Originally from the Canadian prairies, she received her Advertising Art diploma majoring in illustration from Red River College in Winnipeg, Manitoba, went on to work in several advertising agencies and
then as art director for Global Television in Saskatoon, Saskatchewan while continuing to work as a fine artist.
Not exact matches
Name: Chris Fowler, MA Title: President and Chief Executive Officer Areas of responsibility: Executive management, strategy Years with CWB Financial Group: 27 Career history: Has served at CWB in roles with increasing responsibility since 1991, including, commercial account management (1991 - 1995), credit risk (1995 - 2008), and joined the executive team in 2008
as Executive Vice President, Banking, and
then President and Chief Operating Officer Education: Master of
Arts Degree in Economics from the University of British Columbia Community involvement: Trustee for the University Hospital Foundation (University of Alberta), Member of the Canadian Bankers Association's Executive Council,
director with the
Art Gallery of Alberta's board of
directors, and campaign cabinet member with the United Way of Alberta Capital Region
He's head of the
ART team in junior categories and spent 2016
as racing
director, and
then team principal, of Renault.
One recent example is Hazel — which undoubtedly would not have increased
as much
as it has if first Julia Roberts hadn't named her daughter that, and
then John Green hadn't named the main character in «The Fault in Our Stars» Hazel — a highly unusual name for a teenage girl when the book was published, but one that educated avant - garde writers like Green (prep school grad, Kenyon College English major, married to an
art museum
director) were giving to their own baby daughters.
by Bryant Frazer If Prachya Pinkaew's 2003 Ong - bak became a worldwide hit partly on novelty value — star Tony Jaa was a new face, and Muay Thai was sufficiently under - represented in martial -
arts movies to come across
as a fresh new fighting style —
then Chocolate is a logical next career move for the
director.
She
then returned to her hometown where she served
as Dance
Director at
Arts Together, Inc. for almost twenty years and joyfully directed The Rainbow Dance Company from 1990 — 2004.
Since
then she has worked
as the founding
director of High Tech Middle Media
Arts, the founding
director at High Tech High North County, a faculty member for the High Tech High Graduate School of Education, the
director and the dean at High Tech High International.
He served
as art director on the original 2005 game,
then as creative
director for its acclaimed sequel.
Reuben was in game development for more than 15 years, first
as an artist, and
then as technical
art director for a medium - sized studio, shipping games on multiple platforms.
Since 1978, he has worked on an international scale in the
arts, catapulted by work with the Spoleto Festival USA,
then serving for 16 years
as the first executive
director of the International Sculpture Center (ISC).
As director back
then, Kynaston McShine made it New York's museum of contemporary
art.
He began his career
as Assistant
Director of O.K. Harris Works of
Art, in the
then newly - developing
arts district of Soho, in 1969.
Sims served on the education and curatorial staff of the Metropolitan Museum of
Art from 1972 to 1999 and
then, from 2000 to 2007,
as executive
director, president, and adjunct curator at the Studio Museum in Harlem.
Then Williams headed abroad again, this time for an opportunity that turned into a more than two - decade career, serving
as director of
Arts and Crafts Centers on United States Air Force bases in South Korea, Japan, Italy, the Azores, and South Carolina, from 1984 to 2005.
As Philippe de Montebello,
then director of New York's Metropolitan Museum of
Art, put it in 2003, when the museum staged a major retrospective of his work, «Guston's particular genius was in mediating seemingly diverse traditions, and, with fluent brushstrokes that speak to the artist's hand and brilliant colour, creating works that vigorously defied conventions.»
This city formed an integral role in shaping and developing Morton's practice and career, first
as a student and
then as a teacher at the Philadelphia College of
Art, and ICA was an early and avid supporter of Morton, creating a collaborative relationship that included commissioning and exhibiting her work in the early 70s,» said Amy Sadao,
Director of ICA.
Widely recognized
as one of the most prolific and respected photographers of the 20th century, Irving Penn began his photographic career in 1943 at the suggestion and encouragement of Vogue's
then Art Director, Alexander Liberman.
He served
as Director of the Glasgow School of
Art in Scotland,
then as President of SAIC from 1986 to 1992.
