Sentences with phrase «then paints a thin»

He then paints a thin, rich, oily black veneer over the primed panel, slowly and systematically developing his images by removing some of the black paint with a cloth.

I traced and cut out the E, then painted a thin layer of Mod Podge.

Not exact matches

Whisk equal amounts of them together until a thin paste forms and then paint it over the entire inside of the pan.

The bimorph is built using atomic layer deposition — chemically «painting» atomically thin layers of silicon dioxide onto aluminum over a cover slip — then wet - transferring a single atomic layer of graphene on top of the stack.

Simply fleck tan acrylic paint (thinned with a bit of water) on undyed farm eggs using a small paintbrush, then when dry, handwrite the letters with a gold paint pen.

What I usually do with large projects is paint the first coat and then add a little water to the paint container to thin it (just a bit, like maybe 1 - 2 Tablespoons).

I had a dark grayish blue mirror and I used white latex plaster of Paris recipe and at first it was so thick so then I added more water and then it got dinner but then you got chunkier so then I added some fresh paint some gray paint to it and it came out to the thin thinner consistency so I painted it white and the gray over it it just doesn't look right what can I do

Once the paint is dry, I usually wait 24 hours, then I add a very thin coat of Fiddes and Sons or Johnsons Paste wax and buff it with an old t - shirt to bring up a shine.

Try some paint thinner then polish out the clear coat.

My options consisted of easily disposing of my enemies with paint thinner, or I could paint them to make them into my personal minions who would then attack the remaining enemies.

It wasn't until the mid-1980s that Mueller emerged with a distinctive style in which thinned - out acrylic paint is used to create soft, glowing, loosely geometric stained grounds (reminiscent of Rothko's «multiform» paintings) that Mueller then defaces with pigment - thick gestural forms that have a Baroque grotesquerie about them.

Hammons made off - the - cuff pieces in the East Third Street house, like a series of so - called invisible paintings by tracing the frames of artworks that were already hanging on Cannon's walls, then removing those works from the walls altogether, leaving behind only thin outlines, or, more recently, having Cannon read a poem into an empty beer bottle and then sealing it up and placing it in the freezer.

The verticals there — first of bright white and then intense yellow, blue, and green — grow thinner and reach fully the height of the painting, as if under intense compression.

Using turpentine to dilute oil paints, Frankenthaler would then pour the thinned pigments to an unprimed and unstretched raw canvas.

That depictive quality is obviously there in the light, thin lines of Mountains and Sea, but it soon disappears from subsequent paintings, then comes back with a vengeance in ’56 and» 57: the paint is very much poured on and manipulated but there's a clear figurative emphasis.

For the first step, Yuri Masnjy painted a black abstract form that took up most of the white canvas; Joanne Greenbaum then added multicolored pencil - drawn lines midway through the process; and Kate Shepherd painted black details with a thin paintbrush.

Frankenthaler began her departure from Pollock by thinning her oil paint with turpentine and then pouring it directly on to the bare canvas.

The monochromatic paintings began as vigorously gestural works and then evolved into thin surfaces, from which much of the paint had been scraped away, and ultimately to highly textured accumulations of dense, encrusted acrylic.

To do so, she uses thin paint, and starts with the canvas flat on the ground, then raises it up and turns it around, allowing gravity to do some of the work.

The thin layer of removed white wall paint is then applied onto raw canvas and framed, so that this ordinary, typically valueless and disregarded «background» is transcended and becomes painting with a new worth and significance.

Then, I decided to detour from black and white to painting colors for a collage with thin diamonds.

But then Frankenthaler, though she never departed from what was soon to become her trademark staining technique, in which she poured thinned paint, initially oils, then acrylic, onto raw canvas, leaving the paint, blooming and thinning at the edges, to sink into the weave but remain luminous, wasn't an artist who often repeated herself.

The paint is then thinned and poured directly on to the linen or paper, allowing it to flow naturally with some guidance from the artist.

Then brushes on a thin wash of transparent white, which partially obscures this under - painting.

