Sentences with phrase «then at the art gallery»

Catalogue of the 5th Guggenheim international exhibition held at the Solomon R. Guggenheim museum, New York, October 20, 1967 - February 4, 1968, then at the Art gallery of Ontario, Toronto, February - March 1968, the National gallery of Canada, Ottawa, April - May 1968, the Montreal museum of fine arts, Montreal, June - August 1968]

Not exact matches

Name: Chris Fowler, MA Title: President and Chief Executive Officer Areas of responsibility: Executive management, strategy Years with CWB Financial Group: 27 Career history: Has served at CWB in roles with increasing responsibility since 1991, including, commercial account management (1991 - 1995), credit risk (1995 - 2008), and joined the executive team in 2008 as Executive Vice President, Banking, and then President and Chief Operating Officer Education: Master of Arts Degree in Economics from the University of British Columbia Community involvement: Trustee for the University Hospital Foundation (University of Alberta), Member of the Canadian Bankers Association's Executive Council, director with the Art Gallery of Alberta's board of directors, and campaign cabinet member with the United Way of Alberta Capital Region

It's the wedding of Lizl & Denis who were married on July 24th in a church in Ottawa and then with the reception at Ontario / National Art Gallery of Canada and it's shot in... Read more»

On Monday, Ryan and I went to Dive N Boar to watch the National Championship game and then last night I attended Dorothy Shain's Art Show at Art & Light Gallery then headed to Giorgios to celebrate my mom's 60th Birthday Dinner.

During college, she traveled 70 miles round - trip to an unpaid internship at an art gallery which then led to a desire to experience New York City — a mecca for artists and art lovers.

At the Dominion Bank you can see a gallery of Inuit Art, then there's the Gothic - looking Casa Loma and a replica of Fort York, the settlement where the city originated.

Once in Phoenix, we sauntered between the art galleries of Old Town Scottsdale, then found a car meet on Indian Bend Road and had chocolate milkshakes at the 5 & Diner while 1950s American classics paraded that evening.

We will then leave Muir Woods and continue on to picturesque Sausalito California where you can shop, visit art galleries, or have lunch all while gazing across the bay at beautiful San Francisco.

Then, meander through wine tasting rooms, boutiques and art galleries of Los Olivos plus the latest exhibits at Wildling Art Museart galleries of Los Olivos plus the latest exhibits at Wildling Art MuseArt Museum.

Places of interest will be visit during Ubud and Tanah Lot Tour is visit Batuan Village is traditional Balinese village with amazing fine art gallery, then tour will visit the Ubud Monkey Forest is is a nature reserve temple complex dwelt by some group of monkeys and other tropical animals and the last visit during the tour is the Tanah Lot Temple or known as a Sea Temple due the location on the coastal lip, the temple is built on the rock with 3 acre size and perfect spot to enjoy view of sunset at Tanah Lot Temple.

The rest of the day is free so we wandered off to see an exhibition of work by «The Canadian Seven», artists from early 20th century (brilliant) at Ontario Art Gallery, then had a drink at the Village Idiot pub (yes, that is its» name) over the road.

On the second day, your Bali Round Trip begins right after breakfast, with a short drive to witness the Barong dance and traditional hand weaving in Batu Bulan village, then continued with a visit or two to the art galleries at art villages of Celuk for Gold and silver smith, Mas for wood carving and Batuan far painting.

For those art lovers out there then a stop off at the National Gallery of Victoria should be on your list.

Day Nine — Alice Springs to Banka Banka — Today we cross the Tropic of Capricorn, see the amazing Devils Marbles, visit an Aboriginal art gallery, stop for a swim (summer only) at picturesque Mary Ann Dam then pass through Tennant Creek as we head to historic Banka Banka Cattle Station for dinner and overnight camp.

Since then, Square - Enix has not shown any in - production work of the game, short of concept art at a Final Fantasy art gallery show in recent months.

In 1976, at the height of minimal art and conceptual art, the American painter R.B. Kitaj, then based in Britain, organised an exhibition titled The Human Clay at the Hayward Gallery in London.

Karen Wilkin, «Greenberg and the Syracuse Artists», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Suzanne Shane, «Greenberg in Syracuse, Then And Now», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Clement Greenberg, «Interview with Clement Greenberg», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 Robert Morgan, Clement Greenberg, Late Writings, University of Minnesota Press 2003 Donald Kuspit, «A Critic's Collection», Artnet.com, August 3, 2001 Karen Wilkin; Bruce Guenther, Clement Greenberg A Critic's Collection, Princeton University Press 2001 «Recontre avec Darryl Hughto, L'mour de la matiere», Pratique Des Arts, no. 36 Fevrier - Mars 2001 Michael Ennis, «Long on Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 19At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 19at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1973