As the initial trio gradually shared
then delegated the direction of the space to new members — most recently to Caroline Soyez - Petithomme, who codirected the space with Jill Gasparina from 2008, before becoming the sole
director in 2013 — the aesthetic choices have slightly shifted from an emphasis on site - specific, installation - based works to more formalist works, with an inclination towards abstract painting and digital
art.
Dow taught at three major American
arts training institutions over the course of his career beginning with the Pratt Institute from 1896 - 1903 and the New York
Art Students League from 1898 - 1903; [3]
then, in 1900, he founded and served
as the
director of the Ipswich Summer School of
Art in Ipswich, Massachusetts, and from 1904 to 1922, he was a professor of fine
arts at Columbia University Teachers College.
There she became an active supporter of local
arts organisations and museums, including the Des Moines
Art Center, where
then -
director James T. Demetrion had made a name for himself
as a visionary curator.
After working for several years in Italy (Villa Medici and Rome Music Foundation), he moved to Israel to manage the French Institute (Institut français) for the French Ministry of Foreign Affairs,
then for three years in Lebanon
as Regional
Director, where he started several different cultural and
art initiatives.
MATRIX was created at the Wadsworth Atheneum in 1974 by
then -
director James Elliot
as an experimental pilot project, supported by a grant from the National Endowment for the
Arts.
Having initially worked for Christie's in Stuttgart & Berlin, Jutta
then moved
as a Specialist for Contemporary
Art to Phillips de Pury & Company, first in Berlin and
then to Gallery de Pury & Luxembourg in Zurich
as Director.
«This major exhibition of Schnabel's recent paintings from the last ten years is the first museum exhibition in the United States since 1987 when Nicholas Serota,
director of the Tate Modern, and Dominique Bozo,
then president of the Centre Pompidou, curated a traveling exhibition that went from: Whitechapel Gallery, London, Centre Georges Pompidou, Paris, Kunsthalle Dusseldorf, Dusseldorf, Whitney Museum of American
Art, New York, San Francisco Museum of Modern
Art, San Francisco and ended up at the Museum of Fine
Arts in Houston, Texas where Schnabel once lived
as a young painter.
A few years later, in 1979, David Hockney, long before he became an RA (he was elected in 1991), gave an interview to the Observer in which he lambasted the Tate Gallery, and in particular its
then Director, Norman Reid, for what he saw
as its culpable neglect of figurative
art.
As Jessica Hough,
then curatorial
director at the Aldrich Contemporary
Art Museum said, «Filled with historical art references, it is at once playful and painful — a fresh commentary on a perennial problem.&raq
Art Museum said, «Filled with historical
art references, it is at once playful and painful — a fresh commentary on a perennial problem.&raq
art references, it is at once playful and painful — a fresh commentary on a perennial problem.»
Since coming to Chicago in 2010, first
as a graduate student and
then as Assistant
Director of Exhibition's at the School of the
Art Institute's Department of Exhibitions and Exhibitions Studies, Ross expanded curricular exhibitions on the campus and transformed graduate and undergraduate led exhibitions and programs into research driven and collaborative experiences.
Since
then, he's been working
as a designer or an
art director for several clients / agencies
as his full - time job, alongside doing some lovely photography projects during his spare time.
After completing her master's, she moved to Boston and worked briefly
as director of the cooperative space Boston Sculptors Gallery and
then as exhibitions curator at the Boston Center for the
Arts, where she organized shows featuring both emerging and established artists and launched a site - specific, large - scale installation program.
As a young man, he studied applied arts and then worked as an illustrator and creative director before moving to Europe; he settled first in Barcelona and then, in 1960, in Paris, as he built his career as an artis
As a young man, he studied applied
arts and
then worked
as an illustrator and creative director before moving to Europe; he settled first in Barcelona and then, in 1960, in Paris, as he built his career as an artis
as an illustrator and creative
director before moving to Europe; he settled first in Barcelona and
then, in 1960, in Paris,
as he built his career as an artis
as he built his career
as an artis
as an artist.
And the junior copywriters and
art directors complained just
as bitterly
then, too.
And
then Kertess reverts to the diplomatic mode that he has perfected during his two years
as the
art world's casting
director.
Acquired sixteen years after the artist served
as a juror for the museum's first biennial exhibition, the painting was recommended by no less an authority on contemporary painting than Alfred Barr,
then the
director of New York's Museum of Modern
Art.