The Korean artist Yunhee Min studied painting and art theory at Harvard, but then put that on one side and became a wonderfully intuitive colorist, pouring and pulling her thinned acrylic paints on upright stretched canvases (unlike Helen Frankenthaler, who did it all on the floor).

Additionally, she exploits paint's possibilities with flair, working thick, then thin, dripping, pouring and staining.

Jackson Pollock, the master of Abstract Expressionism, reached an endgame with his groundbreaking drip paintings in 1950, and then experimented with a new technique, akin to drawing, of pouring thinned black enamel onto unprimed cotton duck.

Then she covers the surface with one coat of white paint, thin enough that the lines show through.

Thin layers of oil paint and text are applied and then sanded away.

Then she thinned down some oil paint to a watery consistency and began pouring it onto the canvas.

She paints by applying thin paint layers, than then she sands to get an ultra smooth shiny surface, almost erasing any evidence that the work was created by a person.

First sketched on the canvas in a stream of consciousness, the elements are then outlined with spray paint and filled - in with thinned acrylic in an all - in - one - shot technique.

You can work with thick paint, wait a couple of days for that paint to dry then add thin glazes to create luminosity in your work.

Using gouache or other thin paints, he will then add a few shaky geometric designs or stray gestures to his damaged fabrics.

One question — can I do a background using thinned acrylics and let it dry overnight and then paint over it when it's dry with quicker - drying ones?

Late in October, when I entered painter Rita Ackermann's studio in Brooklyn's Navy Hill, she was working on three works on paper on the floor, pouring thinned cerulean blue paint, stopping, looking, working the paint into forms with a wide brush, then stopping and looking again.

The filter is then painted with a thin solution of silver or copper nanoparticles that serve as a highly effective disinfectant for waterborne pathogens, the type of which can cause severe diarrhea, vomiting and dehydration.

On New Year's Day, a former volunteer firefighter lit a small fire outside the vacant clubhouse of a closed 9 - hole course outside Orlando, then returned three days later to spark a larger blaze, with the help of a can of paint thinner he had found there.

I know I said that I would talk about the various types of paint that these sprayers will spray, Latex, Annie Sloan Chalk Paint etc but to be honest I kind of use the Annie Sloan Chalk Paint as a bit of a bench mark for this example because it's far thicker that most latex paints I've ever used, so if a spray gun will handle Annie Sloan Chalk Paint without it being thinned then it will handle all but the thickest of paints out there in the market place.

Once the paint is dry, I usually wait 24 hours, then I add a very thin coat of Fiddes and Sons or Johnsons Paste wax and buff it with an old t - shirt to bring up a shine.

For the gold detail on the dresser I used Rub «n Buff (HERE) that I thinned out with paint thinner and then brushed on.

So why not just make the paint real thin and then it will be easy to spray, right?

I then painted it with 4 or 5 thin coats of General Finishes Milk Paint using a 50/50 mix of Antique White and Snow White.

After the paint was dry, I brush a thin layer of Mod Podge around the edge of the glass, sprinkled them with gold glitter then shook off the excess.

I have bought a Bosch for circa US 75 and I am experimenting spraying chalk paint thinned with water and then the addition of Flotrol paint extender.

I used chalkboard paint for a matte finish... I painted two thin coats - first vertically, then horizontally... Make sure to paint the sides of the board (I forgot and had to go back and do this step.)

Adam and I did this wall just like the others, ripping thin plywood into six - inch strips, sanding and painting the edges, then installing with a brad nailer.

How to use it: Ceramic is not porous at all, so sand the surface with 120 - to 150 - grit paper and clean before applying primer, then add two thin coats of paint.

Will have to buy the thin panels and then paint.

I had a dark grayish blue mirror and I used white latex plaster of Paris recipe and at first it was so thick so then I added more water and then it got dinner but then you got chunkier so then I added some fresh paint some gray paint to it and it came out to the thin thinner consistency so I painted it white and the gray over it it just doesn't look right what can I do