Sentences with phrase «then moves the camera»

At the red carpet team's request, the camera went in for a tight shot of Theron's sheer gown — not a porn star outfit, like a lot of red carpet getups, but a pretty decent tightrope walk between class and naughtiness, the haute couture equivalent of a Johnny Carson double - entendre — then moved the camera from head to toe like the Big Bad Wolf ogling Red Hot Riding Hood.

The interesting twist to this side scrolling formula is that you have the ability to take cover behind things like walls or boxes which then moves the camera behind the spy giving you a different look at the room and the enemy movement patterns.

Hugely impressive stuff and was lovely to see them showing off different views and also stopping the action then moving the camera around.

Not exact matches

It also equips politicians, and then later normal citizens, with cameras that broadcast their every move as part of a radical experiment in transparency.

Moyers's people had swarmed over the Indiana University campus in successive waves of producers, executive producers, directors and associate directors; of lighting people, camera people, sound people and questions - from - the - audience people; had added a participant (Nicholas von Hoffman) to be sure the affair would be telegenic; had phoned the panelists before the event with their own list of topics and ideas; had thrown together a wooden platform just for their cameras, which cameras prevented many in the actual audience from seeing the panelists; had shifted the meeting rooms to meet the exacting requirements for the paraphernalia of television; had fed questions to members of the audience, and instructions «from the truck» to the moderator («move on»); and then had fashioned from 12 hours of tape one hour that might have been made in a New York city hotel room.

The appropriately - named Ariel Arcuro tries to pass camera - car Marcos Sotro along the straight, but then does a bit of a Vettel at Istanbul in 2010 and moves across too early, causing the accident.

The first line is captured, then the orbit of the spacecraft moves the camera relative to the surface, and then the next line is captured, and so on, as thousands of lines are compiled into a full image.

Widder then reprogrammed the lure to flash, and the camera captured an animal in the distance seemingly moving in response.

Lowell started a program using a dedicated camera that would take images of the sky night after night; someone would then painstakingly compare the images to look for moving objects.

Using a special camera, physicians then observe how well the radioactive material moves through the blood vessels supplying the heart.

Mostly I put the photo 11 points from the border (another perfectionist move of me) and then I save it again to my camera roll.

A shirtless man (we see his bare chest, abdomen and back) approaches his wife in the kitchen: she is wearing a knee - length robe and she spoons ice cream onto her chest twice, licking it off, then spoons some onto his chest and rubs it down to his groin, the camera pans up and the man pushes down her head (indicating oral sex below the frame) and he gasps; he pulls off her robe to reveal a slip, sits her on a table and spoons ice cream on her inner thigh, licks it off and begins to lick the genital area (it's concealed by her slip and the camera cuts to her gasping face) and he leans her back on a table and thrusts (we see his back and bare buttocks moving) as the scene ends.

She has to decide then and there whether to publish, and as the camera moves in slowly, her face goes through a series of subtle contortions, reflecting a lifetime of anxiety, ambivalence, neglect, and pent - up rebellion, and finally she says, in a rush, as if disgorging it all, «Let's go, let's go, let's publish.»

The camera moves in on her from behind, causing the distant silhouette of the Statue of Liberty to sweep across the horizon from right to left, then swings around her into a breathtaking close - up profile.

It is most unfortunate, then, that these moving and insightful interviews are intercut with footage taken with a helmet camera on a bicycle ride along a rocky mountain path — these point - of - view shots are supposed to convey meaning for Kedar, and yet they make whole sections of the film almost unwatchable.

Keoghan — who had a tremendous 2017 with breakout turns in Dunkirk and The Killing of a Sacred Deer — may start a sentence as Spencer, but the camera will then swiftly move right to reveal the real Spencer, finishing the character's sentence.

... As long as the camera is moving and reminding your eye that you're in 3 - D — because if it stays locked off then you don't feel the impact of it — you can design these beautiful creeps, and let the actors move in the space and really feel like you're in the room with them.

The camera then moves beyond the women to find a lone figure on a rise, scratching away at his sketchbook.