Six artists / curators were selected on the basis of their relevant knowledge and experience
as mentors in a six month mentoring programme: Michelle Cotton (
then independent curator and writer and holder of Cubitt Gallery curator's bursary, now Curator at Firstsite), Harriet Godwin (curator of Modern and Contemporary
Art, Norwich Castle Museum and
Art Gallery), Andrew Hunt (
director, Focal Point Gallery), Simon Liddiment (artist), Sally O'Reilly (writer and event organiser and now Wysing Ambassador), Jamie Shovlin (artist).
Then, in an interview Tuesday at the Museum of Contemporary
Art's announcement of Jeffrey Deitch
as its new
director, Broad unexpectedly revealed the third site: a 10 - acre parcel on the campus of West L.A. College in Culver City.
Her groundbreaking career includes serving
as director and
then president of the Studio Museum in Harlem (2000 - 2007) and being appointed the first and, thus far, only African American curator at the Metropolitan Museum of
Art, where she worked from 1972 to 1999.
By 2011, when Simone Wicha,
then the Blanton's deputy
director for external affairs and operations, replaced the abruptly departing Ned Rifkin
as director, practically every Houston - based UT alum I ran into at
art openings would ask, «How do you solve a problem like the Blanton?»
Enlisting the help of independent curator and
art critic Maria Seda - Reeder
as well
as Wave Pool Gallery's Executive
Director and social practice artist Calcagno Cullen, the group
then brought on board the Contemporary
Arts Center's Curator of Education, Jaime Thompson to round out their mission: keeping the words and images of progressive activists and allies in the minds and hearts of the public.
Since
then, she has studied ceramics at Alfred University, spent 3 summers
as the
director of a clay studio at an
arts camp, and taught workshops in New York and Maine.
Vicente Todolí (1958, Valencia) has a career in the visual
arts that spans more than thirty years, including positions such
as Chief Curator (1986 - 88) and
then Artistic
Director (1988 - 96) of IVAM (Instituto Valenciano de Arte Moderno in Valencia, Spain), before joining the Serralves Museum (Porto)
as its founding
Director in 1996.
In a move
as brazen
as his
art, Hirst invited the Tate
director Nicholas Serota and brought Norman Rosenthal,
then exhibitions secretary at the Royal Academy of
Arts, to the show in a taxi.
Tucker previously served
as curator of decorative
arts and
then chief curator and deputy
director of the Columbia Museum of
Art in Columbia, South Carolina, and
as the curator of decorative
arts and Owens - Thomas House at the Telfair Museum of
Art in Savannah.
From 1992 - 2003 he was based in Australia where he worked first at the Biennale of Sydney,
then as Director of the Canberra Contemporary
Art Space, and from 1997 - 2003
as Curator of Contemporary
Art at the
Art Gallery of Western Australia.
Teresa Bramlette Reeves,
art historian and former director of the Zuckerman Museum of Art at Kennesaw State University (then known as the KSU Art Museum), is returning to the institution on July 1, this time as director of curatorial
art historian and former
director of the Zuckerman Museum of
Art at Kennesaw State University (then known as the KSU Art Museum), is returning to the institution on July 1, this time as director of curatorial
Art at Kennesaw State University (
then known
as the KSU
Art Museum), is returning to the institution on July 1, this time as director of curatorial
Art Museum), is returning to the institution on July 1, this time
as director of curatorial...
That spirit was underscored with the 2009 choice of an American
as its new
director: Ann Goldstein, who was
then a senior curator at L.A.'s Museum of Contemporary
Art.
Cornell made her mark on the
art world working at the New Museum in New York, first
as the executive
director of the institution's in - house publishing project dedicated to internet
art, Rhizome, and
then as a curator and associate
director of technology initiatives.
Blazwick took a job
as a receptionist with a publisher of Pop
Art books and prints and later became curator,
then director of exhibitions at London's Institute of Contemporary
Arts (ICA).
Frances Morris joined Tate
as a curator in 1987, becoming Head of Displays at Tate Modern (2000 — 2006) and
then Director of Collection, International
Art until April 2016 when she was appointed
as Director.
becoming Head of Displays at Tate Modern (2000 — 2006) and
then Director of Collection, International
Art until April 2016 when she was appointed
as Director.