His watercolor Caoutchouc (Rubber) was completed in 1909, which would predate even Kandinsky's
theories on abstraction.
He began a course in the weaving workshop in 1927, where she was exposed to both
his theories on abstraction and his paintings, which were rich in symbols and colors.
Dillenberger's
theories on abstraction lack the critical scrutiny he shows elsewhere in his work.
Not exact matches
As Paul Pfeutze has pointed out, both the dialogical philosophy and pragmatism emphasize the concrete and the dynamic, both reject starting with metaphysical
abstractions in favour of starting with human experience, both insist upon «the unity of
theory and practice, inner idea and outer deed,» and both insist
on the element of faith and venture.
Whitehead experiments for a while with deliberations about the various
theories of the world with regard to the degree to which they abstract from the world, and about adjusting a sequence of more or less abstract perspectives
on the world, oriented at the level of
abstraction attainable in the mathematized natural sciences.
Though Bergson did not develop an elaborate
theory of extensive
abstraction, it is not surprising that he should have viewed Whitehead's The Concept of Nature, in which this
theory is given its classic formulation, as «one of the most profound (works) ever «written
on the philosophy of nature» (DS 62n).
Neither his relational conception of space, which is basic for understanding his concept of extensive
abstraction and which gave his
theory of relativity its unique character, nor the problem of the bifurcation of nature, with its differentiation between the materialistic and personalistic outlook
on the world, seem to be clearly in Whitehead's mind at this time.
«There is nothing in economic
theory that requires» such narrowness (EC 5 - 5), but having captured their imagination this
abstraction now leads all economists to discount «the effect of one person's welfare
on that of others through bonds of sympathy..., and the physical effects of one person's production and consumption activities
on others through bonds of bio-physical community» (EC 5 - 3).
For me, that offers one of the key perspectives
on understanding societies, and it is a way of thinking about politics that shifts it away from the great
theories and
abstractions of political philosophers, who often can not speak with reference to everyday life.
I enjoy music and music
theory, high - level programming with
abstractions (oh, man, things are so much better now that I don't have to mess with raw sockets and manual memory allocation) and helping newer developers get a better handle
on the thought processes for development.
Calling up diverse references, from still life vanitas to hard - edge
abstraction, color
theory diagrams, and optical illusions, Eaton's work deeply engages with vision
on physiological, technological, and philosophical terms.
By working in the galleries and the Access Gallery studio, we have been able to introduce not only concepts and
theories about
abstraction, which are often new concepts for our students, but also expand their confidence with new mediums and approaches
on paper.
Panel II: Digital
Abstraction This panel will hone in
on abstract painting influenced by digital imaging techniques, digital technologies, and new / post media
theory.
Durner has also curated exhibitions, published art
theory, and lectured
on a number of topics, including the American landscape, gestural
abstraction and phenomenology, conceptualism and its sources, the work of artist Dan Graham, and the composers Maryanne Amacher and John Cage.
Historians posit that Abstract Expressionism comes from three major sources: Kandinsky's
abstraction, the Dadaist's reliance
on chance, and the Surrealist's endorsement of Freudian
theory that embraces the relevance of dreams, sexual drives (libido) and the authenticity of ego (unfiltered self - centeredness, known as narcissism), which this art expresses through «action.»
Dashper's work focuses
on the histories,
theories and more general or popular ideas of
abstraction (in particular abstract painting), conceptualism and minimalism as a working methodology.
Installation view September 16 — October 11, 2008 Dashper's work focuses
on the histories,
theories and more general or popular ideas of
abstraction, conceptualism, and minimalism as a working methodology.
Pentagon By 1999, chaos
theory became a profound influence
on Kidner's work and geometric
abstraction in the form of Penrose pentagons reprinted
on paper became a critical tool as a metaphor for ordering the chaos in the world.
While Edwards was at USC,
theories of art continued to hold
on to an ideal of «pure»
abstraction and the pursuit of form for its own sake in painting and sculpture.
The modernist abstract tradition where the words «big» and «abstract» belong together has clear resonance with Morris» work, yet in these little paintings she almost turns the
theory of colour - field
abstraction on its head.»
In his exhibition Total Reflective
Abstraction, he uses a silvered glass technique to build
on the
theories of Isamu Noguchi and Buckminster Fuller proposing a completely reflective «utopia.»
CARRIE MAE WEEMS, «String
Theory,» 2016 (archival pigment print
on textured rag paper), is featured in the exhibition «Blackness in
Abstraction,» curated by Adrienne Edwards.
What has not been mentioned is that the «Saul - into - Paul conversion
theory», published by Elaine de Kooning in Art News in 1958, was not set in Willem de Kooning's studio and did not mention a «Bell - Opticon», unlike her account of 1962.13 Additionally, while the 1958 account's introduction dramatised Kline's breakthrough to
abstraction as a «transformation of consciousness», or a «revelation» of Biblical proportions, invoking the example of «Saul of Tarsus outside the walls of Damascus when he saw a «great light»», the description of Kline's technical and conceptual breakthrough in this account nevertheless resembled previous accounts of Kline's development in its gradualness, uneventfulness and thoughtfulness.14 The breakthrough that Elaine de Kooning first recounted was a product of sustained technical experimentation and logical thought
on Kline's part, rather than accident or epiphany: «Still involved, in 1950, with elements of representation, he began to whip out small brushes of figures, trains, horses, landscapes, buildings, using only black paint.
In her approach to
abstraction, Strobert draws
on the classic «push - pull»
theory of Hans Hofmann (1880 — 1966), which rejects linear perspective in favor of illusion created through compositional shape and color.
The Texas - born visionary, who was championed by legendary NYC art dealer Betty Parsons, had some interesting
theories on alchemy and hermaphroditic evolution — a worldview within which his crusty little
abstractions only played a small part.
Through them he became versed in the work and
theories of the constructivist tradition which, in St Ives, was becoming associated with a form of
abstraction based
on landscape sources.
Selected curatorial projects include Black Milk:
Theories on Suicide, Marvelli (2004), Then & Now:
Abstraction in Latin American Art, Deutsche Bank (2010), Memory Leaks, Creon (2010), Rituals of Chaos, Bronx Museum of the Arts (2012), The Skin I Live In, Curatorial Lab, SP - Arte (2013) and Hybrid Topographies - Encounters from Latin America, Deutsche Bank (2018).
The actual term «
Abstraction Lyrique» was coined by the French painter and exhibition co-organizer Georges Mathieu (1921 - 2012), while his fellow curator Jose - Jean - Marchand wrote that some of the works
on show displayed «a lyricism disengaged from all servitude...» - meaning that the paintings were not derivative or weighed down by intellectual
theory.