The camera backs slowly away from Barbara Jean, then reverse - cuts, disclosing the small assembly in the chapel: Barnett, waiting for it all to be over; an earnest young girl nodding and moving her lips in accompaniment to that voice; a group of mostly aged friends and relatives of other hospital inmates; and two men, Mr. Green (Keenan Wynn) and Pfc. Kelly (Scott Glenn), keeping what will turn out to be deathwatches over the crucial women in their respective lives.

The camera lingers on a wide shot of a city and moves to a building and then to a window.

Basically, you stand two or three meters away from the PlayStation Camera and if you then move around during this early scene, it's possible.

Comprised of various sensors and cameras, it incorporates adaptive (radar) cruise control to brake and accelerate the car automatically and now features a gridlock mode that can stop the car completely then take off again in slow moving traffic.

With 755 horsepower the 2019 Chevrolet Corvette zr1 is the most powerful Corvette ever it's also the most technologically advanced behind me are the rolling s's at Road Atlanta and we're here to see if we can reach to the supercar levels of performance afforded by this thing's massive power big tires and the tall wing on the back after that we'll take to the streets to see if a car this powerful can behave itself in public this is a monster of a car I've had some brief track opportunities moving this morning to get used to the pace of this machine which is phenomenal we're gonna warm up as we get out to the road Atlanta and sort of build up to the pace that this car can operate at now initially when you hop in this car you have this shrine to the engine right above you you see the line of the hood it kind of dominates the center of the view you can see over it it doesn't affect visibility but it's immediately obvious and that kind of speaks to what makes this car special it's a monster of an engine listen to that [Music] that is tremendous tremendous acceleration and incredible power but what I finding so far my brief time here at the Atlanta is that everything else in the car is rut has risen to match hurt me while I lay into it on the back straight look you know 150 mile - an - hour indicated we're going to ease up a little bit on it because I need to focus on talking rather than driving but like I was saying the attributes of the rest of the car the steering the braking capability the grip every system of this car is riding to the same level of the power and I think that's what makes it really impressive initially this is undoubtedly a mega mega fast car but it's one that doesn't terrify you with its performance potential there's a level of electronic sophistication that is unparalleled at this price point but it's hard not to get you know totally slipped away by the power of this engine so that's why I keep coming back to it this car has an electronically controlled limited slip differential it has shocks filled with magnetically responsive fluid that can react faster to inputs and everything this car has a super sophisticated stability control system that teaches you how to drive it quick but also makes you go faster we haven't even gotten into exploring it yet because the limits of this car are so high that frankly it takes a while to grow into it but [Music] I think what's impressive about this car is despite how fast it is it is approachable you can buy this car to track dates with it and grow with it as a driver and as an owner I think that's a really special [Music] because you will never be more talented than this car is fast ever unless you are a racing driver casually grazing under 50 miles an hour on this straight okay I'm just going to enjoy driving this now [Music][Applause][Music] this particular Corvette zr1 comes with the cars track performance package a lot of those changes happen underneath the sheet metal but one of the big differences that is immediately obvious is this giant carbon fiber wing now the way this thing is mounted is actually into the structure of the vehicle and it makes you know loading the rear hatch a bit more difficult but we're assuming that's okay if you're looking for the track performance this thing delivers also giving you that performance are these Michelin Pilot Sport cup tires which are basically track oriented tires that you can drive on the street but as we wake our way to the front of the thing what really matters is what's under the hood that's right there's actually a hole in the hood of this thing and that's because this engine is so tall it's tall because it has a larger supercharger and a bunch of added cooling on it to help it you know keep at the right temperature the supercharger is way larger than the one on the zo six and it has a more cooling capacity and the downside is it's taller so it pops literally through the hood the cool thing is from the top you can actually see this shake when you're looking at it from you know a camera from the top of the vehicle this all makes for 755 horsepower making this the most powerful Corvette ever now what's important about that is this not just the power but likewise everything in the car has to be built to accommodate and be able to drive to the level of speed this thing can develop that's why you had the massive cooling so I had the aerodynamics and that's why I had the electronic sophistication inside [Applause] we had a lot of time to take this car on the track yesterday and I've had the night to think about things Matt today two crews on the road and see how this extreme performance machine deals with the sort of more civil minded stuff of street driving the track impressions remain this thing is unquestionably one of the most capable cars you can get from a dealer these days a lot of that's besides the point now because we're on the street we have speed limits they have the ever - present threat of law enforcement around every corner so the question is what does this car feel like in public when you slow this car down it feels like a more powerful Corvette you don't get much tram lining from these big wheels though we as the front end doesn't want to follow grooves in the pavement it is louder it is a little firmer but it's certainly livable on a day to day basis that's surprising for a vehicle of this capability normally these track oriented cars are so hardcore that you wouldn't want to drive them to the racetrack but let's face it you spend more time driving to the track than you do on the track and the fact that this thing works well in both disciplines is really impressive I can also dial everything back and cruise and not feel like I'm getting punished for driving a hardcore track machine that's a that's a really nice accomplishment that's something that you won't find in cars that are this fast and costs maybe double this much the engine in this car dominates the entire experience you can't miss the engine and the whole friend this car is sort of a shrine to it the way it pops out of the hood the way it's covered with coolers around the sides it is the experience of this car and that does make driving this thing special and also the fact that it doesn't look half bad either in fact I think it has some of the coolest looking wheels currently available on a new car this car as we mentioned this car has the track package the track package on this car gives you what they call competition bucket seats which are a little wide for my tastes but I'm you know not the widest person in the world this automatic transmission works well I mean there's so much torque again out of this engine that it can be very smooth and almost imperceptible its clunky on occasion I think I'd might opt for the manual although Chevy tells me about 80 % of its customers will go for the automatic I don't think they're gonna be disappointed and that's gonna be the faster transmission drag strip on the street - and on the racetrack man it was a little bit more satisfying to my taste though we've talked about the exhaust I have it set in the track setting let's quiet it down a little bit so you can hear the difference now I've set that separately from everything else so let's put it stealth what happened to the engine sound that's pretty that's pretty amazing man stealth is really stealth and then go back to track Wow actually a really big difference that's that's pretty great the Corvette has always been a strong value proposition and nowhere is that more evident than this zr1 giving you a nearly unbeatable track performance per dollar now the nice thing is on the road this doesn't feel like a ragged edge track machine either you could genuinely drive it every day the compromises are few and that's what makes this car so special if you like what you see keep it tuned right here and be sure to visit Edmunds.com [Music]

