Sentences with phrase «thick face paint»

Create the visual effect without covering yourself in thick face paint.

Not exact matches

Back then women removed thick layers of face powders and paints with the use of cleansing oils, followed by a foaming cleanser.

They painted my face (including the eyelids) with this thick green paste that was incredibly cooling.

Standing in face of this absorbed ethos is Adrian's brother, who rakes in tons of dough and a thick coat of normalcy with abysmal paintings sold to tasteless lobbies all over the world.

The thick and fluid layers of paint often obscure the face of the figure, adding a sense of mystery to the work.

«Billboard» (1957), with its large gestures and thick paint, organizes a roiling Abstract Expressionist composition into an irregular grid of color patches enclosing figures, faces, fruit and hints of objects alive somewhere in the depths of paint.

Fraleigh's environments couple the seen with the unseen: swirling abstract spaces combine with bold voids of color; thick pours of paint or lustrous metallic leafing obscure fleshy forms; turned heads and cropped faces reject the viewer's gaze.

A thick white oil ground - probably of household paint - was brushed on to the smooth face of the hardboard to give a hard, textured surface.

I took on this insight wholesale and verbatim in my earliest paintings after graduate school, employing thick stretchers and particularities of metallic paint surfaces to exaggerate the objectness of a painting in the face of the circulation of digital images of paintings.

As in the paintings of Wayne Thiebaud, many of Oinonen's faces cast stark shadows; and also like Thiebaud, each brushstroke seems «hot» with the bright underpainting, while the thick brushstrokes on top are cool with soft, coastal light.

Elsewhere, Theaster Gates's In Case of Race Riot II (2011), a fireman's hose coiled and framed in a wooden box, evokes the high - pressure water guns historically used to suppress civil rights protests; Kara Walker's deceptively playful cutouts tell narratives of the cruel racial dynamics and oppressive stereotypes of the antebellum South; and Titus Kaphar's chilling duo of paintings in The Jerome Project (My Loss)(2014) show the monumental, detailed face of a black man disappearing behind a rising glut of thick black paint.