Sentences with phrase «then losing her brothers»

Not exact matches

And then when you lose your brother at an early age, all of a sudden you're sort of jolted into just a different world.

If it is true then I've lost a brother, so another family (member) gone,» Jameson told The Times.

However, when I think of people in parts of Africa, South America, and Asia where laws may prohibit open Christianity, and our brothers and sisters are thrown in jail and many losing their life for the faith — then dealing with a few dirty looks or nasty comments isn't so bad.

And then, in the summer of 2003, we'd just lost a brother, another one of my siblings.

With DD, I gave pumped breastmilk for the first 3 weeks, then said f *** this, I hate pumping and I'm losing enough sleep as it is, formula didn't damage her big brother and it'll do just fine for her.

The first stopped nursing when I became pregnant with his brother, as I then lost my breast milk.

He then revealed his pain at losing — and suggested this was compounded by the fact that it was his brother who beat him.

Well my sister and brother in law started vegan last year, I have notice they lost weight and have no cholesterol but my sister is looking older than me and wrinkly she doesn't drink much water she believes she gets all she needs from veggies and fruit which I disagree, also when you go on a whole food plant based diet are you getting your protein in every meal by adding chick peas, lentil, black beans or kidney beans, hair does use a lot of protein and its need to repair damage from any disease, specially after age 30, or else the body will start by eating the toxins then the fat and finally the muscles and fat from breast.

«They gave us all a bunch of tests, and then they separated us,» says Thomas» new friend Brenda (Rosa Salazar) in Scorch Trials, explaining how she lost contact with her brother.

The actors then reveal their favorite scenes from Mississippi Grind — which also stars Sienna Miller, Alfre Woodard and Annaleigh Tipton — before breaking out into a spontaneous duet of the Righteous Brothers» «You've Lost That Lovin» Feelin».»

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3D Movie (Paul Sharits, 1975/2015) 88:88 (Isiah Medina, 2015) About 11 Minutes (Madison Brookshire, 2015) La academia de las musas (L'accademia delle muse / Academy of the Muses, José Luis Guerín, 2015) Actua 1 (Philippe Garrel, 1968/2015) Balikbayan # 1 Memories of Overdevelopment Redux III (Kidlat Tahimik, 2015) Bella e perduta (Lost and Beautiful, Pietro Marcello, 2015) Blackhat (Michael Mann, 2015) Boi Neon (Neon Bull, Gabriel Mascaro, 2015) Branco Sai, Preto Fica (White Out, Black In, Adirley Queirós, 2014) La calle de la amargura (Bleak Street, Arturo Ripstein, 2015) Chevalier (Athina Rachel Tsangari, 2015) Color Correction (Margaret Honda, 2015) Comoara (The Treasure, Corneliu Porumboiu, 2015) Cosmos (Andrzej Żuławski, 2015) Engram of Returning (Daïchi Saïto, 2015) The Exquisite Corpus (Peter Tscherkassky, 2015) Field Niggas (Khalik Allah, 2014) The Forbidden Room (Guy Maddin and Evan Johnson, 2015) Fort Buchanan (Benjamin Crotty, 2014) Garoto (Kid, Julio Bressane, 2015) Greetings to the Ancestors (Ben Russell, 2015) Happy Hour (Ryusuke Hamaguchi, 2015) Hua li shang ban zu (Office, Johnnie To, 2015) I, Dalio (Mark Rappaport, 2015) Iec Long (João Pedro Rodrigues and João Rui Guerra da Mata, 2015) In Jackson Heights (Frederick Wiseman, 2015) Invention (Mark Lewis, 2015) Ji - geum - eun - mat - go - geu - ddae - neun - teul - li - da (Right Now, Wrong Then, Hong Sang - soo, 2015) Juke: Passages from the Films of Spencer Williams (Thom Andersen, 2015) Losing Ground (Kathleen Collins, 1982/2015) Lost Landscapes of Los Angeles (Rick Prelinger, 2015) Mercuriales (Virgil Vernier, 2014) As Mil e uma Noites (Arabian Nights, Miguel Gomes, 2015) Minotauro (Minotaur, Nicolás Pereda, 2015) Na ri xia wu (Afternoon, Tsai Ming - liang, 2015) Navigator (Björn Kämmerer, 2015) Nie yin niang (The Assassin, Hou Hsiao - hsien, 2015) No Home Movie (Chantal Akerman, 2015) Noite Sem Distância (Night Without Distance, Lois Patiño, 2015) L'Ombre des femmes (In the Shadow of Women, Philippe Garrel, 2015) Le paradis (Paradise, Alain Cavalier, 2014) Park Lanes (Kevin Jerome Everson, 2015) A Poem Is a Naked Person (Les Blank, 1974/2015) Queen of Earth (Alex Ross Perry, 2015) Rak ti Khon Kaen (Cemetery of Splendour, Apichatpong Weerasethakul, 2015) The Royal Road (Jenni Olson, 2015) Sangue del mio sangue (Blood of My Blood, Marco Bellochio, 2015) Secteur IX B (Sector IX B, Mathieu Kleyebe Abonnenc, 2015) Sin Dios ni Santa María (Neither God Nor Santa Maria, Samuel M. Delgado and Helena Girón, 2015) The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers (Ben Rivers, 2015) Snakeskin (Daniel Hui, 2014) Something Between Us (Jodie Mack, 2015) The Thoughts That Once We Had (Thom Andersen, 2015) Traces / Legacy (Scott Stark, 2015) Trois souvenirs de ma jeunesse (My Golden Days, Arnaud Desplechin, 2015) The Two Sights (Katherine McInnis, 2015) Un etaj mai jos (One Floor Below, Radu Muntean, 2015) Visita ou Memórias e Confissões (Visit or Memories and Confessions, Manoel de Oliveira, 1982/2015) Western (Bill Ross and Turner Ross, 2015)