By utilizing radar and cameras located on the E-Class, the system can detect if the lane that the driver wants to move into is unoccupied, and can then gradually change lanes for them.

ditto and then release a front facing camera on a phone... should move that cap back to 10Gb if they want to start introducing more concepts and ideas to their company

If you want something with a better display, better camera and just overall better hardware then the BlackBerry Curve 3G is not for you, move along.

Rather than the standard Android camera app, NVIDIA preloads the freshly - released Camera Awesome for Android, which supports features like focus tracking for moving objects (allowing you to draw a box around an object and have it followed, even if it moves out of frame and then returns) together with separating the points of focus and expcamera app, NVIDIA preloads the freshly - released Camera Awesome for Android, which supports features like focus tracking for moving objects (allowing you to draw a box around an object and have it followed, even if it moves out of frame and then returns) together with separating the points of focus and expCamera Awesome for Android, which supports features like focus tracking for moving objects (allowing you to draw a box around an object and have it followed, even if it moves out of frame and then returns) together with separating the points of focus and exposure.

Barkley liked to sit for a couple of seconds, then come right over to me and try and sit on me, which is awesome because he's such a great dog full of love, so when he did sit in one spot, I had to move quick with the camera and click away, which is what I did here when he was parked under the trees, which turned out to be a pretty good nature dog portrait.

You can start with the camera, then move on to the save system, and go on from there.

With competitive multiplayer for up to four, think Bomberman with the camera moved, and bows instead of explosives, and then you are getting close to Ascension's engaging appeal.

If you didn't notice that holding the Start button on the side of the Move controllers (a button most players probably forgot even exists), then get ready to hear the same prompt over and over as you struggle to figure out why the game wants you to walk beyond your camera to reach a crate.

