The large - scale portrait Mum (2017) employs a technique of
thicker paint lines to denote figuration rather than the thin ridges of paint that he often uses on aluminium.
Not exact matches
Pretty girl's bathroom features walls
painted pink
lined with a white dual washstand topped with
thick white quartz fitted with two sinks and polished nickel faucets as well as gray glass tiled backsplash under polished nickel mirrors.
The Ultra was essentially an upgrade to the Electra Park Avenue
line, and featured a standard leather trimmed interior with dual 20 - way power front seats (shared with Cadillac's restyled 1989 Fleetwood Sixty Special), lower - body accent exterior
paint treatment, distinctive
thick - padded vinyl top with limousine - style rear - window surround (available only on Ultra), simulated burled elm trim on the doors and instrument panel, unique aluminum wheels, anti-lock brakes, chromed B - pillar moldings, specific grille and tail lamps, leather - wrapped steering wheel, electronic instrumentation, padded glove - compartment door, unique interior door panel trim, and a variety of otherwise minor changes.
In Chestnut (1955), the
painting's white field is broken along the center, as if a chestnut tree were pushing through the pigment; and in Red, blue, black (1957), the
thick, dark red ground gives way at the center to black calligraphed
lines concentrated within dense gestural brushwork.
In my work of 1967 - 1968 using colored
lines across
thick, rolled colored fields, and painterly abstractions with allusions to nature I articulated where I thought advanced
painting should go.
The result was an explosion of otherworldly biomorphic and architectural ink washes that evoke images of tree branches, piers and unfinished buildings, and more recently, their counterpoint, huge
paintings with big
thick tactile
lines of color that sweep across the canvas like a roller coaster.
My current work has a multi-colored woven - like surface, and as I lay each thin
line of it down it goes from a
thicker to a thinner stream of
paint and ultimately to a vanishing point.
We see the
paint smooth as a final pass cuts across incised and engraved
lines,
thick from hands and palette knives or thin from bush handles.
The
paintings by David Ainley are colour monochromes built up in layers of
thick paint, forming a substantial surface into which Ainley scores
lines, revealing parts of the underpainting, in a process that is similar to excavation or mining.
By the 1970s Poons created
thick - skinned, cracked and heavy
paintings referred to as Elephant Skin
paintings; while Christensen sprayed loops, colored webs of
lines and calligraphy, across multi-colored fields of delicate grounds; Ronnie Landfield's stained band
paintings are reflections of both Chinese landscape
painting and the Color Field idiom, and John Seery's stained
painting as exemplified by East, 1973, from the National Gallery of Australia.
[13] Begun around 2001, the Piths, canvases with deliberately frayed edges and covered in
thick black strokes of
paint, indicate Truitt's interest in forms that blur the
lines between two and three dimensions.
What is slightly different with the Hong Kong show is the centerpiece of the show is not a
painting with icons covered by
thick black
lines.
Radiating
lines drawn in oil stick across the canvas both infuse the work with a sense of dynamism and energy and incise layers into the
thick oil
paint.
Crisp
lines and
thick, nearly impressionistic brushstrokes characterize the majority of Matthews» more naturalistic
paintings, while her abstract works, unencumbered by the boundaries of
line and shape, emanate a similar, joyful exuberance.
Scribbled
paint strokes blur the punchlines of comics, drips of white
paint collide with a
thick red
line squeezed right from the
paint tube, and bits of headlines such as «Dandruff may be the beginning of baldness» jump out amid abstract patches of pink, red, and yellow.
In an untitled 1997 abstract seascape that is mostly blue sky, she
painted two
thick black
lines (birds) with drop shadows for a trompe l'oeil effect.
In Black Hole Universe Blom's
lines were fuzzy and
thick; here they are calligraphic, rhythmic, and full of movement like that of an Asian tiger
painting.
As students we were doing lots of things around our
paintings while we were making miniatures: checking our colour palette and tools at the edge of the paper, trying out different kinds of
lines while making the borders, even tracing figures then hiding them behind a
thick layer of
paint.
Next time you see one of his
paintings, move beyond the simple
paint markings on a canvas, but try to see a single note of sound unraveling in
thick and thin, straight and curved, colorful and monochrome dripped
lines.
Like Guston's 1978
painting The
Line, which depicts an aged hand descending from a cloud and making a
thick mark with a piece of charcoal held between two figures — a riff, of course, on Michelangelo's hand of God — Head and Bottle denotes the single all - seeing eye of the creator.
Contino's early works are hard - edged geometric
paintings (including shaped canvases) composed of
thick lines and contrasting solid colors that divide the canvas and form intricate shapes.
In his
paintings in particular he plays with these familiar shapes and renders his works into patchworks of color blocks and
thick lines.
What is prominent in both films and
paintings is the presence of
thick black
lines which disrupt rather than promote unity within composition.