2013 Art Public: Only One Like You, curated by Nicolas Baume, Art Basel Miami Beach, Miami Beach, FL Pataphysics (A Theoretical Exhibition), Sean Kelly Gallery, New York, NY Body is Present, Berrie Center for Performing and Visual Arts, Ramapo College, NJ Hold on Her, (performance), Cleveland Museum of Art, Cleveland, OH All Good Things, SOMA Arts, San Francisco, CA Remainder, curated by Lauren Ross, Philbrook Museum of Art, Tulsa, Oklahoma The Lobby Project, City Center, New York, NY Sisyphus: Heroism of the Absurd, Arte Actual, Quito, Ecuador If Color, then also Dimension; If Flatness, then Texture, etc., LMCC at Governor's Island, New York, NY Object Focus: The Bowl, Museum of Contemporary Craft, Portland, OR Paint Things: Beyond the Stretcher, Decordova Sculpture Park and Museum, Lincoln, MA In Praise of Chance and Failure, Family Business, New York, NY There Is No Place Like Home, Paul Robeson Galleries, Rutgers, Newark, NJ Only as Signal Show, Southern Exposure, San Francisco, CA No Sun Without Shadow, Lu Magnus, New York, NY Unfolding Tales: Selections from the Contemporary Collection, Brooklyn Museum, Brooklyn, NY

Since then, her work has been exhibited widely at institutions such as the San Jose Museum of Art, CA (2018); Los Angeles Municipal Art Gallery, CA (2017, 2016); Yerba Buena Center for the Arts, San Francisco, CA (2015); St. Louis Art Museum, MO (2014); Museum of Contemporary Art, Los Angeles, CA (2013); Kunsthalle Detroit, MI (2011); Vancouver Art Gallery, Canada (2011, 2002); Hammer Museum, Los Angeles, CA (2009, 2001); Museum of Art, Seoul, Korea (2009); Ullens Center for Contemporary Art, Beijing, China (2008); Schirn Kunsthalle, Frankfurt, Germany (2006); DA2 Domus Artium, Salamanca, Spain (2007); and ZKM Museum fur Neue Kunst, Karlsruhe, Germany (2005).

Jennifer Steinkamp recently opened a retrospective of her work at the San Jose Museum of Contemporary Art in August 2006, which will then travel to the Kemper Museum of Art, Kansas City and the Albright - Knox Gallery, Buffalo.

Diebenkorn's first significant retrospective was held in 1976 — 77 at the Albright — Knox Art Gallery in Buffalo, New York; the show then travelled to Washington, D.C., Cincinnati, Los Angeles, and Oakland.

Then there's still time, just about, to see Mat Collishaw at the New Art Gallery Walsall (to 10 Jan).

At a time when politics and religion are losing their grip in terms of being able to inspire, then perhaps art galleries need to be the new town halls, the new cathedrals.

Then I was lucky enough to intern for Jock Reynolds in high school at the Addison Gallery of American Art at Phillips Academy and help with shows like Sol LeWitt and William H. Johnson.

The exhibition will then travel to the Prichard Art Gallery at the University of Idaho in Moscow where it will be on display from August 22 through October 12, 2013.

Swiss born, psychoanalysis graduated, she was Co-Director at the Jennifer Flay gallery, independent curator, then chief curator of the Plateau - FRAC Ile de France (2004 - 2008) and of the association TRAM, two contemporary art institutions of the greater Paris area.

Since then, his work has been commissioned for the Dorado Beach Ritz - Carlton and has been featured in The Weird Show at the Canada Gallery, NYC, The Parrish Art Museum and The Ah Haa Forest Project in Telluride, Colorado.

If you're like «that all - women art show was good, but I want more,» then you're in luck: Captain Jack Hanley has put together a sweet, physical - looking three - woman show at his gallery.

Mass MoCA will then rank among the largest art museums in the country, just shy of the gallery space at the Los Angeles County Museum of Aart museums in the country, just shy of the gallery space at the Los Angeles County Museum of ArtArt.

While time ticked away in Christian Marclay's film The Clock (2010) at the Museum of Modern Art, it has been dripping away at Rachel Uffner Gallery, where two candles, hung from the ceiling by wires, slowly burn down and are then replaced.

The previous exhibitions were also concurrent, then shown at the Robert Miller Gallery and at Hain Chanin Fine Art.

Since then, Manzoni's momentous and incisive body of work has been the subject of exhibitions at venues including as the Contemporary Arts Museum Houston, the Musée d'art moderne de la Ville de Paris, and the Serpentine Gallery, London.

Not even Camhi mentions Ivan Karp, a force for Pop Art at Castelli's gallery in the 1960s and then at OK Harris, or Paula Cooper, who preceded them all in Soho.