(Ernst Karel, Véréna Paravel & Lucien Castaing - Taylor, 2015) Vita Brevis (Thierry Knauff, 2014) El abrazo de la serpiente (Embrace of The Serpent, Ciro Guerra, 2015) Bella e perduta (Lost and Beautiful, Pietro Marcello, 2015) Un etaj mai jos (One Floor Below, Radu Muntean, 2015) Intimations (Nathaniel Dorsky, 2015) 88:88 (Isiah Medina, 2015) Francofonia (Aleksandr Sokurov, 2015) The Forbidden Room (Guy Maddin and Evan Johnson, 2015) Boi Neon (Neon Bull, Gabriel Mascaro, 2015) El botón de nácar (The Pearl Button, Patricio Guzmán, 2015) Minotauro (Minotaur, Nicolás Pereda, 2015) Noite Sem Distância (Night Without Distance, Lois Patiño, 2015) Beixi moshuo (Behemoth, Zhao Liang, 2015) Torneranno i prati (Greenery Will Bloom Again, Ermanno Olmi, 2014) Peace to Us in Our Dreams (Sharunas Bartas, 2015) Paul Sharits (François Miron, 2015) João Bénard da Costa — Outros amarão as coisas que eu amei (João Bénard da Costa — Others Will Love the Things I Loved, Manuel Mozos, 2014) Branco sai, preto fica (White Out, Black In, Adirley Queirós, 2014) O Meu Outro País (Solveig Nordlund, 2014) Die Hohlmenschen (Peter Nestler, 2015) Engram of Returning (Daïchi Saïto, 2015) El Movimiento (The Movement, Benjamin Naishtat, 2015) El Club (The Club, Pablo Larraín, 2015) Ta luo (Tharlo, Pema Tseden, 2015) Dead Slow Ahead (Mauro Herce, 2015) Passion (Jean - Claude Rousseau, 2015) Mga Anak ng Unos, Unang Aklat (Storm Children, Book One, Lav Diaz, 2014) Look Love (Yun Ye, 2015) Rak ti Khon Kaen (Cemetery of Splendour, Apichatpong Weerasethakul, 2015) Ji - geum - eun - mat - go - geu - ddae - neun - teul - li - da (Right Now, Wrong Then, Hong Sang - soo, 2015) Scrapbook (Mike Hoolboom, 2015) Brat Dejan (Brother Dejan, Bakur Bakuradze, 2015) 11 minut (11 Minutes, Jerzy Skolimowski, 2015) The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers (Ben Rivers, 2015) Miliy Hans, Dorogoy Petr (My Good Hans, Alexander Mindadze, 2015) The Knick season 2 (Steven Soderbergh, 2015)

But then I got lost beyond that, for — unlike the first movie — this one either assumes that you're steeped in the laughable mythos that Hasbro invented for its toys, or else screenwriters Ehren Kruger (The Brothers Grimm, The Skeleton Key) and the team of Roberto Orci and Alex Kurtzman (Star Trek, Mission: Impossible III) invented a new laughable mythos.

Her publicity endeavors at Copper Canyon include Natalie Diaz's When My Brother Was an Aztec, Ocean Vuong's Night Sky with Exit Wounds, and Then Come Back: The Lost Neruda.

But then, «Under an old oak, whose boughs were moss'd with age / And high bald with dry antiquity» (4.3.104 - 5)-- imagery that evokes the lost father — Orlando spies his sleeping brother Oliver, who «doth seem as dead» (128).

In the midst of clearing the backyard of my new home (very overgrown) for my dog who was being checked on by my brother everyday at the house I was in the middle of moving out of my neighbors called animal control saying he was abandoned we were at the house checking on him when they arrived and they aggred everything was fine and we were going to move him within the next few days while my brother wasnt there it seems the neighbor let him loose and proceeded to call again (various signs) he was picked up and we were told it'd be $ 500 or get a police report through the local PD the police told us a report would have to be filed with animal control not them and back and forth we went then we get a call OK you can have your dog IF you pick him up immediately he contacted kennel cough was unable to make the trip on such short notice and asked for more time as we had exhausted all our money that week and hadn't the gas to get him less than 24 hours later he was euthanized I lost a food dog today b / c of neighbors who kept their dogs strapped with bark collars and were rarely let out.

The focus then shifts to the relationship between Dante and his long - lost brother Vergil, leader of the resistance against demons and wearer of a fetching hat and coat, and their quest to go and kick Mundus» arse so hard that people on planets far away from here will look up say, «What the hell was that?».

So it's all gases at greatest density will be doing the same thing around the planet at the same time (*) and as these change with differences in density in the play between gravity and pressure and kinetic and potential from greatest near the surface to more rarified, less dense and absent any kinetic to write home about the higher one goes, then, energy conservation intact, the hotter will rise and cool because losing kinetic energy means losing temperature, thus cooling they which began with the closest in density and kinetic energy as a sort of band of brothers near the surface will rise and cool at the same time whereupon they'll all come down together colder but wiser that great heights don't make for more comfort and giving up their heat will sink displacing the hotter now in their place when they first went travelling.

Then comes the series finale in Uncharted 4: A Thief's End, where Nathan comes out of retirement temporarily to assist his long - lost brother in one last quest.

c) If the two desperately - seeking self - actualization boards can not be persuaded in the near - future by logic, negotiation or their members» wishes to remain within the CREA family, I extend to them the assurance that if they actually do go, and then... want to return, we will welcome them back unashamedly «for this thy brother was dead, and is alive again; and was lost, and is found»