Sentences with phrase «then as a collage»

Not exact matches

Weber suggests diving deep into the feeling, personality and even the soul of your brand, then blowing it out in abstract ways, such as mood boards and collages, to help define and articulate how you want your brand's particular fantasy to feel.

I used them as a source because it was one of their commentators that originally and erroneously, proposed that a quarum was needed in the electoral collage, and they then corrected it.

As much as I may believe all of these things — that this kind of speechlessness in the face of art is a near instant augur of greatness, that a film whose ideas ebb and flow so grandly and subtly fares poorly when bound by the fixity of the written word, that if Malick chooses to engage his spectators on the level of the visual, then well, fuck, shouldn't I be making him a collage or a photo diarAs much as I may believe all of these things — that this kind of speechlessness in the face of art is a near instant augur of greatness, that a film whose ideas ebb and flow so grandly and subtly fares poorly when bound by the fixity of the written word, that if Malick chooses to engage his spectators on the level of the visual, then well, fuck, shouldn't I be making him a collage or a photo diaras I may believe all of these things — that this kind of speechlessness in the face of art is a near instant augur of greatness, that a film whose ideas ebb and flow so grandly and subtly fares poorly when bound by the fixity of the written word, that if Malick chooses to engage his spectators on the level of the visual, then well, fuck, shouldn't I be making him a collage or a photo diary?

She has made a number of important works by appropriating images from magazines such as Ebony or Sepia and then erasing, cutting, collaging, and transforming the original material to generate new narratives.

She creates digital collages of often staged photographs, which she then paints over digitally as well.

She never tires to experiment with new found ideas and objects, turning household objects reminiscent of her pre-described role as a woman born in the 30s into powerful images of presence, there - ness and solitude, one example of this being a series of plastic table covers re-used as drip catchers for her varnished collages and then re-worked and re-used to become large scale images themselves.

The Turner Prize - winning artist Chris Ofili became an international celebrity early as a result of the «Sensation» exhibition, then morphed his style away from the collaged and encrusted canvases that brought him renown to create sensuous paintings of Afrocentric fantasias — works that are irresistible to collectors but occupying a lower public profile.

Since then, Tuttle has presented prominent and influential series in the history of contemporary art such as the cloth pieces, which he installed dyed and cut canvas on the wall, and were both pictorial and three - dimensional, and the wire pieces, which consisted of wire and its shadow and pencil lines, and small - scale collage pieces among others.

She uses digital collage as an interface between intimate and global histories, which she then returns to her grandmother as postcards, reasserting their physical and personal context.

Borrowed from a text Apolinnaire wrote on the newly introduced collage as a medium by Picasso, THIS THEN THAT's general and playful but at the same time specific and serious tone deals with the artworks» objectivity and specificity, time as memory, history and fact.

In fact, to the extent that I can find a kind of indirect self - portrait anywhere in Rauschenberg's mature work, it's in the bottom - left corner of the 1970 print Signs, made from a collage originally commissioned (but then rejected) as a cover for Time magazine.

How much of a commendation can it be, then, to tout Ashbery's collages, on display at Tibor de Nagy Gallery, as a dilettante's gift?

Sandra: She's a Beauty, 2009, centralizes its sitter, the artist's mother, whom she posed and photographed amid clashing fabrics and cushions; Thomas then cut and reassembled the photograph into a collage that served as the basis for the painting.

Since then, there have been many artists who've used photo collage, like Pictures Generation artists John Baldessari and Barbara Kruger, as a means for expressing the ubiquity of images and bold feminist statements, respectively.

He works from photographs and drawings, creating collage - like compositions, and then experiments with different ways of drawing out the aspects that interest him — whether highlighting the surface detail or distant object, or by painting a version of the image as a blocked - out negative of flat colour.

Thomas» works begin with construction / collages of paper strips, corrugated plastic board, and packing tape which are then photographed and printed on photo - sensitive linen and stretched as «canvases.»

This leads visitors back to a large charcoal drawing, «Untitled No. 18» from 1958, where you can see him sketching out vague shapes; then to several of his collages placed around the room; and finally to his paintings, which suddenly register as paintings sprung from collages, with their juxtaposed elements functioning, as Ms. de Kooning puts it, like «action caught at an impasse» to create «an art of interruption.»

Thomas's megawatt works begin as photographs, which are then collaged and projected onto panels, painted, and adorned with rhinestones.

In her own work, Luloff re-interprets the block printed pieces she made in India by bleaching the patterns into colored bed sheets, which she then uses as collage material in her paintings.

All of the paintings in the exhibition began as small collage studies, which were utilized as maquettes for much larger works that were transferred onto canvas as a blueprint of the original, and then heavily embellished with multiple layers of paint.