In his recent
paintings, however, in which he lays down
thick layers of black
paint and then scratches through the tarlike surfaces until the white under -
painting reveales itself in slightly wavering
lines, Maffei has entered a territory all his own.
Sultan bin Fahad's large
paintings are often covered completely with
thick strokes of
paint, interrupted with bold
lines of color.
The pictorial
lines are etched against raised surfaces created with
thick paint.
Long fascinated by geology and prehistoric cave
paintings, Penck filled the canvas with a standing stick figure in
thick black
lines.
At the heart of this exhibition are three new such series: a
line of five pastels, treated like a kind of reverse sculpture, with fat sticks of chalky pigment ground back to dust and worked into
thick pages of handmade paper; a sequence of 18 watercolours in which pairs of pigments are dissolved into each other, layer over layer, into veils of translucent light; and a series of ten tall, vertical sheets of waxed butcher's paper, carrying oil
paint dissolved into skins of solid and liquid colour.
Thick paint, hot colors, hard
lines, and a gouged surface reinforce the sense of uneasiness.
Here,
thick, colliding slabs of white and red
paint, and splashes of blood red, black, orange and white, nearly obliterate collaged patches of black - and - white checkerboard fabric, which recalls a finish -
line flag.
The formal language of his
paintings is abstract, while the visual means range from simple
line drawings to
thick paste - like applications of
paint.
Yli - Mayry's dynamic work is distinguished by her deft use of the pallet knife which she employs to achieve multiple effects, from a thin, even coat to
thick lines, to a three - dimensional quality made by scraping
lines into the
painted canvass.
Painted with a range of yellow, from pale lemon to bright Indian yellow, depth is achieved through the expert application of thin layers of
paint,
line and
thicker areas.
The variation in application of the
paint from
thick to more scumbled, along with the confident
line helps create the movement and depth of this
painting.
Now known for squiggly black
lines,
thick impasto
paint, and bright bold colors, the early
paintings show the beginning of issues he would continue to mine in
painting for the next thirty years.
Her
paintings deal with
thick layers and repentance that contrast with the rigidity of straight
lines.
In two series from 2009, Digital
Painting and After Francis Bacon, Paricio used an unusual mix of hard -
lined, flat geometric and amorphous shapes in primary and jewel colours alongside swathes of
thick, spattered
paint on canvases that were gradually edging towards the figurative.
Paul Pagk's Minuit Fugue, a pink abstract
painting is pretty much the definition of painterly surface effect; I really love the contrast between the large areas of
thick glossy
paint, and the crustiness that occurred as the
paint approached the whiteish
lines.
Lasker's positioning of contradictory elements (
thick / thin, brushed / troweled, gestural / flat, unconscious / conscious) through his use of three elementary essentials — figure, ground and
line — challenge more traditional readings of nonrepresentational
painting.
Fetting's
thick paint applied in simple adjacent
lines flirts with abstraction but also conveys the power of waves, with matchstick - bodied surfers at nature's mercy.
After some 30 years
painting thick black
lines and flat planes of color («I called it Cloisonism, which was a 19th century practice which Van Gogh was involved with for a time») the artist considered himself stuck.
Appel's use of
thick black
lines and
paint is highly expressionistic, and is similar in its sculptural aspect to the
thick impasto of Frank Auerbach (b. 1931).
Whether soft,
thick grids of viscous
paint lines or bare scratches in thin washes, Whitten's work is defiantly crisp.
His
paintings, with bright colors outlined by
thick black
lines, are charged with energy.
Pairing his bae - ap - bub technique with the utilization of a palette knife to lay down
thick impasto
lines, Ha Chong - Hyun transforms each
painting into a visceral three - dimensional surface.
The American street artist Keith Haring is famous for his instantly recognizable style of urban graffiti art - executed in marker ink, acrylic and Day - Glo
paint - with its
thick black
lines and distinctive cartoon - like figures and forms.
It has those familiar mesmerizing flourishes of swirling
lines dribbled on with sticks or brushes, but it also has
thicker pools of pure
paint as well as broader underlying areas of color that seem to parallel — or prefigure — Helen Frankenthaler's breakthrough works with
paint on unprepared canvas of the same time.
Richard Pousette - Dart's «Mythic Heads and Forms,» abstract
paintings which span the decade of the 1930s, with their elliptical organization of
thick black
lines that forcefully yet almost imperceptibly shift space, have an immediate impact, in the sense of both sureness and conviction.
Thick, buttery
paint forms the confident wide
lines in her oils.
He also
painted striking still lifes and interiors, such as Birdcage, Two Vases, and Flowers of 1981, a strongly abstracted work in which
thick black
lines describe objects in a room filled with quickly applied areas of vivid color that enliven the space and provide balance to the composition.