Since then she has held over 35 solo shows worldwide, and has been included in numerous group shows, at the Barbican, Hayward Gallery, Serpentine Gallery, Whitechapel Gallery, Walker Art Gallery Liverpool, Whitworth Gallery Manchester, Museum of Wales Cardiff, as well as a number overseas.

Since then, he has exhibited works across the United States, including the Amon Carter Museum of American Art, the Renwick Gallery at the Smithsonian American Art Museum, the Crystal Bridges Museum of American Art, as well as in Belgium, Canada, and the United Kingdom.

She showed her work with art dealer Ramon Osuna, first at what was then Pyramid Gallery in Dupont Circle and later Osuna Aart dealer Ramon Osuna, first at what was then Pyramid Gallery in Dupont Circle and later Osuna ArtArt.

Held at the Taubman Museum of Art, guests will enjoy the galleries during an opening reception, then a seated meal where two women in our community will be honored for their monumental contributions to the arts.

He had his first public gallery show at Southampton Art Gallery, then he was shortlisted for the 2001 Turner prize and chose to exhibit Work No 227: The lights going on agallery show at Southampton Art Gallery, then he was shortlisted for the 2001 Turner prize and chose to exhibit Work No 227: The lights going on aGallery, then he was shortlisted for the 2001 Turner prize and chose to exhibit Work No 227: The lights going on and off.

I've yet to figure out how I'm going to do it, but the plan is to visit the Scottish National Gallery of Modern Art's «Bridget Riley: Paintings, 1964 — 2015» (15 April 2016 — 16 April 2017) and then head straight to the Bosch fifth centenary show at the Museo Nacional del Prado (31 May — 11 September 2016) for the legal high to end all others.

Duchamp & Sons then hosted another event at the Whitechapel Gallery for people from two local senior groups from Magic Me and the Sundial Centre, which involved tea, biscuits, art talk, cityscape drawing and PLAYDOUGH!

Born in Albany, California, in 1935, De Maria moved to New York City in 1960, where he became entrenched in the burgeoning downtown art scene, taking part in Alan Kaprow's «Happenings» and showing Dada - inspired wood sculptures at Paula Cooper's space on the Upper East Side (then called Paula Johnson Gallery).

The first major retrospective of his work in Britain, it is a kind of homecoming for Basquiat's art: In 1984, the first institutional show of his work opened at the Fruitmarket Gallery in Edinburgh, and then traveled to the Institute of Contemporary Arts in London.

The first important retrospective of his work took place at the Albright — Knox Art Gallery in Buffalo, New York, in 1976 — 77; the show then traveled to Washington, D.C., Cincinnati, Los Angeles, and Oakland.

[6] The exhibition opened at the Grey Art Gallery, NYC and traveled first to The Houston Museum of Fine Arts, then to the American Center, Paris, France before traveling around the world as a United States Ambassadorial show to over twenty other countries.

He received his BEd from the University of Saskatchewan, Regina Campus in 1971, then taught art and drama at Prince Albert from 1971 - 73 before becoming the community program officer for the Norman Mackenzie Art Gallery in Regina from 1973 - 19art and drama at Prince Albert from 1971 - 73 before becoming the community program officer for the Norman Mackenzie Art Gallery in Regina from 1973 - 19Art Gallery in Regina from 1973 - 1975.

The exhibition you mentioned at the National Portrait Gallery, The Outwin 2016: American Portraiture Today, is on display at the NPG until January of 2017 and will then travel to the Tacoma Art Museum in Tacoma, WA, the Art Museum of South Texas in Corpus Christi, TX, and to the Kemper Museum of Contemporary Art in Kansas City, MO throughout 2017 and 2018.

Since then, his work has been included in several historical shows, including A Shared Tradition: Art by Four African Americans at the Indianapolis Museum of Art (1996) and Abstract Expressionism: Further Evidence at Michael Rosenfeld Gallery (2009).

After completing a Master's degree in finance, he began his career at the Waddington Galleries in London in 1997, then joined Helly Nahmad Gallery in 1999 where he worked on major exhibitions of 20th century art.

«This major exhibition of Schnabel's recent paintings from the last ten years is the first museum exhibition in the United States since 1987 when Nicholas Serota, director of the Tate Modern, and Dominique Bozo, then president of the Centre Pompidou, curated a traveling exhibition that went from: Whitechapel Gallery, London, Centre Georges Pompidou, Paris, Kunsthalle Dusseldorf, Dusseldorf, Whitney Museum of American Art, New York, San Francisco Museum of Modern Art, San Francisco and ended up at the Museum of Fine Arts in Houston, Texas where Schnabel once lived as a young painter.

Then there are photo galleries showing Elmgreen & Dragset's exhibition at Museum Boijmans Van Beuningen's Submarine Wharf in Rotterdam, and Ai Weiwei's solo show Art / Architecture at Kunsthaus Bregenz.