Sentences with phrase «theory at»

He will complete his MA in Philosophy and Contemporary Critical Theory at the Centre for Research in Modern European Philosophy in 2016.

While preparing for his two one - person exhibits at the Mary Boone Gallery (A Unified Theory at 541 West 24th Street and Box Paintings at 745 Fifth Avenue, January 8 — February 5, 2011), the artist Joe Zucker welcomed Rail publisher Phong Bui to his home and studio in East Hampton to talk about his life and work.

He also lectures art theory at Innsbruck University.

Between 1950 and 1960, she took courses in creative painting and color theory at American University, where many of the Washington artists were teachers.

In September, Julia started her part time MA in Contemporary Art Theory at Goldsmiths, University of London as well as joining the PHOTOFAIRS team.

It includes texts by Dr Chaitanya Sambrani, art historian, curator and Head of Art Theory at the Australian National University, Canberra; Thomas McEvilley; Enrique Juncosa; and an interview with the artist by curator and art historian Johan Pijnappel.

George Condo (b. 1957) studied Art History and Music Theory at the University of Massachusetts in Lowell.

This year's keynote address will be delivered by the noted scholar Jonathan Crary, Meyer Schapiro Professor of Modern Art and Theory at Columbia University.

David Batchelor studied Fine Art at Trent Polytechnic, Nottingham (1975 — 8), and Cultural Theory at the Centre for Contemporary Cultural Studies, Birmingham University (1978 — 80).

Schlemmer was exposed to design theory at a young age as an apprentice in a marquetry workshop.

Donald Judd studied extensively in painting, sculpture, and art theory at the Art Students League, the College of William and Mary, and Columbia University, where he received his degree in philosophy in 1953 and his MA in art history in 1962.

Full professor at the Faculty of Music, University of Arts in Belgrade, where he additionally teaches art theory at the Interdisciplinary postgraduate program.

Prior to CCA, he taught art history and critical theory at Harvard University and Bennington College and was the inaugural John R. and Barbara Robinson Family Director of the Carpenter Center for the Visual Arts at Harvard University, where he conceived and directed a contemporary arts program dedicated to the synthesis of art, design, and education through exhibition of existing works and production of new commissions.

She is currently a professor of art and critical theory at the UCLA School of the Arts and Architecture.

Sundell has taught art history and critical theory at Columbia University, the Whitney Museum of American Art, and Parsons The New School for Design.

Rashid Johnson, Self - Portrait as the Professor of Astronomy, Miscegenation, and Critical Theory at «The New Negro Escapist Social and Athletic Club» Center for Graduate Studies, 2009.

Albers» exploration of color theory at Yale University in particular would have a profound effect on his student Victor Moscoso, who would carry the lessons of his teacher to San Francisco in the 1960s and influence a whole generation of poster artists.

In addition to his artistic work, Kyle is Coordinator of the Visual Art Department and Senior Lecturer in Painting & Art Theory at the University of Southern Queensland, Toowoomba, Australia.

She began studying fine art and theory at the age of 14 at the School of Visual Arts of Parque Lage, in Rio de Janeiro.

He has previously undertaken a residency at the Centre for Research in String Theory at Queen Mary and has exhibited extensively across the UK and Europe.

The five jurors who selected the 2010 winner are Nicholas Baume, director and chief curator of the Public Art Fund in New York City; Margo Crutchfield, senior curator at the Museum of Contemporary Art Cleveland; Anne Ellegood, senior curator at the UCLA Hammer Museum in Los Angeles; Tim Rollins, artist; and Howard Singerman, associate professor of contemporary art and theory at the University of Virginia.

As the exhibition curator, José Jiménez, professor of aesthetics and art theory at the Universidad Autónoma de Madrid, explains, the choice of artists is not a closed list, but it is open to new considerations and inclusions.

The publication offers three newly commissioned scholarly essays by John C. Welchman, Professor of Modern and Contemporary Art History and Theory at the University of California, San Diego and co-director of the Mike Kelley Foundation for the Arts; Branden W. Joseph, Assistant Professor of Art History at Columbia University; and George Baker, Associate Professor of Modern and Contemporary Art, University of California at Los Angeles.

She currently lives and works in Tuscaloosa, where she teaches courses in drawing, studio foundations, 2D design and color theory at The University of Alabama.

A Reader in Art History and Theory at UCL Slade School of Fine Art, her internationally recognised research is focused on the histories of sculpture and landscape, especially 1960s land art.

