Sentences with phrase «then films these images»

Using photographs and other objects that reference specific bodies of knowledge as starting points for his carefully crafted drawings and sculptures, he then films these images and objects, arranging and comparing both the physical works and the ideas, information and knowledge associated with them.

Not exact matches

If this film - maker is Egyptian, then the Egyptians have a right to put him on trial under Islamic law for not only his highly negative portrayal of the prophet Muhammad but for doing an image of him as well violating Islamic law with whatever consequences are in store for him.

Unlike most film cameras, it features a high - end 10MP sensor that captures images on an SD card and is then able to print them out as well.

With the map, he can compute a color image for printing on the PVA film and then, after the hydrographic immersion, it forms the desired color pattern on the object's surface.

His centerpiece is a narrative running from Metropolis to Dr. Strangelove, indicating that the power of film images affected first German rocketry and then, through the von Braun story, American space technology.

«In our demonstration, we obtained optical images of aluminum nanostructures with 46 nanometer resolution, then validated the non-invasiveness of CLAIRE by imaging a conjugated polymer film.

Go back to the Library tab and highlight all the images that you want to export in the film strip view at the bottom and then hit the «Export» button.

He accepts an invitation from Charlie to come to Los Angeles for a job writing a film starring rapper / actor Samurai Apolcaypse, then reunites with Karen, her former professor and now - husband Richard, and his daughter Becca, who now has a boyfriend named Tyler that is the spitting image of Hank himself... in the worst possible way.

We now have then more images from the film (here's the first batch), which features «Daredevil «s» Charlie Cox starring alongside Mackenzie Crook (Pirates Of The Caribbean, «Game Of Thrones»), actor - writer - director Dexter Fletcher (Eddie The Eagle), Freema Agyeman («Doctor Who») and Eve Myles («Doctor Who,» «Torchwood»).

Criterion's 2K scan of Personal Shopper, then, comes as an unexpected marvel: Every inch of Olivier Assayas's film has been given careful and absolute attention to ensure the highest - quality image possible.

The kid then coasts down a city street on his skateboard to the setting sun, providing «Love Is Strange» with one of its most powerful images (in a film full of them).

Stateside, we will wait to hear word about our own release date, but until then we'll have to enjoy this new batch of images from the film (courtesy of The Playlist and Purple Snow), featuring anyone and everyone you can think of from the apocalyptic thriller — Octavia Spencer, Ah - Sung Ko, Chris Evans, Allison Pill and a truly bizarre Tilda Swinton, which is a lot for her.

Thanks to «Olympia,» filmmaker Leni Riefenstahl's two - part documentary fantasia on the 1936 Berlin Olympics, the eternal film image of Jesse Owens is that of a calm, then fiercely competitive, then jubilant American dominating the Germans and everyone...

The images are a little odd, but then they were designed to be seen in 3D (you can watch them in action at the film's official site), and make the characters look like they're running through rubble or have just stepped out of the shower.

Furthermore, most of the actual 3D images are saved for the film's end, having us rely on detailed computer - animated renderings until then.

If a picture is worth a thousand words, then The Black Stallion may be one of film's best examples of using images to tell a story.

On this new episode of The Golden Briefcase 2.0, Tim and Jeremy touch on this past week's Academy Awards (winners list here), share some Picks of the Week and then touch on a variety of topics including Lucio Fulci films (hence the image), Neill Blomkamp's Alien remake, Fantastic Fest horror film Spring (read Jeremy's review / watch the trailer) and so much more.

This essay examines Christian Petzold's lesser - known, early films of the 90s in their depiction of the German economy's impact on individuals» image - perception and then takes up his better - known film Die...

Exactly as tedious as Steamboy, then, and covering exactly the same ground, Howl's Moving Castle shares with Ôtomo's film, too, a giant steam - powered ball as its central image, encapsulating a vision of Victorian England in a Frankenstein's yin / yang clattering along inexorably like the Industrial Revolution while gorgeous impressionistic watercolour towns are polluted by coal smoke from a fleet of trains burning through the forests at night.

The film then cuts to images of nature, water rushing by, and a jagged road slicing across the screen like Dali's razor blade slashing an eyeball.

LMD: We hadn't the chance to speak at the theatrical release of the film, but I must ask what your inspiration was behind the pre-credits sequence which recaps Voldemort stealing the Elder Wand from Dumbledore's grave, then centers on haunting images of Professor Snape in the turrets overlooking Hogwarts.

The film was booed at its first screening at the Cannes Film Festival, but at the second viewing of the film, it was greeted quite enthusiastically, and then finally awarded a Special Jury Prize for «the beauty of its images, and for seeking to create a new film language.»

It's not quite so obvious in Chungking Express, but then that film, with its smeared colors and stuttery motion and images pushed and pulled to the extremes of film registration, is all about the texture.

