Sentences with phrase «then painted the glass»

We painted some old windows that were going into the trash after my parent's lake cabin renovation — we painted the frames white & glazed them with Valspar antiquing glaze, and then painted the glass with chalkboard paint.

Not exact matches

This blogger used frosted glass spray paint on her mason jars and then loaded them up into a repurposed wood caddy.

The creator's tip was to spray paint pumpkins white first and then spray with looking glass paint.

In the meantime, clean your jar well with rubbing alcohol then paint with a craft paint made for glass.

Slap a leaf decal on some glass Mason jars, slather on the paint in your favorite autumnal colors, then peel off the sticker and voilà — you've got a candle holder, a vase, or whatever you need these to be.

All it required was mixing the glass medium with transparent glass paint in a 1:1 ratio then attaching the aerosol can to the bottle.

I painted the tower and then the glass by following the directions on the cans, and then protected it all with the enamel spray.

I spray painted the inside of this clear bottle to give it the mirrored effect of mercury glass, then added this cute little snow baby graphic (I'll give you all the who, what, where, when, how info at the end of this post!)

; They have imagined an ocean storm as in Turner's paintings — using the fingers and palms only, to produce the sound of the rain drops and then the sound of the thunders; a valuable symphony was created and performed using «water glasses» (different glasses filled with different measures of water sound different).

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The truck was disassembled and painted in pieces a tasteful Charcoal Mist Gray and then re-assembled with all new bolts, cab mounts, seals, rubbers, chrome trim and all new smoked glass.

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The Minneapolis - born artist shoots high - resolution black and white images through glass blocks, then adds photograms during the development process and, for the final layer, hand - paints the prints.

Thr Brooklyn - based artist, 29, who joined Lehmann Maupin last May, fashions the surfaces of his large expressionistic pictures and assemblages from «oil skins,» created by pouring oil paint into glass, allowing it to dry, then peeling away the resulting sheets of color.

Otero's «deformation» approach to painting his works, first across glass and then once dry, flaying the dried paint and reconstructing the composition anew across large canvasses, is representative of how the artist perceives the process of reconfiguring both personal and historical narratives.

Combining monochrome painting, scrims of glass and salvaged wood, Collins sets up a situation where viewers at first encounter a minimalist object, then discover all manner of unexpected nuance, and ultimately, through reflections, become keenly aware of themselves and the act of viewing.

Through his investigational approach, Otero combines the traditional act of painting with his innovative creation of «oil skins,» produced by layering oil paint on glass and then peeling it off in «sheets» before transferring it to canvas.

They are conceived as three - dimensional armatures that are then painted solid colors with pigments made from tempera and ground glass.

After observing a huge pile of glass in an industrial park and then inquiring about it's use I was informed that the highway stripe paint used this glass particle and so my new direction was launched.

Explore this magical collection of glass sculptures, then look for other inspiring color combinations in abstract expressionist paintings on the Museum's third floor.

The final lecture, «Angel Otero: Material Discovery,» presented by chief curator Isolde Brielmaier, Ph.D., explores works created on glass, which are then hung on canvas, offering a fresh take on the art of painting.

But if you find yourself creating marketing materials, building websites, packing boxes, and accounting for your sales when you'd rather be painting, sculpting, or blowing glass, then it's time to consider selling to the trade.

In an interview, the artist said, «If you paint it on glass, you can paint the line and then you can put the color on in back, you know like sign painters do... the line remains very crisp.»

He makes them by pouring oil paint on glass and then crumbling the resulting skin onto canvas.

Since then, he's painted, drawn and printed an ever - widening series of images based on close - up photographs of family members and friends, including composer Philip Glass, painter Alex Katz, choreographer Merce Cunningham and former President Bill Clinton.

The artist paints a design on a sheet of metal or glass and then transfers it to a sheet of paper.

By pouring her acrylic pigments (she works almost solely with black and white) directly onto glass and letting them dry there, she can then slice into the pigment and, having cut out a cartouche or a length of filigree, can carefully lift that segment of limp paint from the glass and position it upon the canvas.

This show, Ms. Tyson's 10th solo outing with the gallery since 1995, presents an overview of her dynamic works on paper from 2002 to 2016 — ranging from penciled sketchbook studies and life - size ink drawings to colorful portraits that are painted on glass and then pressed on to paper to achieve a more gestural, emotional representation of her troubled figures.

New works include free standing sculptures, made of Vaseline that is mixed with paint, then sealed between glass screens.

He shook runny paint over the canvas and then put a sheet of glass over it, creating surrealist, dreamlike shapes.

Richter poured paint on a flat surface, tilting the paint around, then pressing the glass on to sections of the surface and lifting it off.

Placing a frosty pane of glass as a veil between the model and the camera, Minter then re-photographed her models, to make the source images for a new series of «bather» paintings.

Panes of glass and then mirrors were substituted for parts of the painted design and this exploration of spatial ambiguity eventually evolved into sculptural constructions made of wood and glass.

Unlike more traditional, spacious museum exhibitions, this material remains on view for years at a time with minimal changes, and it's organized simply: grouped by material like silver, ceramics, glass, paintings and furniture, and then chronological within each group.

Then Gillick goes and spoils it by installing a high - sided display case on the floor, with a range of Gillickabilia beneath its glass top - as if he needs to tell us what he is doing for an airport in Texas and a German bookshop, about the beach towel he has designed and the graphics for a painting show.

So I made these black earth pieces, and then that allowed me to do black paintings with the reflective glass microspheres I had been using in the white paintings.

I suppose this ties into the stained glass window question, too, but it made me want to ask why you were drawn to work on vellum, how you think about the transparency / opacity of paint, and then too, the fragility of a work of art, both as a material object and a site of personal... I want to say expression, but that seems like the wrong word somehow.

There is no reason that it can't go on for hundreds of more years; in Toronto's 401 Richmond complex, (see Margie Zeidler: Building Green Incubators) she restored hundreds, which «involved the removal of the old glass, heat stripping to remove the putty and several layers of paint, and then replacement of broken and rotted parts (where possible the old glass was retained).

After the paint was dry, I brush a thin layer of Mod Podge around the edge of the glass, sprinkled them with gold glitter then shook off the excess.

I actually used my glass measuring cup, added two cups of water and two cups of paint, then mixed them together.

Hi Elena — If you are OK with the Sea Glass paint fading a bit then it is OK to use.

I prefer to just make a mess, and then scrape the glass with a flat razor once the paint is dry.

After we painted the cabinets white it felt sterile, but adding wood details / wainscoting, then glass cabinets, then hardware, and finally bamboo shades for texture is what turned it into what I wanted.

We just painted around the hardware and around the glass then cleaned off the glass after.

I have actually been buying the frames at Goodwill, and then spraying the actual glass with chalkboard paint.

Now tape up the glass (I taped a cloth around it) so as to avoid painting it... then move your objects to a safe spray - paint environment, and spray away.

Then take your glasses to your spray painting zone, turn them top side down and go to town.

Thanks for the tip about just painting, and then scraping the paint off the glass.

I'm a bit confused with your instructions... did you spray the looking glass paint first, and then the water / vinegar mixture?

Because I wanted all of the old paint covered and because I'm pretty fussy about making sure there is no paint left on the glass, AND because it took three coats of paint to get it «right» — then I had to use a razor blade to scrape off the paint that got on the glass — it all took a lot of time.