He studied BA (Hons) Fine Art & Theory at Chelsea College of Art and Design from 2003 - 06, during which time he spent a year studying at Ecole Superior des Beaux - Arts, Villa Arson, Nice, France.

Condo studied art history and music theory at the University of Massachusetts in Lowell.

Having studied comparative literature and theory at Northwestern University, his work is informed by cultural politics and close readings of Martin Heidegger, Walter Benjamin, Karl Marx, Berthold Brecht.

3:00 p.m. Break (refreshments in Cullman Building mezzanine) 3:15 p.m. Melissa Ragona, Associate Professor of Visual Culture and Critical Theory at Carnegie Mellon UnderSound: Bruce Conner's Sonic Structures Ragona will address the idea of undersound as one of the major conceptual structures of Conner's sonic work across installation, sculpture, photography, cassette, and film.

* Sponsored session Peter Weibel is chairman and C.E.O. of ZKM Center for Art and Media Karlsruhe, and professor of media theory at the University of Applied Arts Vienna.

Self Portrait as The Professor of Astronomy, Miscegenation, and Critical Theory at «The New Negro Escapist Social and Athletic Club» Center for Graduate Studies, 2008.

After graduating in 1993 with a Joint Honours Degree in the History of Art and Fine Art Painting, he took an MA in Art History and Theory at University in the UK, (awarded with distinction) in 1995, before moving to Florence (after winning a scholarship from the Elizabeth Greenshields Foundation, in Canada) to master the traditional skills of disegno and colorito at the Cecil Studios, run by the American artist Charles Cecil.

What is so refreshing about Curtis's chronological grouping is that it illustrates something art historians hate to acknowledge: chaos theory at work in the visual arts.

Joy Sleeman is Reader in Art History and Theory at UCL Slade School of Fine Art.

Marina is currently preparing a PhD in Collecting / Curating Theory at Aalto University, Helsinki.

She is currently a Core Faculty member of the MA in Art Criticism and Cultural Theory at the Art Center, College of Design, Pasadena, California.

She is a professor of 20th century art and theory at Columbia University.

After a day of engaging with art theory at The Nasher for a symposium inspired by Nasher Prize Laureate Theaster Gates, what better way to celebrate is there than to look at some art?

The works are explorations of color field theory at hyper speed.

The class, entitled «Leave the Theory at Home — Writing About Art,» was described as «us (ing) the idea of «personality» as a lens through which to approach recent art.»

Amna Malik is a Lecturer in Art History and Theory at the Slade School of Fine Art, London.

He has also been influential as a teacher, having taught design, sculpture, and theory at The Cooper Union, New York, since 1989.

He teaches art and theory at the Piet Zwart Institute, Rotterdam, and the Royal College of Art, London.

She has taught art history and critical theory at Columbia University; The Center for Curatorial Studies, Bard College; The Corcoran College for Art and Design; and MoMA.

After graduating from Seoul National University with a BFA in painting, Park went on to study photography, film and critical theory at the California Institute of the Arts.

Contributions by: Vito Acconci, designer; Diana Balmori, Landscape and Urban Designer; Kai - Uwe Bergmann, Partner, Business Development at BIG; Mindy Thompson Fullilove, Professor of Clinical Psychiatry and Professor of Clinical Sociomedical Sciences at Columbia University; Ariane Lourie Harrison, principal of Harrison Atelier and a critic and lecturer at the Yale School of Architecture; Seth Harrison, principal of Harrison Atelier and founder of Apple Tree Partners; media artist Brian House; poet Rachel Levitsky; artist, designer and founder of The Center for Urban Pedagogy Damon Rich; Associate Professor of Architectural History and Theory at Pratt Institute's School of Architecture, Meredith TenHoor; modular synthesizer artist Ben Vida; and musician C. Spencer Yeh.

He is a lecturer in history & theory at The Class School of Architecture, London Metropolitan University.

The principle of composition — the arrangement of internal elements within a frame, the creation of tension by the juxtaposition of individual parts — is replaced by an addition of modules, all of them identical, that could — in theory at least — be added ad infinitum.

He was visiting lecturer in exhibition history and critical theory at the curating contemporary art department of the Royal College of Art, London from 2006 to 2011.

She has taught architecture and design theory at CCA, Rice University, UC Berkeley, and the College of Marin, Kentfield.