Mona Lisa is the result of the artist - scientist's studies of anatomy: da Vinci «peeled flesh off of the faces of cadavers, delineated the muscles that move the lips, and
then painted the world's most memorable smile,» Isaacson writes in the opening of his new book.
Not exact matches
Then I had to
paint the picture so that the
world that had once known me in a certain way could see me in another.
And
then there is that extended British family of children's games from which baseball drew its basic morphology (stoolball, tut - ball, and, of course, rounders); but these are only charming finger -
paint renderings of the ideal, vague, and glittering dreams that the infant soul brings with it in its descent from the
world above before the oblivion of adulthood purges them from memory; they are as inchoately remote from the real thing as a child's first steps are from ballet.
Painted in 1939, just before the outbreak of
World War II, it
then represented a new line for Picasso, whose abstract techniques have done more to influence 20th century
painting than that of any other artist.
First it was Alex Morgan,
then Kate Upton, now it's a video for the
World Cup featuring models wearing just body
paint jerseys.
These models can
then be mapped against climate forecasts to predict how phenology could shift in the future,
painting a picture of landscapes in a
world of warmer temperatures, altered precipitation and humidity, and changes in cloud cover.
I want to try this method, I've been making my own chalk
paint, and
painted my china cabinet, and used the Minwax dark wax to antique it, it's not for everyone, but the look is just what I want, old
world look, not even put it has character, I am doing my coffee table as well, I find very ornate pieces cheap and
paint a base cream chalk
paint and
then go over it with the Minwax dark, let it sit for 15 min and buff,
then add another layer of wax, its so much fun, but the problem I'm having is I'm ADD and I have 5 projects going at once!
The two nightstands are things I found around the house and refinished by
painting them white with homemade chalk
paint and
then put new knobs on them from Cost Plus
World Market.
A swipe of the finger across the touchscreen will «
paint» brushstroke - like platforms into the game
world that Agura can
then use to avoid enemy attacks or traverse obstacles.
It ain't exactly pretty - but,
then, the figures below don't always
paint an accurate picture for the
world of documentary.
Created by rotoscoping actors, and
then painting each animation cell by hand in oils, the result is an immersive experience of how the artist saw the
world while also questioning... Read More»
If you want to attract even more attention,
then the new Championship Yellow
paint job should do the trick — although it's inclusion on the palette is a little odd considering Suzuki's last title success was the Junior
World Rally Championship way back in 2010.
A
painting commemorating the late IndyCar Series driver Justin Wilson by renowned motorsports artist Bill Patterson will be created during this weekend's Pirelli
World Challenge / Mazda Road to Indy event at Mazda Raceway Laguna Seca and
then auctioned through Auction Cause to benefit The Wilson Children's Fund.
I think we've done a pretty good job of challenging you in situations where there's no easy answer... Ideally, we end up with players with different mindsets and different thoughts and if things are really humming,
then your origin story has helped to
paint the
world a certain color, giving it a certain tint that helps you tackle the
world from a different angle.»
Upon arrival they discover that much of the
world has been drained, various spots are now grey and almost all Toads are now lifeless, this
then introduces us to Huey a
paint can and Mario's sidekick in this adventure who grants Mario many
paint based abilities including the ability to return life to colorless Toads.
The rhythm between dashing about,
painting the
world, and
then diving into your
painted area to both hide from enemies and restock your ink, is unique and compelling.
It's not an uncommon occurrence to be exploring a
painting only to be stopped and asked to go to the outside
world to synthesise an item that you don't even have the recipe for, obtain the recipe and get the ingredients to synthesise the item,
then go all the way back to where you were in the
painting (remember, the fast travel system only takes you to the start of an area), use the item, and
then progress further into the location.
He continues: «If the Renaissance theorists were right,
then we should believe that these kinds of
paintings were in some sense inevitable, that sooner or later artists would get the visible
world right and a Dutch still life would be the result.
There is the impression that these men were disinterred from the
world of the
paintings and
then vandalized.
From
then on in terms of landscape
painting it is fair to say that a whole new
world had opened up to me.
Then I started
painting about history and that grew into this more universal message of meaning and preciousness of life and healing a broken
world.
Since
then Agnew's has held a pre-eminent position in the
world of Old Master
paintings, and was instrumental in promoting contemporary British art in the late 19th century.
These successes launched Hoptman back to MoMA in 2010 as curator of contemporary art in its
painting and sculpture department, and since then her landmark show has been «The Forever Now: Contemporary Painting in an Atemporal World,» the 2014 conversation - starter billed as the first contemporary painting survey at the institution in some 30 years, featuring 17 contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from previo
painting and sculpture department, and since
then her landmark show has been «The Forever Now: Contemporary
Painting in an Atemporal World,» the 2014 conversation - starter billed as the first contemporary painting survey at the institution in some 30 years, featuring 17 contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from previo
Painting in an Atemporal
World,» the 2014 conversation - starter billed as the first contemporary
painting survey at the institution in some 30 years, featuring 17 contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from previo
painting survey at the institution in some 30 years, featuring 17 contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from previous eras.
