Liat Yossifor's gestural paintings are the result of three - day sessions where she approaches each canvas with one
thick layer of oil paint.
He prepares and stretches canvas, covering it with
a thick layer of oil paint.
An individual piece consists of a single
thick layer of oil paint that Yossifor manipulates with a palette knife; the work is produced over a three - day period, while the surface is still wet.
Yossifor paints these works in one shot, until one
thick layer of oil paint begins to harden.
The artist first applies
thick layers of oil paint in various colors, including burnt sienna, green, blue, and yellow, onto a white painted background, then uses her body to vigorously mix and sculpt the material until the once - vibrant pigments meld into a rich gray tone.
The method begins by applying
thick layers of oil paint, or carving acrylic paint, into the canvas.
Painted with
thick layers of oil paint, and incorporating objects such as stones, hair, shells and keys, the Madonnas are both menacing and mesmerizing — typified by unnerving gazes and prominent, tooth - filled mouths that grimace and gape.
The works use contemporary military camouflage as the base canvas, imitating and disrupting the underlying patterns with
thick layers of oil paint applied through an «action painting», similar to that of Jackson Pollock.
The imagery, built up in
thick layers of oil paint through a process of addition and subtraction, elicits the emotional response of Bosch and Picabia.
Attentive to the details of his surroundings, such as the curve of a green field on the horizon or the shifting shadows as they're cast throughout the day, Kelly builds up his monochromatic paintings with
thick layers of oil paint, creating a surface that is impenetrably opaque.
Consisting of a number of panels, his abstract paintings are made of
thick layers of the oil paint which create textured surfaces.
Not exact matches
«I've always liked the physicality
of paint,» says the artist Angel Otero, who transforms liquid material into
thick - yet - elegant
layers, or «
oil skins,» as he calls them.
Malevich said that a
painted surface is a real living form, here in sheer vitality Leonhardt activates her
paintings with numerous
layers of thick oil paint.
Radiating lines drawn in
oil stick across the canvas both infuse the work with a sense
of dynamism and energy and incise
layers into the
thick oil paint.
The artist drips and meticulously builds
layers of thick oil paint in her modestly scaled works, the largest
of which measure three feet square and the smallest seven inches square.
Around 1960, Fontana began to reinvent the cuts and punctures that had characterized his highly personal style up to that point, covering canvases with
layers of thick oil paint applied by hand and brush and using a scalpel or Stanley knife to create great fissures in their surface.
Gilad Efrat, who lays
layers of thick oil paint only to engrave within it or the subtract from it, functions much like that ancient writer, who imprints marks by stakes onto a soft mortar plaque, hurrying to affix meaning onto the surface
of the material before it will harden.
Bickerton then works directly onto the photographic print using
thick layers of oil and acrylic
paint so that the components
of photograph,
painting, and sculpture become indistinguishable.
Gibson's
painting practice often includes sculpted pigmented silicone, in addition to the simultaneous use
of oil, acrylic, and spray
paint; he employs these to create
layers of patterns in low relief or
thick impasto.
His unique expressions created by a classical technique
of layering thick oil paint to depict contemporary imagined sceneries reminiscent
of the work
of Van Gogh, have received acclaim both internationally and within Japan.
The results are sumptuous abstract encaustic
paintings that utilize a minimal color palette and repetitive imagery,
thick layers of translucent and opaque wax, paper prepared with batik markings and hand rubbed
oil stick combined to create multi dimensional panels.
At the heart
of this exhibition are three new such series: a line
of five pastels, treated like a kind
of reverse sculpture, with fat sticks
of chalky pigment ground back to dust and worked into
thick pages
of handmade paper; a sequence
of 18 watercolours in which pairs
of pigments are dissolved into each other,
layer over
layer, into veils
of translucent light; and a series
of ten tall, vertical sheets
of waxed butcher's paper, carrying
oil paint dissolved into skins
of solid and liquid colour.
On unstretched linen, he
layers oil and acrylic
paint in
thick and uniform quantity, but then strips and sands the surface
of the
painting to lay bare, in erratic patches, the linen's surface and fibers.
It's clear that Heinze relishes the process
of painting, using acrylic and
oil as almost sculptural materials in
thick, buttery strokes that build
layers of colour.
Copiously applied
oil paint forms the
thick, textural
layers of Jason Martin's new works at Lisson Gallery, London, pushing boundaries into sculpture.
The
paintings can take months to complete, the artist beginning with thin coats
of oil or tempera before the topmost
layer is applied in a
thick impasto.
His meticulous process involves the application
of thousands
of «marks»
of oil paint using dozens
of colors that he mixes and applies in
thick, textural
layers.
Dubuffet kept a log
of his technique - laying the stretched canvas on the floor, he covered the entire surface with a
thick, sticky
layer of oil paint, like icing a cake.