«They are enthusiastic
there about filmmaking,» said Ian Nelm.
Not exact matches
There are also meetings and film festivals where science producers gather, such as the World Congress of Science Producers, the Wildscreen Festival in the U.K., and the Jackson Hole Wildlife Film Festival, all of which are good places to go to learn
about filmmaking and to meet people.
There's nothing special
about the
filmmaking.
This is
about as perfect an example as
there is of bad, bad
filmmaking.
The proclamation that
there's nothing you can't learn
about filmmaking from George Stevens» film should make you want to watch it again.
«Joe and I always talk
about it,
there's this
filmmaking adage that goes, «You make a movie three times over: when you write it, when you shoot it, and when you edit it,»» Anthony Russo added.
The great director, actor, writer, screenwriter, and filmmaker MARK DUPLASS joins the DTFH and we talk
about authenticity,
filmmaking, collaboration and getting out
there and making stuff happen.
Robert Osborne and Robert Wagner have known each other a long time, so when I sat down with them on April 16, 2013 to talk
about TCM's Road to Hollywood presentation of THE PINK PANTHER, the interview became a spirited three - way conversation
about the magic of film and
filmmaking, as well as why
there is... Read More»
Great vérité
filmmaking is
about a great subject, access, knowing where to put the camera and being
there for the right moment.
Alongside directors, nations and material cultures,
there are also specific themes — sometimes less materialist and more tuned in to the utopian possibilities of the imagination — that can be drawn out from the ever - swirling mass of experiments in
filmmaking and creative writing
about film.
A few days ago I caught up with Jay & Mark Duplass for a chat
about their new film and their
filmmaking process in general, since the ways these guys shoot their films is unlike anyone else out
there.
There are no retrospectives this year, but there's a promising sidebar titled «Film on Film» that features documentaries about filmmaking, plus one pseudo-documentary titled «Hitler in Hollywood.&r
There are no retrospectives this year, but
there's a promising sidebar titled «Film on Film» that features documentaries about filmmaking, plus one pseudo-documentary titled «Hitler in Hollywood.&r
there's a promising sidebar titled «Film on Film» that features documentaries
about filmmaking, plus one pseudo-documentary titled «Hitler in Hollywood.»
There is a growing seriousness
about life in
filmmaking, at the same time as a great many empty and self - absorbed works continue to be made and praised.
If you're a cinephile who adores features borne on actual celluloid, patronize your nearest 70 mm exhibitor and is enamored with the technology behind practical
filmmaking,
there's a lot to love
about «Dunkirk.»
I love mockumentary style films;
there's something
about that style of
filmmaking that's extremely interesting and appealing.
There are a lot of things you can say
about Smith's
filmmaking, but one thing you can't deny is that he's something of a free spirit.
«If you go back and watch the original Highlander, whether the quality holds up or not or the
filmmaking process holds up,
there are things
about that movie beneath just the shots and the lighting,
there's a mythology
there, for some reason, it hooks us.
Amazon is already doing business with all three entities — it's
about to unveil «Wonderstruck» (Killer) and «The Only Living Boy in New York» (Bona Fide) at Cannes — and the news is yet another sign that the company will continue to finance high - quality independent
filmmaking from some of the most revered American directors out
there.
There is so much to love
about this movie, from the two leads playing off each other perfectly, to the exquisite
filmmaking including fantastic dialogue with long - takes, to how deeply layered the screenplay is touching upon popularity, alcoholism, parenting, relationships and plenty more.
We can talk a lot
about the harm caused by certain studios when it comes to reshoots and edited versions of films, but when it doesn't concern huge movies where those stories will easily make headlines, it generally shows how much of a collaborative process
filmmaking is and how
there are producers who know a thing or two
about development.
There's always a healthy amount of irritation slung
about during an Oscar season regarding the 6,000 - strong body of men and women charged with choosing the year's «best» in
filmmaking accomplishment.
Flaws with the
filmmaking could perhaps have been forgiven for a tour - de-force central turn, but
there's little to learn
about the character once the first couple of reels are through.
In addition to a pair of insightful interviews by director Michael Roskam and star Matthias Schoenaerts (who talks
about becoming obsessed with his physical preparation for the movie),
there's also a cool making - of featurette that delivers a behind - the - scenes look at the
filmmaking process.
Read her interview
about filmmaking and Almost
There.
It's a singularly unadventurous piece of
filmmaking about Antonina Zabinski (Jessica Chastain) and her husband, Jan (Johan Heldenbergh), who ran the Warsaw Zoo during World War II and managed to shelter 300 Polish Jews
there, almost all of whom survived the Holocaust.
Because
there is very little
about Prisoners that is neat and tidy: not the story, not the
filmmaking, not the performances.
I kept seeing the films again and again, and as I began to know a little more
about filmmaking and what cameras did, I was beginning to understand that
there are certain tools that you use and that those tools become part of a vocabulary.
There is plenty of talk here
about Los Angeles as a physical, mental, and historical site; hideous institutional architecture; gay pornography pioneer Fred Halsted; the revolutionary political stance and unlikely resurrection of Christ; the decline of celluloid
filmmaking; and even catty commentary
about the church - going habits of Ronald and Nancy Reagan.