Since
then, the teachers have incorporated the suggested methods and approaches into their lessons, resulting in them exploring the Greeks through clay, cityscapes through experimental
painting, the Tudors through portraiture and the
World Cup through colourful installations.
This Cuban painter moved in avant - garde circles in pre-second
world war Paris, joined the surrealist movement,
then returned home to
paint his masterpiece The Jungle (1943) in which masked dancers move in a dreamlike space.
Indeed, with her adeptness at luring viewers with captivating (and seemingly innocuous) hand -
painted illustrations, humorous texts, and sheer scale and
then surprising them with content that is remarkably honest — by turns subversively friendly or bitingly critical and addressing such fraught subjects as power dynamics, social marginalization, and even the machinations of the art
world — she has smartly aligned herself with the enduring and boundary - pushing strategies of satire, parody, and caricature.
For Shell Game, I'll create 9 giant
paintings about the
world financial meltdown,
then have a gallery show in a faux gambling parlor
In his fine, marvelously elliptical description of Doric, Grovier speaks of how «Scully's
paintings absorb the
world,
then move us beyond it.»
For the RA,
then, this exhibition is an opportunity to re-evaluate one of the truly
world - changing movements of the past century, and to make
painting feel vital again at a time when many art students never touch a paintbrush.
«For me, early on, art was
painting landscapes...
then a guy showed me images of a Pollock
painting [in a book] and it shocked me; it felt very liberating that the
world accepted that as art.»
Not only are its 11 works superb for the most part (each is drawn from the gallery's permanent collection), the exhibition evokes an era when
painting was still top dog, bestriding the
then - narrow art
world like a Colossus.
He
then draws the combined product in ink and charcoal, adding hints of gestural
paint to «complete the monochromatic images of
worlds within
worlds.»
But
then again, my nostalgia for the good old days of modern
painting is another part of the art -
world spectacle.
They are
then scaled up again to inhabit the
world of grand museum
paintings.
In his
paintings, the banal is reduced to geometric segments where he
then abandons references to the tangible
world in favor of a visual experience that is more akin to digital imagery — such as a
painting of Palermo as seen through Google Street View.
This
world is
then translated into the tactile reality of
painting through a cumulative process similar to that of a dot matrix printer, with small strokes or bands
painted in a regulated and mechanical fashion, forming gradients through minute striations of individual colors.
Then at Skowhegan I decided to
paint what I was interested in the
world around me.
The line between natural and ordered is adeptly toed here, remove the leaves and shadows and you might be looking at a classic spot
painting but, with leaves overlapping and casting shadow on the oranges, there is a sense of the uncontrived, of a symmetry that frames the natural
world, the natural
world then slipping in and adding its own sense of chaos.
Then, the people I
painted got famous, at least in the art
world: Richard Serra, Nancy Graves...
With photography now going through the same identity crisis that
painting went through a century and a half ago at the advent of photography — the question
then was «what's special about
painting the
world realistically when you can take a photo,» now it's «what's special about taking a photo when everyone takes a photo of everything all the time» — artists have been searching the edges of the medium to find a compelling way forward.
The religious legal controversy raised by placing wall
paintings in a traditionally iconoclastic space was resolved by the verdict of Rabbi Moshe Feinstein,
then considered to be the
world's leading Talmudic scholar, who declared the
paintings to be in conformity with the law.
Rejecting the overblown rhetoric and adamant nonfiguration of Abstract Expressionism, which
then dominated the American avant - garde, Neo-Dadists embraced depictions of the real
world and strove to integrate art and life through the use of real objects in
paintings and sculpture.
As the artist explained, «if my Abstract
paintings show my reality,
then the landscapes and still - lives show my yearning... though these pictures are motivated by the dream of classical order and a pristine
world - by nostalgia in other words — the anachronism in them takes on a subversive and contemporary quality» (G. Richter, quoted in A. Zweite (ed.)
Deliberately blurring the image, the
painting then becomes a conceptual exercise, exposing and questioning our perception of nature, our romantic ideology and the way in which we see the
world.
-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art
world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV
painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist,
then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos
After serving as a bomber pilot during
World War II, Bluhm took up
painting and moved to Florence and
then Paris, where he studied at the Ecole des Beaux - Arts and shared a studio with fellow American émigré Sam Francis.
Discover how one family's personal collection of
paintings became America's first museum of modern art in 1921,
then grew into one of the
world's great collections of impressionist and modern American and European art.
She
then carefully registers the freshly
painted plate to the ghost print on paper, merging
worlds of color into one whimsical, ambiguously layered and gestural landscape.
Rosenquist's first solo show at the Green Gallery in New York in 1962 precipitated a productive period for the artist who was
then commissioned to
paint a huge mural for the New York State Pavilion at the 1964
World's Fair.
You get ideas from looking at the real
world, and
then you turn them into devices and patterns in the
painting.