Sentences with phrase «there shooting a movie»

I had grown a beard out of boredom because my wife was out there shooting a movie and I thought that maybe that beard might be right for the guy.

Not exact matches

The famous horse head scene from the «Godfather» was shot in the mansion, and scenes from the movie «The Bodyguard» also took place there.

There have been three mass shootings in movie theaters since 2012.

The director confirmed at numerous screenings that he attended leading up to the movie's release that there's indeed one shot in the final cut of the film where Spacey can be seen playing billionaire J. Paul Getty.

There is not a difference between a baby being born or a shooting in a Colorado movie theater.

That is why in every movie theater there shall be established a well functioning alarm system, with cameras outside the door, and sound which immidiately would alert, an adequate number of well trained, armed and background checked security guards to arrive ready to apprehend the perpotrator and provide for the safety for all the innocent individuals who spent their money to have a good time not to get shot at (enterprises cut corners and then we complain about security and unemployment, charge what you charge for the concession if you have to without serving the soda and the pop - corn, I rather stay lean, healthy, intact and alive).

There's a 1988 movie, based on a book and a real - life experience, titled Bat 21, starring Gene Hackman as Iceal Hambleton, an Air Force colonel shot down in Vietnam who uses golf course design terms to secretly radio his position to Bart Clark, an Air Force captain played by Danny Glover.

There is a constitutional right to own firearms but we need to balance it with the right not to be shot to pieces in movie theaters, shopping malls, voting rallys and our schools.

I'm honestly surprised (as was Tony) that far more shows, movies and even TV commercials aren't shot there.

My name is Chris... 26 yrs old... 5» 3, italian, nice build... funny, sarcastic, smart, caring, romantic, kinky, gentle, family oriented... i like to shoot pool, go bowling, watch movies, play video games, work out, play flag football, drink here and there... anything fun really... love my jets and...

But R1, there were rumors of Statham hooking up with guys from Craigslist when he was shooting a movie in Toronto last year.

There's a tonal dissonance here: The gangster - movie dialogue of these different groups, as well as a somewhat lame late movie shoot - out, feel far removed from the terse, beautifully choreographed pandemonium of the film's first act.

From there we go through work on the script, casting, shooting in England and Burton's style on the set, various pressures, aspects of different sequences and changes along the way, the music, the movie's marketing and promotion, and its reception and legacy.

There are a couple of original shots and some funny moments, and in the gross - out, sadistic violence and celebration of crudity, it successfully does the horror movie as a Looney Tunes farce, although Joe Dante and George Miller have done that with finesse.

The movie kicks off with a poorly CGI'd (for Zemeckis) shot of the hero standing in the Statue of Liberty's torch with the Towers looming across the water behind him, talking and talking and talking not to you but at you, often in bizarrely gargoyle - ish close - ups, about the amazing thing he's about to do, or is doing — as if convincing us to buy a ticket to the film we're already sitting there watching.

More suits, more shots of Tony in the hot Audi, the Captain America Shield wasn't a subtle nod this time, Sam Jackson had a fuller part and there was too much time spent setting up the future Avengers movie.

One interesting thing is that there seems to be some early concern regarding the use of digital video to shoot this movie, and I have to admit, it does look a bit bland and decidedly less stylish than we're used to seeing from Michael Mann.

Martin Scorsese is a perfectionist, but he isn't a control freak; his movies breathe, their performances are often dependent on improvisation, and no matter how much planning went into a shot or sequence, there's often an unpredictability and seeming randomness to the individual moments, a sense that the story could go anywhere and that the characters could do anything.

«Joe and I always talk about it, there's this filmmaking adage that goes, «You make a movie three times over: when you write it, when you shoot it, and when you edit it,»» Anthony Russo added.

A crowd hears something smashing into a distant hill while milling around outside a movie theatre, and with the entire film shot on a distinctly artificial soundstage there is about The War of the Worlds a sense of insular self - awareness.

He shot films for Stanley Donen, Carol Reed, and Blake Edwards, but there may have been no movie where his sense of colour and light was more critical than on The Deep.

So there'd be no difference in terms of how I would shoot the movie.

There wasn't a single shot in this movie that didn't even look convincing.

And as for There's Something About Mary, remove a certain poster - shot of a semen - created quiff and the movie has little to offer.

So if you have been browsing Netflix's library you might of seen this movie sitting there and maybe thought to yourself «Meh, I will give it a shot», be sure... Read More

There's one jaw - dropping shot in particular towards the beginning of the movie that really shows the uniqueness with which Green is approaching the story, and how that fully supports the characters.