What initially appear to be bold, expressionist gestures, slowly reveal themselves as meticulous constructions of colored, silicone caulk — with each rendered gesture then collaged onto the painting's surface.

Then there were those oversized stainless steel keepsakes, like the Hanging Heart valued at $ 20 million, and the overstimulating collage - like paintings with surfaces as slick as Vogue's ad - space.

Ruscha started to paint while at Chouinard, and while he was unmoved by the spontaneity of Abstract Expressionism, he was inspired by the then little - known Jasper Johns, whose collage painting Target with Four Faces Ruscha later described as the «atomic bomb of my training».

Like the collage artist who takes objects from the world, combines them with paint, and sets them inside a frame in order to show the viewer that «the tiniest authentic fragment of daily life says more than a painting,» Genzken uses the gallery space itself as a kind of frame, setting objects within and then adding her own version of a paint stroke.

What started as a hobby, collecting memorabilia which he would then turn into colorful collages, progressed into a...

LA - based artist Austyn Weiner dissects and collages photographs of herself naked, then reconstructs the images as paintings.

Gain insights from Wood as he discusses his multi-layered working process beginning with photo - based collages to drawings (studies), and then from drawings to the final painting (or two).

Rather than project and trace images onto canvas, as would some of her Pop Art contemporaries, several of whom had commercial backgrounds, Drexler cropped, enlarged, printed and collaged her source material, then applied acrylics on top.

The resulting imagery, somewhere between Andy Warhol and South Park, is then re-presented in a number of formats including video, film and slide projection as well as lightbox, etching and collage.

She then cuts up the photograph — fragmenting, deconstructing, and re-contextualizing the interior space — and reassembles the image as a collage.

Wightman's abstract works are simpler, with the colours and forms worked out first in small modelli on paper; his landscapes are originated from found images, sketched in Photoshop and then transferred as cartoons to canvas before collaging and painting.

John O'Reilly transforms collaged photographs, images from art history and clippings from pornographic magazines into intimate and seamless spaces that, at first, read as plausible and familiar, but then reveal themselves to be disorienting.

Teruya makes drawings of elements of urban design and architecture — bollards, wood planks, cement blocks — as well as actual structures, which he then cuts and arranges to create crisp, elegant collaged drawings.

His favourite technique is the «Collage» as this allowed him to continuously change and develop his works, first by overlapping layers of paper and canvas, and then, from the 1960's, metal plates.

More recently, Gordon's practice has moved into the studio: instead of using himself as a model, the artist composes three - dimensional collages — mostly lurid still lives and grotesque portraits — from old magazines and Internet printouts, which he then photographs.

The work has then been «tuned to the room», with Richards reacting to the acoustic contingencies of the site as he constructs a poetic audio - collage.

Using 19th - century photographs as a ground, Michal's then proceeds to adorn the images with a series of geometric shapes or floral patterns, juxtaposing traditional portraiture with contemporary collage.

Thomas hires models or invites relatives (sometimes using herself as a subject) into the space, photographs them, makes collages, then starts on the paintings themselves.

He uses Plexiglass as a starting point for his base in building a piece then coupled with broken mirrors and digital inkjet prints of other Plexiglass works that are cut to insert as collages.

While the photo collage serves as the foundation of her work, her limited edition prints are then finished with the application of hand - drawn and painted embellishments in graphite, acrylic, watercolor, and wax pastel.

She then re-packages them using bricolage and collage as interceptive strategies.

Through Collage I take something as a whole, then break it down and reassemble it through my own filter.

Whatever it is, if drawing presents a certain window into the artist's brain, then the exhibition «Trenton Doyle Hancock: Skin and Bones, 20 Years of Drawing,» which opens at the Studio Museum in Harlem on Thursday, will serve as a trip inside the mind's eye of an artist whose practice has included everything from multimedia paintings comprised of acrylic and collaged felt to site - specific installations and even a ballet — one that explodes off the page and directly onto the gallery walls.

The slight curves of a leaf - shaped form can been seen recurring across the decades at different stages in the exhibition — first as a mono - print, then as an outline in ballpoint pen, next as background beneath a collage.

Following that series the artist began to move increasingly in the direction of painted relief sculpture, initially with the collage works of the Polish Village series, and then to early painted reliefs made from sheets of honeycomb aluminum such as Talladega (1980) from the Indian Bird series — an orgy of writhing cut - out forms covered with pretty high - key colors and glitter.

Many of these values Brian has developed while obtaining a degree in Philosophy & English and then further refined during a highly varied work life, dividing his time between entrepreneurial undertakings and time spent in corporate world as a professional researcher & consultant, stints in journalism and always pursuing a wide range of activities in the arts, from film and photography to writing and collage.

Then once it was laid out, I started looking at the collage, thinking about what I liked about the style as a whole, what I didn't like so much, and things I think I need to add to round things out.