When several of them combine — like when I'm climbing a colossus, miss a jump even though I felt like I hit the buttons right, then the camera pans away so I can't see my character, then the colossus shakes and I hold R1 for a good while, then my grip gives up and I fall to the ground unconscious for 6 seconds, and just as I get up the horse runs in my way as I try to move and the colossus smacks me with lightning bullets and I lay unconscious for another 6 seconds, and then, finally, I get to start over climbing it again, I wonder why people love this game so much.

Use the camera to focus behind you, then move forward.

- get Public Works tasks from Isabelle - early on you'll have to build a school - choose the outside look from a selection of options then work on the inside - inside includes work on benches, lockers, tables and more - later you'll work on a hospital, cafe, a shop and more - the hospital tasks you with working on multiple rooms - use the stylus to drag and drop items into the playing field - tap the object to change the perspective and move them all easily to somewhere on the grid - drag the characters around as well - tapping on the D - Pad lets you change the camera angle - move around with the Circle Pad and interact with others by pressing the A-button - the plaza is where old and new animals are gathered - a speech bubble above a head denotes requests - once you've wrapped up the development of a property, a scene will play where the animals interact with the property - animals will say specific things when they are in stores / school or comment on things that are placed around the house - throw in your own favorite characters by purchasing amiibo cards - scan them and they will enter the house or scene - cards also give requests from characters before you even meet them in the game - some characters are exclusive to the cards - put data back on the card and give that information to the friend

However, the player will find themselves often finding the camera in the wrong position which then stops all forward momentum to move the camera into a good position.

Matt's artwork for the game is incredible and finished to a much higher fidelity than is strictly necessary for a top - down RTS game but Photo Mode allows you to pause the game, move the camera into a much less restricted position then snap away.

It's a deadly dance of frustration and throwing caution to the wind, as swinging your weapon while moving around like a tank doesn't always respond to the awkward controls, and then you'll also struggle with seeing what's going on as the camera likes to be in strange angles and get trapped in buildings, making it just as bad as your enemy.

With the then - new 3D visuals, Bomberman could move more freely than ever, with bigger environments to explore, and players could move the camera in eight different directions (even when paused!).

You can of course drag camera's to all different points on the stage to cover every major point, this is done by simply tapping the camera then moving it to a new position and you use the TV to check the viewpoint.

Sure, Outcast isn't a game that puts emphasis on combat, but given the tremendous amount of rabid enemies constantly shooting at you, you'll need to fight some people every now and then, and it's not very enjoyable, given the input lag, overall dated aiming system, very slow camera movement, and the fact your character moves at a snail's pace.

The only interactive things I did in those 12 minutes were enter my name, move the camera to the right and then up one time each in a tutorial, and walk two steps to an NPC that triggered even more movies.

Unlike a 3D fighter like Soul Calibur, where the characters are always focused on one another, the fighters here move around so freely that oftentimes, when trying to perform a combo, the first move will hit your opponent and then your character will just keep going past them attacking the air, with the camera trying desperately to keep up with your character.

Fortunately, I was one of the few sorry chaps who purchased the PlayStation Move when it launched, and I never had the heart to re-sell the controllers for significantly less than what I paid for them; all I needed, then, was the camera.

You sometimes have to manually aim the camera to be able to interact with certain objects, but for the most part if you just move close enough to whatever you're trying to interact with you then you won't have to move the camera at all.

In Prager's film, Elizabeth Banks looks through a window onto a busy street; we then see her move through the crowd as the camera peers out of this same window.

You select lens blur from the hamburger menu in the camera app, take the picture, and then you have to move your phone slowly upward with rock steady hands.

There is also an image tracker which lets you select a focal point that the camera will then track, no matter how the object moves, which can come in useful for taking photos of kids or animals.

I started out playing games the way I've seen my parents, for instance, playing games — moving, then turning the camera, then moving again.

It's actually quite hard to activate Portrait mode intuitively — you have to swipe to the mode in the camera interface, and then wait for the camera to pick up the subject — which sometimes requires you to move the phone around.

Bearing a striking resemblance to Google's Tango platform, I placed a lamp, vase and various other objects on a surface, and then was able to move the new 10.5 - inch iPad Pro's camera around and look at it from different angles.