburgh in 1959, Peter Doig was raised in Canada and spent two decades in London before moving to Trinidad, where he now lives and works.

With over 40 works of art from painting to installation and video work, this exhibition features a complex array of interpretations and understandings of this theme.

For over 30 years, since graduating with an MA from Goldsmiths in 1987, she has worked with these themes progressing through a series of subjects across painting and installation, aiming to create her own visual language.

Over the last few years, she continues to explore themes of home and identity through drawing, painting, textile, photography... and now, motorcycles.

Featuring some forty paintings and a selection of pastels and watercolors, the exhibition allows for a fresh consideration of this important artist and an appreciation for his process of developing themes over many years.

Preceding Hancock's first solo exhibition in London, I Want to Be at the Meeting After the Separation, opening at Hales Gallery on Friday 22 May, the talk will explore ongoing themes surrounding narrative painting, sculpture and performance in Hancock's broad and dynamic practice spanning over 2 decades.

Extending across the entirety of the museum, the exhibition allows for free association between artists and the themes they address: at once playful and dynamic, works from Ryan Gander, Institute for New Feeling, Liu Wa, and Yangzi invite audiences to explore a wealth of possibilities through combinations of meditation and wry humor; classical mediums of sculpture and painting are reinvented by Yngve Holen and Austin Lee; insidious implications of our hi - tech society are skewered by Lawrence Abu Hamdan and aaajiao; the powers of synthetic materials over human desire are brought to the fore by Sean Raspet and Pamela Rosenkranz; and products of Internet culture are given to refined study with Gillian Wearing and Amalia Ulman.

In a departure for Grill, these paintings are based around a single color theme, and each exhibits an all - over formal pattern.

Over many paintings, Thornton develops different geometric themes.

Over his thirty - five year career, he worked in every conceivable medium — drawings on paper, sculpture, performances, music, video, photography, and painting — exploring themes as diverse as American class relations, sexuality, repressed memory, systems of religion and transcendence, and post-punk politics.

Over several decades she created paintings with only a handful of motifs or themes: clay pots, silk ribbons draped around posts, or woven textiles hung on a thread.

Currently fusing fluid sketching and charcoal work styles from his past with spray paint and distress techniques that he has developed over the years, the viewer will notice major differences in genre between the 2009 and 2010 works: while the current pieces dive into a more figurative and abstract realm, the 2009 series of paintings «With Great Power Comes Great Responsibility» focuses more on a comic - themed visualization of the all - too - human defects of character, faulty perception, and skewed sense of humor.

The artist invited kids from the organization into his artist studio, where they painted over several of his silkscreens with the popcorn theme in mind.

This exhibition, the first major museum show to focus on the artist's most profoundly inventive and experimental years, features over 100 paintings, collages, drawings, and objects, along with a selection of photographs, periodicals, and early commercial work, that trace the birth of the themes and strategies Magritte would go on to use throughout his long, productive career — and which make his paintings so unforgettable today.

In other works, however, the themes feel like an abstract frame forced upon individual positions, for instance, in Monika Sosnowska's Façade (2013), a hanging steel sculpture of a crumpled architectural grid, or Oscar Murillo's unnecessary monumental installation Condiciones aún por titular (Conditions yet not known), 2014 — 17, taking over the courtyard of Bait Al Serkal with excavations, sawn canvases, paintings and steel structures inspired by morgue tables, picturing the process of a personal archaeology.

Forty designers chose the pieces from Furniture Bank over the summer and then transformed them to suit the «from my home to yours» theme using paint, fabric and TLC.

A little bit of silver spray paint over the red and now they fit my gold and glimmer theme.

When I first reached out to Pam she told me that she didn't have a specific theme to her Christmas decor but she had two different trees that she put up each year; a family tree filled with ornaments they've collected over the years and ornaments that her mother hand painted, and a more whimsical tree filled with colors of hot pink, teal, and lime green.