The Marian theology (especially Wagner's suggested conflation
of the goddess Venus with Mary), the knight asking for
absolution from the pope, the
theme of «works righteousness,» the notion that Tannhäuser is saved by Elisabeth who both sacrifices herself for him on this earth and then in the afterlife intercedes before God on his behalf, and the fact that Tannhäuser himself is redeemed only to die» all these are, to the conservative Protestant at least, distortions
of Christianity.
«Hostiles» is gritty and gruesome, with deep
themes of desperate antipathy and somber
absolution, both
of oneself and with those who have done us wrong.