On one hand, some of the first images we see come across as a deep artsy film; and then next thing we are getting is talking head interviews with reporters and other concerned followers mixed with actual TV newscasts from the period.

I upgraded through the years, first to a letterboxed Japanese LaserDisc that improved the film immeasurably, given Carpenter's skills with «scope framing, and then to a snap - cased DVD from Image Entertainment that felt like a gift from Heaven.

And then there was the film about the dream - maker director himself (Hal Ashby), who helped to craft many of our most enduring images on screen.

I look forward to his swan song, as well as looking back through the scores of earlier films yet to be released in the U.S. Until then, I can lose myself in this magnificent production, which I chose as the best film of 2011, and the beautifully mastered Blu - ray presentation of Ruiz's elegant images.

Photocopy the coins, then copy the image (s) onto transparency film.

Join us in watching this short film and then sharing with others the joy that comes with seeing the before images of animals who were desperate for relief followed by the after pictures of these same animals in clear, cool ponds in which they can freely swim and stretch their wings, in lush pastures in which they happily graze and forage, and in comfy beds in which they can peacefully relax.

The exposed film is then developed chemically (similar to developing the negative of a black and white photograph) or digitally to get an image that is recognizable.

The many boxes of film slides needed to be converted to digital images by scanning, and then entered into the inventory.

For this film, he produced thousands of woodcuts and then transformed images of each woodcut into 3 - D film, with each frame of film requiring eighteen pictures per second to pass in front of the camera lens.

Simultaneously, Ritchie has been creating a uniquely dynamic digital world built from his drawings, which allows him to film inside this world using a vast bank of images and narratives to inform increasingly sophisticated videos which can then be deployed into these collaborations.

He would take several packs of film at each sitting, and then select his favorite image to be silkscreened onto canvas by his assistants.

MG I was thinking more of how he double exposed film, and then not only overlayed images but sometimes treated the polyester in such a way that it became a transparent fabric on which he could paint both back and front.

Then we will turn to the beginnings of film and move through video to contemporary moving image technologies used by artists including Philippe Parreno, Trisha Baga, and Josiah McElheny, among others.

McCall compiled the video footage and still images contributed by the original participants which he then edited into a thirty - five minute looped film that is projected on a suspended screen in the exhibition space; mirrors on the wall and newspapers on the gallery's floor replicate the original environment created 40 years ago.

If Mirren often plays on her Russian heritage in interviews, and draws on her British working class background in other contexts — in what has become a polarised form of role play to manipulate the media's perception of her — then the images used in this exhibition represent her corresponding parts for film and television that show issues of domination, subjugation and control, such as in The Queen, Caligula and Prime Suspect.

In the film Schnabel remarks: «I started to use different kinds of materials because I was looking for some kind of new way to paint... working with things that already exist affords you associations that are beyond your invention... I see opportunities everywhere as paintings, in images that already exist, in surfaces that will repsond to paint a certain way, or it might come from an accident... I realized a picture could be the architecture of a painting... so I would select thigns that already had pictures - images of things impregnated on them - and then I could treat them as a blank canvas... let them inform what I was doing and make me react to what was there and come out with a hybrid painting... it has a much to do with reacting rather than acting.»

The resultant abstract drawings are then enframed over a 30 by 40 inch photographic print of a still image from the film.

In this particular series on view at Roman Road, Osaka serves as the focus, with images rendered in black - and - white film, part - developed, solarized and then redeveloped before being printed onto aluminum sheet.

Not content to have made his point with footage of the image printed on Christmas stockings, Campbell then shows archival film of the same volunteer's elaborately staged funeral, pointing out that it too was exploited for political ends.

These works activate Schneemann's characteristic process of collecting, filming, editing, and then exposing images which are suppressed.

Her self - shot erotic film Fuses, 1968, is composed of explicit sexual images of lovemaking between the artist and her then partner, composer James Tenney.

Yass then realizes the resultant images as lightboxes, prints, and films.

When Emma Dexter, then director of exhibitions at the Institute of Contemporary Arts in London, was planning a show about music videos, Mr. Brown suggested she speak with Mr. Leckey, whose proposal became the «Fiorucci» film, featuring images of British nightclubs from the 1970s to the»90s.

His works - including a cage at night and a sinister picture of youths dancing at a maypole - are half - remembered images, refracted through film and newsprint and then reproduced effervescently.

Mukdamanee quickly applies ink in splashy yet controlled strokes on plastic film then runs in through a press on beautiful papers, then frames the resulting image in quiet white mats.

Sourcing ideas from a large portfolio of images, from historically significant works of art to press cuttings, films and personal pictures, Tatahcomposes his scenes, placing family and friends in carefully choreographed poses which he then photographs.

He then freely deconstructs their girdings and trusses by placing marks in such a way that the result is a film of images charged with energy and floating across the surface.