And then there's Ethan Hawke, who might be the strongest option from Linklater's «Boyhood» to get a major nomination (it's unique territory given his performance comes over 12 years of shooting), while Jonathan Pryce is fantastic in «Listen Up Phillip,» even though the movie itself might be too small to get major awards recognition.

Ticking off the film's budget ($ 53 million, which climbed to $ 60 million) and shooting schedule (100 days) with a morose disbelief that has persisted a decade, Anderson believes that «there were too many things about that movie that weren't fun for me that I thought ought to be.»

It's not just kind of latex and a costume; it would be a motion - capture performance of the monster — I can give away maybe not too much by saying there's more than one in our version — and then I would go to Europe, shoot the movie, do scenes with the real actors and I would be able to see the motion - captured monster in real time due to SimulCam, so yes that is our technological VFX paradigm for Frankenstein.»

The 1080p 2.35 X 1 digital High Definition image transfer is not only dull as noted, the editing is lame and the all - HD shoot tries to use the scope frame to be big or go big, but this has all the excitement and intrigue of a bad TV movie visually and there are episodes of Columbo and McCloud that look like they were shot in IMAX as compared to what we get here.

But there's a level of sincerity beneath Leigh's cynicism that redeems his movies and makes those titles more than cheap shots.

There is plenty of rehashed old well known dialog from the first two classic movies, similar shots of the creatures, similar jump moments, the same classic sound effects etc...

While everyone was excited for video game heiress Lara Croft back when Angelina Jolie made a couple of Tomb Raider movies, there was a lot left to be desired, and even with the relative success of lady action stars finally getting their due, Alicia Vikander seemed like a long shot.

At the time, Rodriguez says, there wasn't much he could do (McGowan had signed a NDA years prior, meaning she wasn't even supposed to be telling Rodriguez her story), but that didn't stop him from firing a shot at his longtime producer and hitting him where it really hurt: calling Weinstein out in a movie produced by... the Weinstein Company.

Art is in the details and there are so many details that Daniel and I discovered during that four months of shooting that really took the movie to a whole different level.»

There's sort of a Forgetting Sarah Marshall vibe to the whole thing, and you'd hope that a group of friends shooting a movie on a tropical island somewhere would lead to a fun (and potential funny) atmosphere.

EXTRAS: The two - disc set doesn't have much for a movie its size, but there are three production featurettes — on location shooting, filming the train chase sequence and cowboy boot camp — as well as a deleted scene and blooper reel.

Though there is a fair amount of flesh for a movie of this era, including a languid tracking shot across a bunch of sleeping revelers, who are clearly implied to have just held an orgy.

There are moments of real beauty in this movie — particular a bravura panning shot of every character in their own personalized train car, whether or not they're actually on the train — but the protagonists are the last people you'd ever want to be seated next to on a long trip, so watching them in a movie isn't much fun either.

I learned recently that The Other Boleyn Girl was shot in HD, which makes it by far the best - looking digital movie yet, so give it some credit there, too.

Oh, and lest I forget, as if there wasn't enough already going on, for the entire movie, there is a documentarian shooting all of this as footage for his documentary.

Blu - ray Highlight: There's not much in the way of special features, but if you don't mind sitting through the movie a second time, writer / director Lesyle Headland's audio commentary is worth a listen, especially for any aspiring filmmakers interested in what it's like to shoot your first feature.

There is just no way this movie had a shot at commercial success.

There are gunfights (one of my favorites in any movie ever is when Treat Williams and a security guard are shooting at each other for a good couple of minutes).

The Baywatch movie, which stars Dwayne Johnson and Zac Efron, is now shooting and there have been tons of images that Johnson has shared,...

From director Jeremy Saulnier (Blue Ruin)-- formerly a cinematographer (Putty Hill, Septien)-- the movie is meticulously shot and acted, as fine a piece of cinematic craftsmanship as there is.

There's no such thing as a perfect movie, but in the way that the script was handled, the way it was shot... it's a perfect film noir movie, or it's close to perfect, I should say.»

The Myth of the American Sleepover DVD Review by Kam Williams DVD Features Teens Acting Out in End of Summer Saga There's a thin line between making a Mumblecore and shooting a home movie, and in the case of The Myth of the American Sleepover it hard to discern exactly which you might be watching.

Are there movies that you wished you'd shot?

Later he adds, with Kore - eda having established a beauty all his own, «There isn't a shot in the movie that isn't graceful or pleasing.»